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四川永合利精品推荐丨花鸟纹葵花铜镜.

发布时间:2019-07-29 20:12来源:
四川永合利拍卖有限公司,为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

  四川永合利拍卖有限公司,为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

  Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.

  【名称】花鸟纹葵花铜镜

  【规格】直径:13cm

  【类别】杂项

  [Name]Peony Map

  [Specification] Long: 139 cm wide: 70 cm

  [Category] Calligraphy and Painting

  中国铜镜自齐家文化时期开始,历经4,000年历史,在不同的社会历史进程中,发展出不同的时代特征:古朴、灵巧、华丽、素雅、粗陋……形形色色;纹饰的不同内容、形态的多样化、工艺技术的高低,都成为时代的印记。在古代,最早的商代是用来祭祀的礼器出现,在战国至秦一般都是王和贵族才能享用,到汉代铜镜就慢慢的走向民间,是人们不可缺少的生活用具。

  Chinese bronze mirrors have experienced 4,000 years of history since the period of Qijia culture. In different social and historical processes, they have developed different characteristics of the times: simple, smart, gorgeous, elegant and crude. Various forms, different contents and forms of decoration, and the level of technology have become the mark of the times. In ancient times, the earliest sacrificial utensils appeared in the Shang Dynasty. From the Warring States Period to the Qin Dynasty, they were usually enjoyed by kings and nobles. The bronze mirrors in the Han Dynasty slowly went to the people and became indispensable living utensils.

  铜镜一般是含锡量较高的青铜铸。在古代,铜镜就是古代用铜做的镜子与人们的日常生活有着密切关系,它制作精良,形态美观,图纹华丽,铭文丰富,是中国古代青铜艺术文化遗产中的瑰宝,小如一面铜镜,便记载了这一段悠长的岁月,西汉前期是战国镜与汉镜的交替时期。直到西汉中期汉武帝前后,一些新的镜类流行起来了。这些新的镜类对后世铜镜的发展,起着承上启下的作用。唐代铜镜在造型上已突破了汉式镜,如葵花镜、菱花镜、方亚形镜等。图案除传统的瑞兽、鸟兽、画像、铭文等纹外,还增加了表现西方题材的海兽葡萄纹,打马球纹等。

  Bronze mirrors are usually cast in bronze with high tin content. In ancient times, bronze mirrors are mirrors made of bronze in ancient times, which are closely related to people's daily life. They are exquisite in production, beautiful in shape, gorgeous in pattern and rich in inscriptions. They are treasures in the cultural heritage of ancient Chinese bronze art. They are as small as a bronze mirror, which records a long period of time. In the early Western Han Dynasty, they were mirrors of the Warring States and Han Dynasty. The alternating period. Until the mid-Western Han Dynasty, around Emperor Wudi of Han Dynasty, some new mirrors became popular. These new types of mirrors play a connecting role in the development of bronze mirrors of later generations. The Tang Dynasty bronze mirror has broken through the Han style mirror in the shape, such as sunflower mirror, diamond mirror, square sub-mirror and so on. In addition to the traditional patterns of Swiss animals, birds and beasts, portraits, inscriptions, etc., the pattern also adds the grape pattern of sea animals and polo pattern of Western themes.

  盛唐以后,以花为主,多为吉祥图案,自由豪放,清新活泼,表现了大唐帝国蓬勃向上的精神面貌。装饰方法有浮雕、彩绘、镶嵌、鎏金等到,出现了金银平脱、螺钿镶嵌、涂釉、涂漆等新工艺。唐代铜镜的演变情况可分为三个时期。初唐,一方面继承隋代传统,多为四神镜、十二生肖镜、瑞兽镜;另一方面又受外影响,出现海兽葡萄镜。盛唐、中唐时,民族特点加强,多为花鸟镜、瑞花镜、人物故事镜、盘龙镜、对凤镜等,寓意吉祥。构图也不像传统汉式镜那样严格对称,而是采用绘画风格,但求均衡,不求对称。装饰手法也比以前增多,华丽精致,雄健豪放,是唐镜的最盛期,代表了唐镜的水平。晚唐处于衰落趋势,多为八卦镜,万字镜,有宗教意义,整个看上去,简单粗放,单调乏味。

  After the flourishing Tang Dynasty, flower-based, mostly auspicious patterns, free and bold, fresh and lively, showing the vigorous and upward spiritual outlook of the Tang Empire. Decoration methods include relief, color painting, mosaic, tantalum and so on. New technologies such as gold and silver flattening, screw and mole mosaic, glazing and painting have emerged. The evolution of bronze mirrors in Tang Dynasty can be divided into three periods. In the early Tang Dynasty, on the one hand, it inherited the tradition of Sui Dynasty, mostly the four gods mirror, the zodiac mirror and the auspicious animal mirror; on the other hand, it was influenced by the outside world and appeared the beast grape mirror. In the flourishing and mid-Tang dynasties, the national characteristics were strengthened, mostly flower and bird mirrors, auspicious flower mirrors, character story mirrors, Panlong mirrors and paired Phoenix mirrors, which implied auspiciousness. The composition is not as symmetrical as the traditional Chinese mirror, but in a painting style, but in a balanced way, not symmetrical. Decoration techniques are also more than before, gorgeous and delicate, bold and bold, is the peak of the Tang mirror, representing the level of the Tang mirror. Late Tang Dynasty is in a declining trend, mostly for the Eight Diagrams Mirror, Wanzi Mirror, with religious significance, the whole looks simple and extensive, monotonous.

  中国铜镜在唐代以前,以圆形为主,极少有方形的。到宋代后除继承过去的圆形、方形、葵花形、菱花形外,葵花形、菱花形镜以六葵花为最普遍。它们的棱边与唐代有所不同,有的较直,形成六边形镜。此外还有带柄镜、长方形、鸡心形、盾形、钟形鼎形等多种样式。并出现了很多花草、鸟兽、山水、小桥、楼台和人物故事装饰题材的铜镜,还有素面镜,窄边小钮无纹饰镜,这些题材都具有浓厚的生活气息。此外,还有一些神仙、人物故事镜和八卦镜等。像花鸟纹葵花铜镜经以往的成交价来看,故具有收藏价值,艺术价值。

  Before the Tang Dynasty, Chinese bronze mirrors were mainly round and rarely square. After the Song Dynasty, besides inheriting the past round, square, sunflower-shaped and diamond-shaped, sunflower-shaped and diamond-shaped mirrors were the most common. Their edges are different from those of the Tang Dynasty. Some of them are straight and form hexagonal mirrors. In addition, there are many styles such as handle mirror, rectangle, chicken heart, shield, bell tripod and so on. Many bronze mirrors with decorative themes of flowers, birds and animals, landscapes, bridges, terraces and character stories, as well as plain mirrors and narrow buttons without decorative mirrors, all of these themes have a strong flavor of life. In addition, there are some immortals, character story mirrors and gossip mirrors. The sunflower bronze mirror with flower-and-bird pattern is of collecting value and artistic value in view of past transaction price.

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