山西益昌升2019新加坡拍卖精品推荐专场娄江宋文治江南春意浓

藏品名称：娄江宋文治江南春意浓

藏品规格：136X67cm

交易方式：新加坡拍卖专场

藏品简介： 宋文治,1919年10月生，江苏省太仓县人。笔名宋灏。早年家贫，小学毕业后到上海广告社学徒，业余时间到苏州美术专科学校沪校学习半年素描，后长期任小学、中学、师范学校美术教师，工作之余刻若学习绘画，成就甚大。

他从事画艺初期由《芥子园画谱》、清初“四王”入手，笔墨精妙，品味高雅，继而又上溯明、元、宋笔墨韵致，兼融南北诸家。曾得朱屺瞻、陆俨少二老指点，又从张石圆、吴湖帆学画，得见大量名家真迹，心摹手追。特别是在解放后他开始背起画夹走向自然，广师造化，进一步融合诸家诸法，致力于探究以传统笔墨表现新时代风貌，历二万三千余里，创作出大批讴歌祖国山河的、属于自己的、溶入了新时代特点和现代人感情的山水画。1956年便以成名作<桐江放筏>在画坛崭露头角。受清僧石涛“笔墨当随时代”等思想影响，他在特定的绘画语境中用“老瓶装新酒”，创作出了<山川巨变>等富有时代气息的优秀作品，个人画风也随之一变。之后他继续坚持一手伸向传统，一手伸向生活，游历名山大川，外师造化，内得心源，不断锤炼笔墨，开拓画境视野，继续以传统水墨写意笔法表现时代风采，由此画名日隆。他以典雅独致的审美观念和笔触生动地描绘黄山、庐山、长江等，作品构思精巧严谨，笔墨苍劲凝练，画风清新秀润，气势雄放宏大，意境深邃隽美。特别是他的江南风情画作因为清丽典雅、个性秀逸明快而独标一格。

20世纪80年代以来，宋文治受泼墨泼彩等画风影响，借鉴青绿山水、浅绛山水和西洋水彩等画法，大胆否定自我，再次开拓思变，进一步地锤炼新的绘画语言，力求探究中国画未来新路，终以没骨泼彩山水画新风貌凸现于世。与张大千、刘海粟凭借激情泼墨泼彩偶然所得画法不同的是：他大胆地将泼彩、流痕、拓迹等渲染手法与勾、皴、擦、点等传统笔墨有机地融为一体，作画程序恰与水墨设色技法相反，意在笔先，于色中施墨，并在绘画中增添了“制作”技巧成分，由此淋漓尽致地表现客观自然，这同时也显示了他驾驭笔墨，丰富变幻的技巧，又再次引起了我国画坛的密切关注。他还曾被誉为“当代山水画八家”之一，因其喜绘江南水乡柔美虚灵、清新隽秀的风光，秀润中见苍茫，得有“宋太湖”之雅号，由此进一步地延续和发展了现代“金陵画派”山水画风。

Collection Name: Loujiang Song Wenzhi Jiangnan Spring Intension

Collection Specification: 136X67cm

Trading Method: Singapore Auction Specialty

Collection Introduction: Song Wenzhi, born in October 1919, from Taicang County, Jiangsu Province. The pen name is Song Hao. In his early years, he was poor. After graduation from primary school, he went to Shanghai Advertising Society as an apprentice. In his spare time, he went to Shanghai School of Suzhou Academy of Fine Arts to study sketch for half a year. After that, he served as an art teacher in primary, middle and normal schools for a long time. After working, he spared no time to study painting and made great achievements.

In the early stage of his painting career, he started with "Mustard Seed Garden Painting Spectrum" and "Four Kings" in the early Qing Dynasty, with exquisite brush and ink, elegant taste, and then traced back to the Ming Dynasty, Yuan Dynasty and Song Dynasty, and melted all the northern and southern schools. He had been instructed by Zhu Lizhan and Lu Lishao, and learned painting from Zhang Shiyuan and Wuhu Sailing. A large number of famous artists were found and tracked by hand. Especially after liberation, he began to carry his painting clips to the nature, and further integrated various schools of thought. He devoted himself to exploring the traditional brush and ink to represent the new era. Over the past 23,000 years, he created a large number of landscape paintings which eulogized the motherland, belonged to himself, and melted into the characteristics of the new era and the feelings of modern people. In 1956, Tongjiang Raft became a famous painting. Influenced by the Qing monk Shi Tao's thought of "pen and ink should keep pace with the times", he used "old bottles to pack new wine" in a specific painting context to create excellent works with the flavor of the times, such as "great changes in mountains and rivers", and his personal painting style changed accordingly. After that, he continued to stick to the tradition and life with one hand, traveled famous mountains and rivers, made by foreign teachers, learned from inside, constantly refined brush and ink, broadened the vision of painting, and continued to use traditional ink freehand brushwork to express the style of the times, thus the painting became more and more famous. He vividly depicts Huangshan, Lushan and Yangtze River with elegant and unique aesthetic concept and brush strokes. His works are delicate and precise in conception, vigorous and concise in brush and ink, fresh and fresh in style, magnificent in momentum and profound in artistic conception. Especially his Jiangnan style paintings are unique because of their elegance and elegance, elegant and lively personality.

Since the 1980s, influenced by painting styles such as splashing ink and splashing colours, Song Wenzhi boldly denied himself by drawing lessons from such painting methods as green landscapes, shallow Jiang landscapes and Western watercolours, once again exploited and changed his mind, further refined his new painting language, and tried to explore a new way of Chinese painting in the future, and finally emerged in the world with a new style of boneless splashing coloured landscapes and waters. Different from Zhang Daqian's and Liu Haisu's accidental paintings by splashing ink and splashing colors with passion, he boldly blended splashing colors, rubbing marks and rubbings with traditional brush and ink such as hook, rubbing, rubbing and dotting. The painting procedure is just the opposite of ink and ink coloring techniques, aiming at applying ink in the color first and adding ink in the painting. The composition of "production" skills, thus fully and vividly expressing the objective nature, which also shows his mastery of brush and ink, rich and changeable skills, and once again attracted close attention in China's painting circles. He has also been praised as one of the "eight contemporary landscape painters", because he likes to paint the beautiful and meaningful scenery in the south of the Yangtze River, which is so beautiful that he can see the vast land in the elegance of the "Song Taihu Lake", thus further continuing and developing the modern "Jinling School" landscape painting style.

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