四川永合利精品推荐丨清中晚期佛像足金

四川永合利拍卖有限公司，为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.

【名称】清中晚期佛像足金

【规格】重：111.42g 长：42.18mm 高：35.04mm

【类别杂项

[Name] Foot Gold Statue of Buddha in the Middle and Late Qing Dynasty

[Specification] Weight: 111.42g long: 42.18mm high: 35.04mm

[Category Miscellaneous

此藏品为为清中晚期足金小佛像，重：111.42g 长：42.18mm 高：35.04mm。

This collection is a small statue of the foot-gold Buddha in the middle and late Qing Dynasty. It weighs 111.42g in length, 42.18mm in height and 35.04mm in height.

佛教自东汉时传入中国中原地区，迄今已经有两千多年的历史了。唐以前的佛像艺术价值，但因存世有限，市场上非常罕见。十六国后赵建武四年(公元338年)铭款造像，是目前发现的中国有明确纪年的最早的金铜佛像。南北朝时期，我国佛教进入了全面发展时期，佛像艺术在新的时代风气影响下也进入了空前的发展阶段，这时金铜佛像也流行起来。隋唐时期，佛像艺术随着国家的统一，政治、经济的强大和佛教的发展进入了鼎盛时期。佛教造像不再亦步亦趋于外来模式和手法，而是向着个性化、理想化的新型模式发展，呈现出崭新的时代风貌。五代两宋时期，佛教艺术开始走向世俗化，佛像艺术中应有的神圣性和理想主义精神大大减弱，而世俗的现实性成分大大增加，佛像艺术带着浓重的世俗审美特征。元代佛像艺术最为引人注目的是新的艺术形式，即藏传佛教造像艺术的传入和影响。

Buddhism has been introduced into the Central Plains of China since the Eastern Han Dynasty and has a history of more than two thousand years. The artistic value of Buddha statues before Tang Dynasty is very rare in the market because of their limited existence. The statue of Zhao Jianwu's inscription in the fourth year (338 AD) after the sixteenth kingdom is the earliest bronze and gold Buddha statue with a definite age found in China. During the Northern and Southern Dynasties, Buddhism in China entered a period of comprehensive development, and the art of Buddha statues also entered an unprecedented stage of development under the influence of the new era atmosphere. At that time, bronze and gold Buddha statues were also popular. During the Sui and Tang Dynasties, with the unification of the country, the Buddhist statue art entered its peak period with the powerful politics and economy and the development of Buddhism. Buddhist statues no longer follow suit and tend to foreign models and techniques, but towards a new model of individualization and idealization, showing a brand-new style of the times. During the Five Dynasties and the Song Dynasty, Buddhist art began to become secular. The spirit of sacredness and idealism in Buddhist statue art was greatly weakened, while the realistic elements of Secularity were greatly increased. Buddhist statue art had strong secular aesthetic characteristics. The most noticeable art form of Buddhist statues in Yuan Dynasty is the introduction and influence of Tibetan Buddhist statue art.

明代嘉靖时，佛教艺术重新回归到汉地传统艺术风格独立发展之路。特别在万历时期，汉地佛教造像艺术独盛一时。到了清代，在康熙、乾隆的扶持下藏传佛教再度大兴，藏传佛像艺术又重新占领内地艺术舞台。明清的金铜佛像就构成了今天中国古代佛像投资市场的主体。明代铸造金铜佛像非常兴盛。明早期的汉传佛教造像，身材比例比较适中，身躯饱满结实，线条简洁流畅，丰腴而不虚，近人而不俗。

In Jiajing of Ming Dynasty, Buddhist art returned to the road of independent development of traditional artistic style in Han Dynasty. Especially in the Wanli period, Buddhist statue art in the Han Dynasty flourished for a time. In the Qing Dynasty, with the support of Kangxi and Qianlong, Tibetan Buddhism flourished again, and Tibetan Buddhist statue art occupied the mainland art stage again. The gold and bronze Buddha statues of Ming and Qing Dynasties constitute the main body of the investment market of ancient Buddha statues in China today. The casting of gold and bronze Buddha statues was very prosperous in the Ming Dynasty. In the early Ming Dynasty, the statues of Han Buddhism were moderate in proportion, full and strong in body, simple and smooth in line, rich but not empty, close to people but not vulgar.

金佛通体呈金黄色亮泽，摸上去手感光滑。背部部底端，有花纹点缀，更添立体感，从品相上看，黄金佛整体保存完好，是一次性浇铸而成的。 此金佛是不可多得的精品，含金量较高。在古代，由于提炼技术的限制，含金量达到80%就已经是“足金”了。

The golden Buddha body is golden and shiny. It feels smooth. The bottom of the back is embellished with patterns, which adds a three-dimensional feeling. From the aspect of appearance, the Golden Buddha is well preserved and cast in one time. This golden Buddha is a rare fine product with high gold content. In ancient times, due to the limitation of refining technology, gold content of up to 80% has been "enough gold".

此件小金佛，足金打造。器型精美，线条柔和流畅，慈祥庄严，高仅寸余，却纳无边佛法，深藏着庄重与神奇，今天谈到佛像收藏，毫无疑问佛像首当其冲，构成了今天中国古代佛像投资市场的主体。此金佛包浆浑厚，浑然天成，保存下来更是难得，在佛像中为上品，具有极高的文化艺术价值和收藏价值。该藏品虽经历了无穷岁月，但上面的包浆也见证了其历史的积淀，具有非常明显的历史过渡性特征，有着难以言喻的收藏价值。藏品保存完好，清晰程度好，现存世量稀少。

This little golden Buddha is made of full gold. Today, when it comes to the collection of Buddha statues, there is no doubt that Buddha statues bear the brunt and constitute the main body of the investment market of ancient Chinese Buddha statues. This golden Buddha is thick and natural. It is rare to preserve it. It is a top-quality Buddha statue with high cultural and artistic value and collection value. Although the collection has gone through endless years, the pulp above also witnessed its historical accumulation, with a very obvious historical transitional characteristics, has an indescribable collection value. The collection is well preserved, clear and rare.