千古商城 大明宣德年制青花盘

永宣青花为一代名品，此盘即为宣德青花珍品。盘造型端庄敦实，胎体厚重坚致，敞口，浅弧形壁，矮圈足，底部无釉，胎质缜密。盘形规整，内口沿绘卷草纹，内壁绘缠枝花卉，绘画流畅自然;外壁则以卷草纹、缠枝花卉纹、回纹三层纹饰装饰。盘心绘把莲纹，即有莲叶、莲蓬、莲花、蓼草、茨菰等水生植物用锦带扎束在一起，随着水流动的波纹轻轻荡漾。布局疏密有致，盘心莲之花叶姿态秀美清雅，寓清廉之意。此盘画意疏朗，古朴典雅，笔法流畅，白釉肥润细腻，青花色泽浓艳，深入胎骨，为明宣德时期青花之典型作品。

Yongxuan blue and white is a famous product of the generation. This plate is the treasure of Xuande blue and white. The shape of the plate is dignified and solid, the carcass is thick and firm, open, shallow arc wall, short circle foot, no glaze at the bottom, and the tire quality is meticulous. The shape of the disc is regular, the inner edge is painted with rolling grass pattern, the inner wall is painted with tangled flowers, and the painting is smooth and natural; the outer wall is decorated with rolling grass pattern, tangled flower pattern and palisade. The lotus patterns are tied together with brocade by the lotus leaves, lotus plants, lotus flowers, Polygonum plants, and Zizania, which gently ripple with the waves of water flow. The layout is dense and elegant, and the flowers and leaves of panxinlian are beautiful and elegant. This plate is a typical work of blue and white in Xuande period of Ming Dynasty. It has a clear and elegant painting, smooth strokes, rich and delicate white glaze, rich blue and white color, and deep into the fetal bone.

此藏品为青花大盘，胎釉精良，抚之温润如玉，径宽满尺，属于同类尺幅较小者。内外壁装饰缠枝四季花卉纹，勾画婉转流畅,其布局疏密有致，画工细腻雅致，花纹柔美风姿，尽在笔端，青花一色秾美苍妍，流露出浓厚的笔墨趣味。底部无釉，胎质缜密。此盘胎重体大，形制规整，整个纹饰布局层次清晰，主题鲜明。所绘花卉笔法优美流畅，因使用苏泥勃青料而产生自然晕散，使线条柔和绵软，富有质感。别具清淡高雅之韵味。在白胎的映衬下，罩于釉下的青花色泽浓艳，局部有铁锈斑疵。这种豪放潇洒、疏密有致的装饰风格充分显示出明初青花艺术的特色。

This collection is a large blue and white plate, with excellent glaze and jade like touch. Its diameter is wide and full. It belongs to the smaller one of its kind. The interior and exterior walls are decorated with Four Seasons flower patterns. The sketch is gentle and smooth. The layout is dense and elegant. The painting is delicate and elegant. The patterns are soft and beautiful. They are all on the end of the brush. The blue and white are beautiful and beautiful, showing strong ink interest. There is no glaze at the bottom, and the tire quality is meticulous. This plate has a large body, regular shape, clear layout and distinct theme. The painting method of flowers is beautiful and smooth, and the natural halo is produced by using Su Ni Bo green material, which makes the lines soft and full of texture. It has a light and elegant charm. Under the background of the white tire, the blue and white under the glaze are very colorful, and there are rust spots in some parts. This kind of bold and unrestrained, dense and unique decoration style fully shows the characteristics of blue and white art in the early Ming Dynasty.

后世雍乾二帝对永宣青花心仪不已，曾不遗余力仿制，其中此式盘摹制极多，然仅构图一项就远逊原作，规整呆板，笔道纤弱，工致有余而古意不足，缺乏永宣时期自然豪迈的气韵。永宣时期青花瓷器作为我国青花发展史上的黄金时代，他对后世青花瓷在纹饰、造型等各个方面的深远影响。故本件作为永宣青花同类器物中之上佳者，且保存极为完好，十分难得。

Later emperor Yongqian was very fond of the blue and white flowers of Yongxuan. He did his best to copy them. There were many disc copying systems, but only one composition was far inferior to the original one. It was neat and rigid, with delicate strokes, more work and less ancient meaning. It lacked the natural and heroic charm of Yongxuan period. As the golden age in the history of Chinese blue and white porcelain, Yongxuan blue and white porcelain had a profound influence on the following blue and white porcelain in various aspects, such as pattern, shape and so on. Therefore, this piece is the best one among the same kind of blue and white wares of Yongxuan, and it is very well preserved, which is very rare.