御尚文化艺术精品赏析：御世珍藏，尚博古今！

齐白石虾画

 

合同号：YSWHZLFW-B7010

规格：长：90cm宽：45cm

一代国画艺术大师张大千和齐白石，被称为南张北齐，都为后人留下了大量的精美作品，其中张大千以画荷著称，他笔下的虾画多彩多姿，令人陶醉：

张大千（Chang Dai-Chien，1899年5月10日—1983年4月2日），原名正权，后改名爰，字季爰，号大千，别号大千居士、下里港人，斋名大风堂。四川内江人，祖籍广东省番禺，1899年5月10日出生于四川省内江市市中区城郊安良里（现市中区公园湾半坡井“芭蕉井”   ）的一个书香门第的家庭，中国泼墨画家，书法家。

20 世纪50年代，张大千游历世界，获得巨大的国际声誉，被西方艺坛赞为“东方之笔”。

他与二哥张善子昆仲创立“大风堂派”，是二十世纪中国画坛最具传奇色彩的泼墨画工。特别在山水画方面卓有成就。后旅居海外，画风工写结合，重彩、水墨融为一体，尤其是泼墨与泼彩，开创了新的艺术风格，因其诗、书、画与齐白石、溥心畲齐名，故又并称为“南张北齐”和“南张北溥”，名号多如牛毛。与黄君璧、溥心畲以“渡海三家”齐名。二十多岁便蓄著一把大胡子，成为张大千日后的特有标志。1983年4月2日逝世。
此画在张大千的精雕细琢下，整个画幅都好像成了片宁静的池塘，活泼生动的虾自由自在地在水中游动，一节节的虾身透明而富有弹性，长长的虾须和两只虾螯也好像在不停地摆动着……张大千实在画虾，其实画出的也是水的质感、水的灵动，真是精妙绝伦！此作品极具有收藏价值！

Zhang Daqian and Qi Baishi, the great masters of traditional Chinese painting, are known as south Zhang and North Qi. They have left a lot of fine works for later generations. Among them, Zhang Daqian is famous for painting lotus. His shrimp paintings are colorful and fascinating

 

Chang Dai Chien (May 10, 1899-april 2, 1983), formerly known as Zhengquan, later renamed "Yuan", which is named Jiyuan, Daqian, another Daqian resident, Xiali Hong Kong people, and Zhai as the hall of the wind. Born in Panyu, Guangdong Province, Neijiang, Sichuan Province, on May 10, 1899, he was born in anlianli, the suburb of Shizhong District, Neijiang City, Sichuan Province (now known as "Bajiao well" in gongyuanwan Banpo well of Shizhong District). He is a Chinese ink splasher and calligrapher.

 

In the 1950s, Zhang Daqian traveled around the world and gained a huge international reputation. He was praised as "the pen of the East" by Western art circles.

 

He and his second brother, Zhang Shanzi, Kunzhong, founded the "lobby school", which is the most legendary ink splashing painter in the 20th century. Especially in landscape painting. Later, he lived abroad, combining painting style with work and writing, emphasizing color and ink, especially splashing ink and splashing color, creating a new artistic style. Because his poems, books and paintings are as famous as Qi Baishi and Pu Xinyu, he is also called "South Zhangbei Qi" and "South Zhangbei Pu", with many names. Huang Junbi and Pu Xinyu are equally famous for "crossing the sea". In his twenties, he had a big beard, which became a unique symbol of Zhang Daqian in the future. He died on April 2, 1983.

 

The painting is carved by Zhang Daqian. The whole picture seems to be a quiet pond. The lively and vivid shrimp are free to swim in the water. Each section of the shrimp body is transparent and elastic. The long shrimp whiskers and two lobster claws seem to be constantly swinging Zhang Daqian is really drawing shrimp. In fact, what he draws is the texture of water and the flexibility of water. It's really wonderful! This work is of great collection value!

 

郑板桥竹子

合同号：YSWHZLFW-B7010

规格：长90cm宽：45cm

郑板桥（1693-1765）原名郑燮，字克柔，号理庵，又号板桥，人称板桥先生，江苏兴化人，祖籍苏州。应科举为康熙秀才，雍正十年举人，乾隆元年（1736）进士。官山东范县、潍县县令，有政声“以岁饥为民请赈，忤大吏，遂乞病归。
郑板桥（1693-1765）原名郑燮，字克柔，号理庵，又号板桥，人称板桥先生，江苏兴化人，祖籍苏州。应科举为康熙秀才，雍正十年举人，乾隆元年（1736）进士。官山东范县、潍县县令，有政声“以岁饥为民请赈，忤大吏，遂乞病归。

书亦有别致，隶、楷参半，自称“六分半书”。间亦以画法行之。印章笔力朴古逼文、何。为人疏放不羁，以进士选县令，日事诗酒，及调潍县，因岁饥为民请赈，忤大吏，罢归，居扬州，声誉大着。

恣情山水，与骚人、野衲作醉乡游。时写丛兰瘦石于酒廊、僧壁，随手题句，观者叹绝。著有《板桥全集》，手书刻之。所作卖画润格，传颂一时。为“扬州八怪”之一，其诗、书、画世称“三绝”，擅画兰竹。一生画竹最多，次则兰、石，但也画松画菊，是清代比较有代表性的文人画家。

他画得的竹子体貌疏朗、笔力瘦劲，自有一番超凡脱俗的风格，时称“郑竹主张胸有成竹而后动笔。他画竹叶，创浓墨为面、淡墨为背之法，学者多效之，形成墨竹一派，有“墨竹大师”之称，又称之为“文湖州竹派”。

——他，就是郑板桥。郑板桥画竹,“神似坡公,多不乱,少不疏,脱尽时习,秀劲绝伦”。《清代学者像传》他一生的三分之二岁月都在为竹传神写影,他曾有诗写道：“四十年来画竹枝,日间挥写夜间思,冗繁削尽留清瘦,画到生时是熟时”.少年时，屋旁有一片竹，他于是在窗上糊上白纸，当白天的日光和夜晚的月色，将竹影投射到窗纸上时,觉得零乱却飘摇的竹影宛如一幅幅天然图画。此作品价值极高！

 

Zheng Banqiao (1693-1765), formerly known as Zheng Xie, was born in Xinghua, Jiangsu Province, in Suzhou. According to the imperial examination, he was a scholar in Kangxi, a scholar in Yongzheng's ten years, and a scholar in the first year of Qianlong's reign (1736). Officials of fan county and Weixian County in Shandong Province, there are political voices "asking for relief for the people with hunger at the age of one year, disobeying the officials, and then begging for the return of illness.

 

Zheng Banqiao (1693-1765), formerly known as Zheng Xie, was born in Xinghua, Jiangsu Province, in Suzhou. According to the imperial examination, he was a scholar in Kangxi, a scholar in Yongzheng's ten years, and a scholar in the first year of Qianlong's reign (1736). Officials of fan county and Weixian County in Shandong Province, there are political voices "asking for relief for the people with hunger at the age of one year, disobeying the officials, and then begging for the return of illness.

 

The book is also unique, with both clerical and regular script, calling itself "six and a half books". It is also done by drawing. The handwriting of the seal is simple, ancient and forced. He has a great reputation for being an exile, selecting county magistrate by Jinshi, serving daily affairs, poetry and wine, and dispatching Weixian County, asking for relief for the people because of hunger at the age of, disobeying senior officials, returning home and living in Yangzhou.

 

 

 

Wanton landscape, with the poet, wild patchwork for drunken travel. When writing conglan thin stone in the lounge, monk wall, casually topic sentence, the viewer sighs. He is the author of the complete works of Banqiao, which is engraved in calligraphy. The painting was embellished for a while. It is one of the "eight monsters in Yangzhou". Its poetry, calligraphy and painting are called "three wonders", and it is good at painting orchids and bamboos. In his life, he painted the most bamboos, followed by orchids and stones, but also pines and chrysanthemums. He was a representative literati painter in the Qing Dynasty.

 

 

 

The bamboo he drew has a sparse body, thin and strong strokes, and has a unique style. At that time, he said, "Zheng Zhu advocates having a solid mind before starting to write. He painted bamboo leaves, creating the method of thick ink as the surface and light ink as the back. Scholars worked hard to form a school of ink and bamboo, known as "master of ink and bamboo", also known as "wenhuzhou bamboo school".

 

 

 

——He is Zheng Banqiao. Zheng Banqiao painted bamboo, "the God is like Po Gong. It's not disorderly and sparse. It's a perfect show of strength.". In biography of scholars in the Qing Dynasty, he spent two-thirds of his life writing shadows for bamboo. He once wrote a poem: "for forty years, painting bamboo branches, waving and writing thoughts at night during the day, leaving all the redundancies and thinness. When he was young, there was a piece of bamboo beside the house. So he pasted white paper on the window. When the sun and the moon in the day cast the shadow on the window paper, I think the disordered but waving bamboo shadow is like a natural picture. This work is of great value!