千珍堂拍卖精品推荐——"《夏山翠竹》袁耀 《高山秀》袁江"

袁江，字文涛，清初康乾年间扬州画家。说到袁江，自然要介绍袁耀。袁耀，字昭道。关于袁江与袁耀的关系，有父子说、叔侄说、弟兄说三种，不少学者赞同父子说，其实还待考证。关于袁耀的记载，最早见于乾隆时成书的《画人》，附于袁江条目之中：“有子名耀，山水楼阁，尚守家法”。袁耀的生卒年也没有确切记载，只能根据作品推定。袁耀最早的作品画于乾隆四年（公元1739年），所见最迟的作品完成于乾隆四十三年（公元1778年）。学者推测其生于康熙后期，卒于乾隆四十三年（公元1778年）或之后几年。

 

Yuan Jiang, Wen Tao, Yangzhou painter in the early Qing Dynasty. When it comes to Yuan Jiang, it's natural to introduce Yuan Yao. Yuan Yao, the word Zhaodao. There are three theories about the relationship between Yuan Jiang and Yuan Yao: father son theory, uncle nephew theory and brother theory. Many scholars agree with father son theory, but it is still to be verified. The record of Yuan Yao was first seen in the book "painter" written in Qianlong period, which was attached to the entry of Yuan Jiang: "there are sons named Yao, mountains and rivers pavilions, and they still abide by the family law.". The year of Yuan Yao's birth and death has not been recorded exactly, which can only be inferred from his works. Yuan Yao's earliest works were painted in the fourth year of Qianlong (1739 A.D.), and the latest works were completed in the forty third year of Qianlong (1778 A.D.). Scholars speculated that he was born in the late Kangxi period and died in the 43rd year of Qianlong period (1778 A.D.) or several years later.

也许界画家的命运都是相似的，袁耀的经历与袁江大体相似。早年在扬州作画，过着卖画为生的日子。乾隆九年（公元1744年），他应山西贺氏盐商的邀请，参加贺氏庭园聚会，受到热情款待。三年后，贺氏要回山西故土，袁耀特作《广陵送别图》相赠，并题诗一首。因查找不便，故抄录于此。“游遍江淮胜，驱车返故乡。莺花三月尽，烟柳系丝长。驴背添诗轴，云山下夕阳。何时春夜寂，明月共飞觞。”情真意切，十分感人。此后很长的一段时间，袁耀被山西商人邀请到太原蔚家作画，并有作品传世。晚年重返故乡扬州，并于乾隆四十三年（公元1778年）作《扬州名胜图屏》，四条屏分别题名“春台明月”、“万松叠翠”、“平流涌瀑”、“平冈艳雪”，画的都是蜀冈—瘦西湖一带风光，以工笔留下了宝贵的资料。

 

Maybe the fate of the painters in the world is similar. Yuan Yao's experience is similar to that of Yuan Jiang. In his early years, he painted in Yangzhou and lived a life selling paintings. In the ninth year of Qianlong's reign (1744 A.D.), at the invitation of he's salt merchants in Shanxi Province, he attended the he's garden party and was warmly welcomed. Three years later, he's going back to his hometown of Shanxi. Yuan Yao wrote a farewell painting of Guangling and wrote a poem. It is not convenient to search, so it is copied here. "Travel all over Jianghuai and drive back home. The Orioles are out in March, and the willows are long. The donkey's back adds a poem axis, and the sun sets under the cloud mountain. When the spring night is silent, the moon will fly together. " It's very touching. For a long time after that, Yuan Yao was invited by Shanxi merchants to paint in Taiyuan Wei's house, and his works were handed down. In his later years, he returned to his hometown Yangzhou, and in the forty third year of Qianlong period (1778 AD), he made "Yangzhou scenic spot map screen". The four screens are respectively titled "spring platform moon", "Wansong Diecui", "pingliu yongpu", "Pinggang Yanxue". All the paintings are the scenery of Shugang thin West Lake area, leaving precious materials with meticulous brushwork.

 

以袁江为代表的“袁氏画派”以迥异于诸派笔墨形式的青绿山水界画独树一帜，把元明以来一直呈衰颓之势的古老画种重新振兴。袁江、袁耀以前的楼阁界画，主要描绘建筑物，体现功力的是运笔一丝不苟，精细入微，但缺少意境和生活情趣。类似今天设计的效果图，不大耐看。而袁江、袁耀的作品一面世，就带来一股清新之风。袁氏父子在继承前人楼阁技法的基础上，把山水画的技法融入界画，于是作品富于变化，不再失之于刻板。袁江青绿山水界画多描绘历史、神话等想象类情景，如阿房宫、骊山、蓬莱仙境、桃花源等等，每个主题都有传奇故事留存于世。

 

The "Yuan school of painting" represented by Yuan Jiang is unique in the green landscape painting, which is different from the painting forms of other schools. It reinvigorates the ancient painting which has been declining since Yuan and Ming Dynasty. Before Yuan Jiang and Yuan Yao, the painting of the pavilion mainly depicts buildings, which reflects the meticulous and meticulous use of brush, but lacks artistic conception and life interest. Similar to today's design of renderings, not very durable. As soon as Yuan Jiang and Yuan Yao's works are published, they bring a fresh wind. Yuan's father and son, on the basis of inheriting the techniques of the previous pavilions, integrated the techniques of landscape painting into the world painting, so the works are rich in change and no longer lose to the stereotype. Yuan Jiang's green landscape paintings mostly depict imaginary scenes such as history and mythology, such as Afang palace, Lishan Mountain, Penglai fairyland, peach blossom garden, etc., and each theme has a legend left in the world.

 

千珍堂拍卖有限公司

 

Qianzhentang Auction Co., Ltd.
 

为扶持中国艺术市场,保护发掘中国各时期艺术文物,将艺术与经济相结合,发掘文物艺术背后的价值,让更多的人了解文物,将中国特有的艺术推向更广的舞台

In order to support the Chinese art market, protect and excavate artistic and cultural relics in different periods of China, combine art with economy, excavate the value behind the art of cultural relics, let more people understand the cultural relics, and promote the art with Chinese characteristics to a broader stage.
 

经过多方考察,选定民间藏品较多及中国古文化保存较好的中国西南地区的行政、文化、经济中心成都作为艺术征集中心,故经过筹备,成立了四川千珍堂拍卖有限公司。

AAfter many investigations, Chengdu, the administrative, cultural and economic center of Southwest China, which has a large number of folk collections and a good preservation of ancient Chinese culture, was selected as the art collection center. Therefore, after preparation, Sichuan Qianzhentang Auction Co., Ltd. was established.

 

四川千珍堂以从事文物艺术品征集、拍卖、展览、交流等活动为主,旨在通过各种文化交流活动,弘扬中华民族文化,提高中国艺术品在世界上的地位和影响;为海内外收藏家和机构提供一个物畅其流、物尽其用的高层次、高品质的文化交流空间。四川千珍堂秉承“依法经营、信誉至上”原则,以雄厚的人才优势,严谨的审鉴态度、精湛的收藏品质量、畅通的客户网络,将艺术与经济完美结合。
 

Sichuan Qianzhentang is mainly engaged in collecting, auctioning, exhibiting and exchanging cultural relics and works of art, aiming at promoting the Chinese nation's culture through various cultural exchange activities, improving the status and influence of Chinese art in the world, and providing a high-level and high-quality collector and institution at home and abroad with a smooth flow of things and their best use. Space for cultural exchange. Sichuan Qianzhentang adhering to the principle of "operating according to law and putting credit first", combines art with economy perfectly with abundant talent advantages, rigorous attitude of audit, exquisite quality of collection and unblocked customer network.
 

四川千珍堂业务范围囊括举办大中型艺术品交流会、展览、鉴定、修复、艺术资讯、举办拍卖会等;经营艺术收藏品品类涵盖中国书画、各时期瓷器、古代玉器、当代玉器、钻石私人定制、珠宝首饰私人定制、古籍碑帖、油画雕塑、陶瓷玉雕、竹木牙角、金铜佛像、木器家具、当代工艺品等。
 

　　Sichuan Qianzhentang's business scope includes holding large and medium-sized art exchange, exhibition, appraisal, restoration, art information, auction and so on; its art collection category covers Chinese calligraphy and painting, porcelain of various periods, ancient jade, contemporary jade, diamond private customization, jewelry private customization, ancient books stele, oil painting carving. Sculpture, ceramic jade carving, bamboo and wood tooth horns, golden and bronze Buddha statues, wooden furniture, contemporary crafts, etc.

 

随着国内艺术品市场的蓬勃发展与多元化需求,四川千珍堂将以持续的创新力开辟品类化专场,拟开展书法、文房、玉器、鼻烟壶以及金铜佛像、当代工艺品等专业性很强的专场项目,为细化审美视野,引导专项收藏作出积极贡献。
 

With the vigorous development of the domestic art market and diversified demand, Sichuan Qianzhentang will open up a special field of category with sustained innovation. It intends to carry out professional special projects such as calligraphy, study, jade, snuff bottle, golden and bronze Buddha statues and contemporary arts and crafts, so as to make positive contributions to refine the aesthetic horizon and guide the special collection.

 

四川千珍堂还将配合负责销售的海外国际大型拍卖公司将征集渠道展向全球,卓具名誉地搭建起国际型艺术品交易平台,促成海外文物高量回流。四川千珍堂拍卖有限公司迄今已成功举办多次品类丰富的海外藏家专场拍卖,地域遍及英国、法国、澳大利亚、加拿大、意大利、迪拜、美国等地。
 

免费鉴定,国际拍卖,快速出手
 

地址:四川成都市益州大道北段333号东方希望中心1栋501
 

Sichuan Qianzhentang will also cooperate with large overseas auction companies responsible for sales to expand the collection channels to the world, and build an international art trading platform with high reputation to facilitate the high volume of overseas cultural relics return. Up to now, Sichuan Qianzhentang Auction Co., Ltd. has successfully held many kinds of overseas collectors'special auction, covering Britain, France, Australia, Canada, Italy, Dubai, the United States and other places.

 

Free appraisal, international auction, quick start

 

Address: 501 East Hope Center, 333 North Yizhou Avenue, Chengdu, Sichuan