五彩描云龙纹双耳瓶

五彩描云龙纹双耳瓶

在中国陶瓷史上,清代瓷器,其造型、色调、纹饰、品种以及制作工作等诸方面,虽然不能与康熙、雍正及乾隆时期相比,但是落日余晖也灿烂。这个时期的产品基本上蘘括了晚清以前所有的传统器型,有古亦有创新。尤其是光绪仿康熙、乾隆瓷器不可小觑。承袭康熙、雍正青花的特点,并在其基础上继续发展创新、提高,体现在制作技巧上达到前所未有的成就。从工艺制作上看,其胎体的成型、青料的绘制等等,每一道工序都是一丝不苟,精工细做,精益求精。

In the history of Chinese ceramics, the Qing Dynasty porcelain, its shape, color, pattern, variety and production work, although not compared with the Kangxi, Yongzheng and Qianlong periods, has a brilliant sunset. The products of this period basically include all the traditional utensils before the late Qing Dynasty, both ancient and innovative. Especially Guangxu imitated Kangxi and Qianlong porcelain. It inherits the characteristics of Kangxi and Yongzheng blue and white, and continues to develop, innovate and improve on its basis, which is reflected in unprecedented achievements in production skills. From the perspective of process production, the molding of its carcass, drawing of green materials, etc., each process is meticulous, meticulous and refined.

此件藏品底部刻有“奉华”款,是奉华堂瓷器专用刻款。汝窑瓷器造型设计稀异,以烧制青瓷闻名,有天青、豆青、粉青诸品。汝窑兴盛前后只有二十年,由于烧造时间短暂,其制作工艺于北宋灭亡前失传,存世器物非常珍稀,传世量极其稀少,南宋时就有文献记载说汝窑在当时就十分难得。宋元明清以来,汝瓷都被皇宫深藏,视若珍宝,民间因此也有“纵有家产万贯,不如汝瓷一片”的说法。

The bottom of this collection is engraved with "Fenghua" type, which is dedicated to fenghuatang porcelain. Ruyao porcelain is famous for firing celadon with rare designs, such as Tianqing, Douqing and fenqing. It was only 20 years before and after the prosperity of Ruyao. Due to the short time of firing, its production technology was lost before the demise of the Northern Song Dynasty. The existing artifacts are very rare and the amount of handed down is extremely rare. In the

Southern Song Dynasty, it was recorded that Ruyao was very rare at that time. Since the song, yuan, Ming and Qing Dynasties, Ru porcelain has been hidden by the Imperial Palace, which is regarded as a treasure. Therefore, there is a saying among the people that "even if there are thousands of family property, it is not as good as one piece of Ru porcelain".

古代金彩装饰瓷器,一般认为是始度于宋代,其中尤以定窑金花瓷器最负威名。宋周密《辛酉杂识》续集上卷载:“金花定器,用大蒜汁调金描画,然后入窑,永不复脱。”传世品有黑釉、酱釉回金彩定器。

The ancient gold color decorative porcelain is generally believed to have started in the Song Dynasty, especially the

Ding kiln gold flower porcelain. In the volume of the sequel of Xinyou miscellaneous knowledge of Song Dynasty, it is said: "the gold flower is fixed, and the gold is painted with garlic juice, and then it is put into the kiln, and it will never be removed." Handed down products are black glaze, paste glaze back gold color fixer.

明洪武初,景德镇始有金彩瓷器的烧制,清代达于极盛,但其使用金彩的方法却无法与定窑相比。明清景德镇窑的蓝釉、红釉、洒蓝釉和乌答金釉上描绘金彩、五彩和广东的广彩瓷器上均有金彩装饰,但金彩不牢固。清代后期,从国外传来金水工艺,直接用毛笔蘸之涂绘,烘烧后即成金彩,是当时陶瓷工艺的最高匠艺一种体现。

At the beginning of Hongwu Period in Ming Dynasty, Jingdezhen began to produce gold color porcelain, which reached its peak in Qing Dynasty, but its method of using gold color could not be compared with Ding kiln. The blue glaze, red glaze, sprinkled blue glaze and Wuda gold glaze of Jingdezhen kiln in Ming and Qing Dynasties depict gold color, five colors and Guangdong wide color porcelain with gold color decoration, but the gold color is not solid. In the late Qing Dynasty, the golden water craft came from abroad. It was painted directly with a brush. After baking, it became golden color. It was the highest craftsmanship of ceramic craft at that time.

此件五彩描金云龙纹双耳瓶是李老师众多收藏中的精品,本瓶造型端庄大气,制作工艺复杂细致,人物图案立体感强,釉色华丽精美,瓶身温润有光泽,开片均匀,表面包浆自然,年代感浓厚。此件藏品为清代宫廷御用瓷器,存世量极其稀少且品相保存完好,为难得一见的稀世珍品,具有极高的收藏和市场投资价值。

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