特别推荐第五期：高古玉玉璜！

高古玉多为帝王皇家达官贵人用玉，从用料、制作工艺、文化气息上有着厚重深奥的内涵。除了欣赏古人的琢玉技艺、品味高古玉中神韵飞扬的历史文化内涵以外，把玩一块高古玉，就像品读着年代久远的历史的传奇，手中古玉演绎的人间故事隐约可观，古意融融，人玉灵通，把玩者的心境是不可以用语言表述的。价值不菲的高古玉，琢制技艺十分精湛，无论是浅浮雕、透雕，还是阴线刻画，均拙朴细精，实其中的"汉八刀"和双沟碾法(又称"游丝毛雕")如今更是难以模仿。

Gao Guyu is mostly used by emperors, officials and magnates. It has profound connotation in terms of materials, manufacturing techniques and cultural atmosphere. In addition to appreciating the ancient jade carving skills and appreciating the historical and cultural connotation of high-quality ancient jade, playing with a piece of high-quality ancient jade is like reading a long-standing historical legend. The human story deduced by the ancient jade in hand is faintly impressive, with ancient meaning harmonious, and people are well informed with jade. The mood of the player cannot be expressed in words. High ancient jade, which is worth a lot of money, is exquisitely carved. Whether it is bas-relief, transparent carving or shade line carving, it is plain and refined. The "Eight Han Knives" and the double-channel grinding method (also known as "hairspring carving") are now even more difficult to imitate.

到了汉代，玉的造型、工艺、种类诸方面都达到了一个很高水平，特别在手法风格殓葬风气应用方面均已登峰造极。由于古代生产力十分低下，雕琢玉器只能用解玉砂来研磨。和田玉的硬度高，不可能用刀刻成，它是用"铊具"琢出来的，古代玉器都是通过砣机加上解玉砂对玉进行碾琢。每个时代都有自己的特点，如石家河文化的减地阳线、殷商的双钩拟阳线、西周的一面坡阴线、汉代的游丝毛雕、汉八刀的琢工等等。特别是汉八刀工艺，真的"八刀工"，都是下"刀"既准又狠，起刀收刀，干净利落，而且多为"斜刀"，即一面浅，一面深。而现代工艺是用高速旋转的雕机，由于转速不同，肯定在所加工的玉器上留有不同的痕迹，特别是阴刻线等尤为明显。线条槽口两侧边上有"爆刀发毛"现象，多数为现代机器工。

By the Han Dynasty, jade had reached a very high level in shape, workmanship, and variety, especially in the application of manual burial style. Due to the low productivity in ancient times, jade carvings can only be ground with Xieyu sand. Hotan jade has high hardness and cannot be cut with a knife. It is cut with "thallium tools". Ancient jade articles were all cut by adding Xieyu sand to a weight machine. Each era has its own characteristics, such as the relief line of Shijiahe culture, the double hook imitation line of Yin Shang Dynasty, the slope line of Western Zhou Dynasty, the hairline carving of Han Dynasty, the carving of the Eight Knives of Han Dynasty, etc. In particular, the Han Eight-Knife craft, the real "Eight-Knife Craft", is both accurate and ruthless. It starts with the knife and ends with the knife. It is clean and neat, and it is mostly "oblique knife", that is, one side is shallow and the other side is deep. However, modern technology uses a high-speed carving machine. Due to different rotating speeds, there are definitely different marks left on the jade articles processed, especially the negative carving lines. On both sides of the line notch, there is a phenomenon of "blasting knife hair", most of which are modern machinists.

玉璜，在中国古代与玉琮、玉璧、玉圭、玉璋、玉琥等，被《周礼》一书称为是“六器礼天地四方”的玉礼器。六器之中的玉璜、玉琮、玉璧、玉圭等四种玉器，历史最悠久，早在新石器时代就已出现。在良渚文化中，玉璜是一种礼仪性的挂饰。每当进行宗教礼仪活动时，巫师就戴上它，它经常与玉管、玉串组合成一串精美的挂饰，显示出巫师神秘的身份。且每一个上都刻有或繁或简的神人兽面图象。玉璜在国际艺术品市场上，与玉佩同样赢得收藏家们的偏爱，尤其在台湾市场行情看好。

In ancient China, jade Huang, together with jade cong, jade bi, jade GUI, jade Zhang, jade Hu, etc., was called a jade ritual vessel in the book "Zhou Li" as "the four sides of heaven and earth with six ritual vessels". Among the six jade wares, four kinds of jade wares, including jade Huang, jade cong, jade bi and jade GUI, have the longest history and appeared as early as the Neolithic age. In Liangzhu culture, jade decoration is a ceremonial decoration. When performing religious ritual activities, witches wear it. It is often combined with jade tubes and strings into a string of exquisite ornaments, showing the mysterious identity of witches. And each is engraved with numerous or simple images of the faces of gods, human beings and animals. Yuhuang has won the favor of collectors in the international art market as well as Yu Pei, especially in the Taiwan market.

玉璜起源于红山文化时期，直到汉代，历经三千年。

Jade Juan originated from Hongshan culture period until Han Dynasty and lasted for 3,000 years.

此件高古玉玉璜，器型硕大，玉质精良，工艺极佳，双龙出廓，又是双龙首璜，在出廓双龙的中间有玉壁，朱砂沁、土沁、玻璃光等等，构成了气势辉煌的极其罕见的极品玉璜。

This piece of Gao Gu Yu Huang is of large size, excellent in jade quality and workmanship. Shuanglong is the head decoration of Shuanglong. In the middle of Shuanglong is the jade wall, cinnabar ooze, earth ooze, glass light and so on, forming an extremely rare exquisite jade Huang with brilliant momentum.

时至今日关于中国玉器文化已经是非常的火爆和突出了，历史文化价值这点是高古玉价值高的重要因素之一，招引了很多投资者的目光，如今的生意和方法更是多元化，商场极具的发展，很多人都以为高古玉是越久越值钱，其实不然，决议于高古玉的价值的仍然是存世量和文化历史意义决定的，高古玉属于不可再生的资源，收藏一件就会少一件，高古玉是中华民族传统文化的瑰宝，具有很高的收藏投资价值，几千年来的中国玉器文化，凝聚着中华民族的智慧与才能，创造出自成体系，光彩夺目，独具特色的东方文化。

Up to now, the Chinese jade culture has been very popular and outstanding. The historical and cultural value is one of the important factors of Gao Gu Yu's high value, attracting the attention of many investors. Today's business and methods are more diversified and the shopping malls are developing extremely. Many people think that Gao Gu Yu is more valuable as long as it lasts. In fact, it is not. The value of Gao Gu Yu is still determined by its existence and cultural and historical significance. Gao Gu Yu is a non-renewable resource. If you collect one, you will lose another. Gao Guyu is a treasure of the traditional culture of the Chinese nation and has a high value of collection and investment. The jade culture of China for thousands of years embodies the wisdom and talents of the Chinese nation and creates a systematic, dazzling and unique oriental culture.

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