古玩城2020精品推荐第三期：人物花鸟铜镜

铜镜是古人用来装饰理容的一种日常生活用品。它制造得精美绝伦，集观赏、实用、珍藏于一身，堪称我国古代文化遗产中的瑰宝。当前古铜镜的收藏比邮票、古钱币、玉器等还要火热，存世量稀少，罕见非常有投资价值。

Bronze mirror is a kind of daily necessities used by ancient people to decorate their appearance. It is made of exquisite, ornamental, practical, collection in a body, can be called China's ancient cultural heritage treasures. At present, the collection of ancient bronze mirrors is hotter than stamps, ancient coins, jade articles, and so on.

上图这块铜镜就有明显宋代铜镜特征，品相9分品， 磨损少，人物故事雕刻技术非常清晰， 结合品相方面， 此铜镜具有极高的收藏价值，宋代铜铸故事铜镜在任何一场拍卖会上都是聚集目光最高的藏品相信今年也不例。

The bronze mirror in the above picture has obvious characteristics of Song Dynasty bronze mirror. Its appearance is 9 points, with less wear and tear. The carving technology of character story is very clear. Combined with the phase, this bronze mirror has high collection value. The bronze mirror of Song Dynasty copper casting story is the highest collection in any auction. I believe this year is not an example.

这面宋代青铜镜作为古代中国人照面的日常生活用品虽早已完成了它的历史使命，但它所传承的人文内涵，所记录的铸造技术、工艺美术、文化内涵、政治制度、商业关系、思想意识、对外交往以及社会风俗等信息已无声地沉淀在方寸之间。它具有的不仅仅是收藏价值，还有着极大的艺术、观赏价值，可作为投资青铜镜的首选。

This bronze mirror of Song Dynasty, as a daily necessities of ancient Chinese, has already completed its historical mission, but its cultural connotation, casting technology, arts and crafts, cultural connotation, political system, commercial relations, ideology, foreign exchanges and social customs have been quietly precipitated in a square inch. It has not only collection value, but also great artistic and ornamental value. It can be used as the first choice for investment in bronze mirror.

宋代铜镜注重实用，不崇华侈，器体轻薄，装饰简洁，形状仍以圆形为主，亦有方形、弧形、菱形以及带柄等多种形式。背面多铸有 花鸟鱼虫、人物故事、山水楼阁等图案纹饰，亦有光素无纹者。图案处理常采取隐起、 阳线并用，以线的韵律、节奏来增强纹饰的起伏与重量，克服了因体薄而造成的轻浮单调的感觉。其中的动植物图案，形象准确，姿态生动，构图丰富多变。山水人物图案的构图处理富有绘画效果。宋代铜镜多产于湖州、抚州、成都等地。在冶铸方面。宋代铜镜的合金成分发生了变化，这带来了铜镜质地、色泽的变化。宋代铜镜大部分为黄铜质，含锡量明显减少，而含铅量大增，这样的合金成分一直影响着后世的铜镜，这也成为鉴别宋代乃至以后各朝代镜依据。

The bronze mirrors of the Song Dynasty paid attention to practicality rather than extravagance. They were light and thin, with simple decoration. They were mainly round in shape, and also in various forms such as square, arc, diamond and handle. On the back, there are many patterns such as flowers, birds, fish and insects, character stories, landscape pavilions and so on. Pattern processing often uses hidden lines and masculine lines to enhance the ups and downs and weight of patterns with the rhythm and rhythm of lines, which overcomes the frivolous and monotonous feeling caused by thin body. Among them, the animal and plant patterns are accurate and vivid, and the composition is rich and changeable. The composition processing of landscape figure pattern is full of painting effect. In Song Dynasty, bronze mirrors were mostly produced in Huzhou, Fuzhou, Chengdu and other places. In smelting and casting. The alloy composition of bronze mirrors in Song Dynasty changed, which brought about the changes of texture and color. Most of the bronze mirrors in Song Dynasty are made of brass, and the content of tin is obviously reduced, while the content of lead is greatly increased. Such alloy composition has always influenced the bronze mirrors of later generations, which has also become the basis for distinguishing mirrors of Song Dynasty and later dynasties.

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