连年有余字画

连年有余字画

朱玉清,1962 年生,安徽芜湖人,著名画家,安徽省美术家协会会员,中国国画家协会会员、理事,芜湖市美术家协会会员、理事,国家一级美术师。朱玉清的中国画艺术造诣,深刻体现在山水画与人物画两个方面。他在绘画技法和精神上,领会并传承张大千的艺术体系,无论是山水画来还是人物画,其形态和品质皆归宗于影响深远的张大千画派。得一派之绩,可谓功成名就。当然,朱玉清画绩能归大千一派,不是凭空而得,完全是专修而成。朱玉清对绘画艺术相当痴迷,爱之深厚,这种修艺心态,恰好切合张大千画派艺术筑基时段的实践需求:需依对绘画艺术的痴迷之心,倾量临摹唐、宋、元、明、清山水人物名画,通过临习而得博采众长,悟透大家的艺术实践。

Zhu Yuqing, born in 1962 in Wuhu, Anhui Province, is a famous painter. He is a member of Anhui Artists Association, a member and director of China National Artists Association, a member and director of Wuhu Artists Association, and a national first-class artist. Zhu Yuqing's artistic attainments of Chinese painting are deeply reflected in landscape painting and figure painting. In his painting techniques and spirit, he understood and inherited Zhang Daqian's art system. Whether landscape painting or figure painting, its form and quality belong to the far-reaching Zhang Daqian School of painting. It can be said that he has made great achievements in the school. Of course, Zhu Yuqing's painting achievements can be attributed to the daqianyi school, not out of thin air. Zhu Yuqing is very obsessed with painting art and loves it deeply. This kind of cultivation mentality is just in line with the practical needs of Zhang Daqian's painting school in the period of foundation building. He needs to copy the famous landscape paintings of Tang, song, yuan, Ming and Qing Dynasties according to his infatuation with painting art, so as to learn from others' strong points and understand everyone's art practice.

连年有余是由莲花和鲤鱼组成的中国传统的吉祥图案,用以称颂富裕祝贺之意。莲是连的谐音,年是鲶的谐音,鱼是余的谐音,也称年年有鱼。每年春节,人们都会祭祀活鲤鱼,晚上吃芋(鱼)头,以显示来年的丰收。做饺子的时候,会留下很多馅来显示明年的财政盈余。自古以来,它不仅在普通人中普遍存在,而且在各达官显贵和富商绅士中也普遍存在。古代吉祥图案。主要以鲶鱼作成装饰纹样,寓意“连(莲。连同音)年(鲶。年同音)有余(鱼、余同音)”。在历代的各种装饰上常见应用。

More than one year is a traditional Chinese auspicious pattern composed of lotus and carp to celebrate the meaning of wealth. Lotus is the homophony of Lian, Nian is the homophony of catfish, and fish is the homophony of Yu, also known as the annual fish. Every Spring Festival, people will sacrifice live carp, eat taro (FISH) head in the evening, to show the next year's harvest. When making dumplings, a lot of stuffing will be left to show the fiscal surplus next year. Since ancient times, it is not only common in ordinary people, but also in high-ranking officials and rich merchants and gentlemen. Ancient auspicious patterns. Catfish is mainly used as decorative patterns, which means "Lian (Lotus). (homophonic) year (catfish). (homonym of year) Youyu (fish, Yu homonym) ". It has been widely used in various decorations in the past dynasties.

此画绘画技法:荷叶墨青分染荷叶,正叶留双水线,反叶留单水线。荷花用牡丹红分染花瓣根部,花心深处用藤黄+朱膘分染,薄涂多遍。大莲蓬赭绿+墨分染,鲤鱼刻画细致入微,各部位非常协调。统染墨青点染叶子正面和反面的肌理,肌理做到了聚散大小浓淡协调。荷花花瓣根部用牡丹红+花青继续分染,统染暗部,极具立体感,反瓣浓牡丹红分染筋脉,花心颜色和莲蓬分染,每一步细节均满意为止。点蕊聚散有致,飘逸灵动。红色鲤鱼藤黄统染,鱼鳞根部浓色勾鳞,点出了鱼线,重墨点睛。黑鱼罩染藤黄。堪称精美,值得珍藏。

The painting technique of this painting is: the lotus leaves are dyed with ink and green, the positive leaves are left with double water lines, and the reverse leaves are left with single water lines. Lotus petal root was dyed with peony red, and the deep part of the flower was dyed with gamboge yellow and red fat, thin coated for many times. The lotus pods were dyed with ochre green and ink, and the carp were depicted in detail, and the parts were very harmonious. The texture of the front and back of the leaf was dyed with black green, and the texture was in harmony with the size, thickness and shade. The lotus petal root is dyed with peony red and cyan, and the dark part is dyed uniformly, which is very three-dimensional. The back petal thick peony red is used to separate the tendons and veins, the flower center color and the lotus seed are separately dyed, until the details are satisfied. Point pistil gathering and dispersing, elegant and flexible. Red carp vine yellow dye, fish scale root thick color hook scale, point out the fish line, heavy ink highlights. Black fish covered with gamboge. It can be called exquisite and worth collecting.

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