明朝宣德时期，由景德镇烧制的青花瓷器在中国的瓷器发展中具有重要的地位。明朝宣德官窑青花它以其古朴，典雅的造型，晶莹艳丽的釉色，多姿多彩的纹饰而闻名于世，烧造数量上也是空前的，与明代其他各朝的青花瓷器相比，其烧制技术达到了最高峰，成为我国瓷器名品之一，其成就被称颂为“开一代未有之奇”。《景德镇陶录》评价宣德瓷器：“诸料悉精，青花最贵。”

宣德八年（1433年），朝廷一次就下达了要景德镇烧造龙凤瓷器四十四万三千五百件的任务。其中青花占大多数，由此可见其烧造规模、数量之大。产品不仅供宫廷日常生活之需，而且也作为商品大量行销海外，以及对国外入贡者的答赠，成为东西文化交流的见证。

宣德官窑青花，在中国陶瓷发展史中占有十分重要的地位，它从一个侧面反映了当时的社会、经济、文化、艺术以致思想观念。作为宫廷用瓷和精美的艺术品，具有独特的艺术魅力，这与当时制度的完备与技术的成熟有很大关系，作品一直被后人推崇，为青花工艺的典范。

宣德青花与永乐青花一样是继元代之后青花瓷发展的一个髙峰期，历史上将永宣时期的青花瓷并称为黄金时代，由于永宣青花从纹饰、造型等诸多方面存在许多相似之处，且难以区别而又有"永宣不分"的传说，事实上两者之处在时代特征上稍作细致观察，还是能夠分清的。宣德青花瓷的清新雅丽、质朴率真的艺术风格，最能体现中华民族含蓄而豪迈的民族气质，对它冠以国瓷是当之无愧的。

据了解，“清三代”的青花瓷年升值空间在10%至20%，而元青花的升值空间更大。但是，这里面还有更深的学问，属于官窑的青花瓷可以说是价值连城，因为这些属于皇家定制，其价格是民窑青花瓷的几十倍。目前市面上交易量较多的还是明清两代的青花瓷，私下交易的价格高，倘若拿到拍场上，其交易价格至少是私下交易的几十倍。

During the Xuande period of the Ming Dynasty, blue and white porcelain fired in Jingdezhen played an important role in the development of Chinese porcelain. Ming Dynasty Xuande official kiln blue and white is famous for its simple, elegant shape, brilliant glaze color, and colorful decorations. The number of fired is unprecedented. Compared with other blue and white porcelain of Ming Dynasty, it is The firing technology has reached its peak and has become one of China's famous porcelain products, and its achievements have been praised as "the unparalleled wonder of a generation." "Jingdezhen Taolu" commented on Xuande porcelain: "Every material is fine, blue and white is the most expensive."

In the eighth year of Xuande (1433), the imperial court gave Jingdezhen the task of firing 443,500 pieces of dragon and phoenix porcelain. Among them, blue and white accounted for the majority, which shows the large scale and quantity of burning. The products are not only for the daily needs of the palace, but also sold overseas as a large number of commodities, and as gifts to foreign tributes, they have become a testimony of cultural exchanges between the East and the West.

Xuande official kiln blue and white occupies a very important position in the history of Chinese ceramics development. It reflects the society, economy, culture, art and even ideological concepts of the time from one aspect. As imperial porcelain and exquisite works of art, it has a unique artistic charm, which has a lot to do with the completeness of the system and the maturity of technology at that time. The works have been respected by future generations as a model of blue and white craftsmanship.

Xuande blue and white, like Yongle blue and white, was a peak period in the development of blue and white porcelain after the Yuan Dynasty. In history, the blue and white porcelain in the Yongxuan period was also called the golden age. Because of the many similarities in the decoration and shape of Yongxuan blue and white, In addition, it is difficult to distinguish and there is a legend of "forever proclaiming no distinction". In fact, the two can be distinguished by careful observation of the characteristics of the times. The fresh and elegant, simple and honest artistic style of Xuande blue and white porcelain can best reflect the implicit and heroic national temperament of the Chinese nation, and it is well-deserved to call it national porcelain.

It is understood that the annual appreciation of the blue and white porcelain of the Qing Dynasty is 10% to 20%, and the appreciation of Yuan blue and white is even greater. However, there is a deeper knowledge in this. The blue and white porcelain belonging to the official kiln can be said to be invaluable, because these belong to the royal custom, and the price is dozens of times that of the private kiln blue and white porcelain. At present, blue and white porcelain from the Ming and Qing dynasties is the most traded on the market. The price of private transactions is high. If it is sold at auction, the transaction price is at least several dozen times that of private transactions.