拍卖会书画精品：杨和平大师--清明上河图/齐白石大师门下弟子曹孟龙--百龙图

国际拍卖场为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

【名称】：中国书画清明上河图 百龙图

【直径】：清明上河图 长：7.7m 宽：0.56m
百龙图 长：7.95m 宽0.60m

【数量】：2幅

 

 

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清明上河图，中国十大传世名画之一。

 

Along the River During the Qingming Festival, one of the ten most famous paintings ever painted in China.

 

作品以长卷形式，采用散点透视构图法，生动记录了中国十二世纪北宋都城东京(又称汴京，今河南开封)的城市面貌和当时社会各阶层人民的生活状况，是北宋时期都城汴京当年繁荣的见证，也是北宋城市经济情况的写照。

 

The work, in the form of a long scroll and using a scattered perspective composition method, vividly records the cityscape of the capital city of the Northern Song Dynasty in the 12th century, Tokyo (also known as Bianjing, now Kaifeng, Henan Province) , and the living conditions of people of all social strata at that time, is the Northern Song Dynasty capital Bianjing prosperous testimony, is also the northern song city economic situation portrayal.

这在中国乃至世界绘画史上都是独一无二的。在七米多长的画卷里，共绘了数量庞大的各色人物，牛、骡、驴等牲畜，车、轿、大小船只，房屋、桥梁、城楼等各有特色，体现了宋代建筑的特征。具有很高的历史价值和艺术价值。

This is unique in the history of Chinese and even world painting. In the seven-meter-long Scroll, a large number of figures, cattle, mules, donkeys and other livestock, cars, cars, boats, houses, bridges, towers and other unique features, reflecting the architectural characteristics of the Song Dynasty. It has high historical value and artistic value.

从《清明上河图》中可以看到几个非常鲜明的艺术特色:此画用笔兼工带写，设色淡雅，不同一般的界画，即所谓"别成家数"。构图采用鸟瞰式全景法，真实而又集中概括地描绘了当时汴京东南城角这一典型的区域。

From the Along the River During the Qingming Festival, we can see several very distinct artistic features: This painting uses both brush and brush to write, the color is light and elegant, different from the general boundary painting, that is, the so-called "don't get married" . The composition uses the bird's eye view type panoramic view law, truly but also concentrated and summarized described then the bianjing southeast city corner this typical area.

作者用传统的手卷形式，采取"散点透视法"组织画面。画面长而不冗，繁而不乱，严密紧凑，如一气呵成。画中所摄取的景物，大至寂静的原野，浩瀚的河流，高耸的城郭;小到舟车里的人物，摊贩上的陈设货物，市招上的文字，丝毫不失。画面中，穿插着各种情节，组织得有错落有致，同时又具有情趣。

The author uses the traditional hand-scroll form, adopts "scattered point perspective" to organize the picture. The screen is long but not redundant, complicated but not chaotic, strict and compact, such as one breath. The scenes captured in the painting range from silent fields, vast rivers and towering city walls, to figures in boats, furnishings on stalls and words on signs. In the picture, interspersed with each kind of plot, the organization has the Patchwork to have sends, simultaneously has the sentiment.

结构严谨，繁而不乱，长而不冗，段落分明。可贵的是，如此丰富多彩的内容，主体突出，首尾呼应，全卷浑然一体。画中每个人物、景象、细节，都安排得合情合理，疏密、繁简、动静、聚散等画面关系，处理得恰到好处，达到繁而不杂，多而不乱。充分表现了画家对社会生活的深刻洞察力和高度的画面组织和控制能力。从内容看，此画属于风俗画，也具有风俗画的特点。

The structure is rigorous, complex and not chaotic, long and not redundant, paragraph clear. What is valuable is, so rich and colorful content, main body is outstanding, head and tail should be, the whole volume is one body. Every figure, scene, and detail in the painting are arranged reasonably, and the relationship between the images, such as density, complexity, movement and dispersion, is handled appropriately to achieve complexity but not complexity, and many but not disorder. It fully shows the painter's profound insight into social life and his high ability of picture organization and control. From the content, this painting belongs to genre painting, but also has the characteristics of genre painting.

在技法上，大手笔与精细的手笔相结合。善于选择那些既具有形象性和富于诗情画意，又具本质特征的事物、场面及情节加以表现。十分细致入微的生活观察，刻划每一位人物、道具。每个人各有身份，各有神态，各有情节。房屋、桥梁等建筑结构严谨，描绘一笔不苟。车马船只面面俱到，谨小而不失全貌，不失其势。比如船只上的物件、钉铆方式，甚至结绳系扣都交待得一清二楚，令人叹为观止。

 

In technique, the big hand and the fine hand are combined. Be Good at choosing those things, scenes and plots that are both figurative and poetic, but also have essential characteristics. Very meticulous observation of life, depicting each character, props. Everyone has his own identity, his own manner, his own plot. Buildings, bridges and other architectural structure, described a meticulous. Chariots, horses, and ships are all-round, small and yet complete, and yet powerful. For example, the ship's objects, riveting methods, and even knots and buckles are explained clearly, it is amazing.

《清明上河图》不仅仅是一件伟大的现实主义绘画艺术珍品，同时也为我们提供了北宋大都市的商业、手工业、民俗、建筑、交通工具等详实形象的第一手资料，具有重要历史文献价值。其丰富的思想内涵、独特的审美视角、现实主义的表现手法，都使其在中国乃至世界绘画史上被奉为经典之作。

Along the River During the Qingming Festival is not only a great realistic painting treasure, but also provides us with detailed images of the commercial, handicraft, folk, architecture, transportation and other primary source of the northern song metropolis It has important historical literature value. Its rich ideological content, unique aesthetic perspective, realistic expression, all make it in the history of Chinese and even the world painting as a classic.

 

 

 

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齐白石大师门下弟子曹孟龙--百龙图

齐白石大师门下弟子曹孟龙先生画虾力求深入表现虾的形神特征。

One of Master Qi Baishi's disciples, Mr. Cao Menglong, painted shrimps in an effort to reveal their physical and mental characteristics.

画的虾可说是画坛一绝，灵动活泼，栩栩如生，神韵充盈，用淡墨掷笔，绘成躯体，浸润之色，更显虾体晶莹剔透之感。

 

The shrimp can be said to be a unique painting, lively, lifelike, full of Verve, with light ink throwing pen, painted into the body, saturated color, more crystal clear sense of the shrimp body.

以浓墨竖点为睛，横写为脑，落墨成金，笔笔传神。细笔写须、爪、大螯，刚柔并济、凝练传神，显示了画家高妙的书法功力。画家写虾，来自生活，却超越生活，大胆概括简化，更得传神妙笔。

Take the thick ink vertical point as the eye, the horizontal writing for the brain, falls the ink to become the gold, the pen and pen vivid. Fine Brush Strokes, claw, claw, big claw, rigid and flexible, concise and vivid, showing the painter Gao Miao calligraphy skills. The painter writes the shrimp, comes from the life, actually surpasses the life, the bold summary Simplification, also must convey the magic pen.

画虾表现出了虾的形态，活泼、灵敏、机警，有生命力。是因为掌握了虾的特征，所以画起来得心应手。

Shrimp painting shows the shape of the shrimp, lively, sensitive, alert, vital. Because knew what shrimp were like, he knew how to draw them.

寥寥几笔，用墨色的深浅浓淡，表现出一种动感。一对浓墨眼睛，脑袋中间用一点焦墨，左右二笔淡墨，于是使虾的头部变化多端。硬壳透明，由深到浅。而虾的腰部，一笔一节，连续数笔，形成了虾腰节奏的由粗渐细。

A few strokes, with the shades of ink, showing a sense of movement. A pair of thick ink eyes, the middle of the head with a bit of focus ink, left and right two light ink, so that the head of the shrimp changes a lot. The hard shell is transparent, from deep to shallow. The waist of the shrimp, a section of a pen, a number of consecutive pen, forming the rhythm of the shrimp waist by thick gradually thin.

曹孟龙先生用笔的变化，使虾的腰部呈现各种异态，有躬腰向前的，有直腰游荡的。也有弯腰爬行的。虾的尾部也是寥寥几笔，既有弹力，又有透明感。虾的一对前爪，由细而粗，数节之间直到两螯，形似钳子，有开有合。虾的触须用数条淡墨线画出。

Mr. Cao menglong changes in the use of the pen, so that the waist of shrimp presents a variety of different states, there are bent forward, there are straight waist wandering. There are those who stoop and crawl. Shrimp tail is also a few strokes, both elastic, and a sense of transparency. A pair of front claws of shrimps, thin and thick, several nodes between until the two claws, shaped like pincers, open and closed. The antennae of the shrimp are drawn with several thin ink lines.

对水中的虾，为表现出那种透视感，线条有虚有实，简略得宜，似柔实刚，似断实连，直中有曲，乱小有序，纸上之虾似在水中嬉戏游动，触须也像似动非动。

To the shrimp in the water, to show that perspective, Lines are solid and empty, simple and appropriate, like soft and firm, like broken solid even, straight and curved, disorderly and small order, the shrimp on paper seems to play in the water, like the tentacles do not move.

 

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