古玩城2021精品推荐第一期：珐琅双绝青花瓷

珐琅彩创烧于紫禁城(今北京故宫),是历史上唯一在宫廷烧造的瓷器。它起源于康熙晚期,发展于雍正时期,兴盛于乾隆时期,以其瓷质细润,彩料凝重,色泽鲜艳靓丽,画工精致,备受清代帝王推崇,是我国彩瓷之首,被世人誉为“彩瓷皇后”,备受世界收藏家的追捧。

Created and burned in the Forbidden City (now the Imperial Palace in Beijing), it is the only porcelain made in the imperial court in history. It originated in the late Kangxi period, developed in the Yongzheng Period, and flourished in the Qianlong period. With its fine and smooth porcelain, dignified color materials, bright and beautiful color, and exquisite painting, it was highly praised by the emperors of the Qing Dynasty. It is the first color porcelain in China, known as the "Queen of color porcelain" by the world, and is sought after by collectors around the world.

乾隆时期,为了展现珐琅彩巅峰技艺,乾隆皇帝亲自督造,不惜工本烧造《清乾隆款珐琅彩芍药雉鸡图玉壶春瓶》和《清乾隆御制珐琅彩花石锦鸡图双耳瓶》作为见证。到了乾隆后期国力逐渐衰退,难以支撑皇家不惜工本的烧造方式,珐琅彩开始断烧,这项宫廷秘技也随之失传。到了民国时期,随着故宫博物院的珐琅彩展出,她第一次出现在世人面前。随后近一个世纪里,无人敢复烧宫廷珐琅彩,直到宫廷珐琅彩的集大成者王辉大师成功复原珐琅彩国宝。

During the Qianlong Period, in order to show the peak skill of enamel color, emperor Qianlong personally directed the production, and he did not spare any effort to make the Qing Qianlong Enameled peony and pheasant Spring Vase in jade Pot and the Qing Qianlong Imperial Enameled stone Golden pheasant Vase with Two Ears as witness. In the later period of Qianlong, the national strength gradually declined, unable to support the royalcost-free way of firing, enamel color began to burn off, this palace secret also lost. During the Period of the Republic of China, she first appeared in front of the world with an enamel exhibition at the Palace Museum. For nearly a century, no one dared to re-burn the national treasure of enamel until master Wang Hui, the master of the imperial enamel collection, succeeded in restoring it.

珐琅彩以工艺难、釉料贵、画工绝而著称于世。为了成功复原珐琅彩,王辉大师查阅各种清宫典籍,了解珐琅彩的制作工艺,动用国家封存30年,有着比金子都贵之称的高岭土,采用古法历经172道手工工序烧制白胎。历时数年,经过几百次的尝试,终于烧制出与《玉壶春瓶》瓷胎一样细薄完美无瑕的白胎。

Enamel color is famous for its difficult technique, expensive glaze, and superb painting skills. In order to successfully restore the enamel, Master Wang Hui consulted all kinds of qing Palace classics to understand the production process of enamel color. He used kaolin, which has been sealed by the state for 30 years and is said to be more expensive than gold, to burn white tires through 172 manual processes using the ancient method. After several years, through hundreds of attempts, finally fired as thin as the "Jade Pot of Spring Vase" flawless white tires.

珐琅彩上的绘画皆是由宫廷最顶级画师绘制,稍有瑕疵即作废。为了完美再现乾隆朝时期的绝顶画工,王辉大师多次观察、临摹《玉壶春瓶》上的画工,并进行对比,在历经300次的易稿后,终于成功掌握宫珐琅彩画工奥秘,采用透视技法,在瓶身微绘作画。珐琅彩烧制完成后,用100倍的放大镜观看,仍然清晰可见,花有露珠,鲜艳纤细,蝶有茸毛,且颈颈竖起。

The enamelled paintings were all painted by the top court painters, and any flaw rendered them invalid. In order to perfectly reproduce the top painters of the Qianlong Dynasty, Master Wang Hui observed and copied the paintings on the Jade Pot of Spring Vase for many times and made comparisons. After 300 drafts, he finally mastered the mystery of palace enamel color painting and used perspective techniques to draw and paint the body of the vase. When the enamel is finished, it can be seen clearly with a magnifying glass of 100 times. The flowers are dewdrops, bright and delicate, the butterflies are fuzz, and their necks stand upright.

此对珐琅双绝《清乾隆款珐琅彩芍药雉鸡图玉壶春瓶》和《清乾隆御制珐琅彩花石锦鸡图双耳瓶》，保存完好，是难得的精品，具有极高的收藏价值和文化价值，值得收藏！

This pair of enamel Shuangjue "Qing Qianlong enamel color peony pheasant picture jade pot spring bottle" and "Qing Qianlong Royal enamel color flower stone golden pheasant picture double ear bottle", well preserved, is a rare boutique, with high collection value and cultural value, is worth collecting!

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