臻品推荐---明代和田白玉雕子冈牌

玉牌子始于明代，为明代玉雕大师陆子冈所创。而明朝在我国封建社会历史上从政治、经济、文化各个方面均已达到了前所未有的鼎盛时期，玉雕业在此时期也是空前的繁荣。子冈玉雕一改明代玉器陈腐俗气，以精美的玉料，高超的玉雕技法，将印章、书法、绘画艺术融入到玉雕艺术中去，把中国玉雕工艺提高到一个新的艺术境界。明代的子冈牌，材质以新疆青白玉为主，亦有“青白做人”之说，少见白玉，亦可知当时良玉之难得。高士佩戴玉牌，用以时时警戒自己，倒更有“首德次符”的含义在里面。再者，佩玉可修正自己的举止，以免因急步而行使玉牌子产生撞击声响。

The jade brand began in the Ming Dynasty and was created by Luzigang, a master of jade carving in the Ming Dynasty. The Ming Dynasty in China's feudal society history from all aspects of politics, economy, culture has reached an unprecedented peak period, jade carving industry in this period is also unprecedented prosperity. Zigang jade carving changed the jade of the Ming Dynasty to be stale and vulgar. With exquisite jade materials and superb jade carving techniques, the seal, calligraphy, and painting art were integrated into the jade carving art, and the Chinese jade carving technique was raised to a new artistic realm. The Zigang card of the Ming Dynasty was mainly made of Xinjiang Qingbai jade, and it was also said that "Qingbai was a man". It was rare to see white jade. It was also known that Liangyu was rare at that time. Gao Shi wears a jade card to guard himself from time to time, but it also has the meaning of "first German character" inside. In addition, Pei Yu can correct his behavior so as not to exercise the jade brand to produce an impact sound.

该明代和田白玉雕子冈牌长：6.22cm 宽：3.78cm 高：0.73cm 重：约50g，玉牌所用玉料为诸多子冈牌里面极为少见的和田白玉的玉料，玉质通透，极其温润，结构紧密没有任何杂志，牌体略显厚重，形状为明代陆子冈所制子冈牌中最为常见的矩形。采用的雕刻工艺为子冈牌中较为典型的阴线刻划，阴线短粗有力，仅寥寥数刀，画面刻画清晰明了，四周留有较窄的边框，但仅以阴线饰之，极其简单精致、高雅脱俗。

The Ming Dynasty and Tianbaiyu carved the Zigang card length: 6.22 cm wide: 3.78 cm high: 0.73 cm heavy: about 50G, jade used in the jade card is extremely rare in many Zigang cards and Tianbaiyu's jade material, jade is transparent, extremely warm and smooth, the structure is tight without any magazines, The card body is slightly thick and the shape is the most common rectangle in the Zigang card made by Luzigang in the Ming Dynasty. The carving technique used is a typical Yin line carving in the Zigang card. The Yin line is short and powerful. It only has a few knives. The picture is clearly and clearly depicted, with a narrow border around it, but only the Yin line is decorated. It is extremely simple and refined. Elegant and refined.

在中国古代，在玉器上留下作者大名的，大概只有陆子冈，陆子冈是中国玉雕史上最负盛名的琢玉大师，该子冈牌无论是从其用料还是其雕工以及其包浆沁色均可谓为历代子冈牌里面可遇而不可求的精品，真正的明朝陆子冈所制子冈牌真可谓凤毛麟角，实为诸多资深藏友中可遇而不可求的传世精品，极具市场投资价值和收藏价值。

In ancient China, the only famous author on the jade was probably Luzigang, and Luzigang was the most famous master of jade in the history of Chinese jade carving. Whether the Zigang card is from its materials, its carvings, and its pulp color, it can be described as a fine product that can not be found in the Zigang card of the past generation. The real Zigang card made by Luzigang of the Ming Dynasty is really rare. In fact, many senior Tibetan friends can meet but can not be handed down to the world, with market investment value and collection value.

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