新加坡拍卖精品推荐|宋代孔雀绿釉花口瓶诚寻收藏家！

   新加坡拍卖精品推荐|宋代孔雀绿釉花口瓶诚寻收藏家！

成都博古轩拍卖有限公司【藏.荐】栏为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

Chengdu Boguxuan Auction Co., Ltd. [Tibet. Recommendation] column recommends art treasures selected by experts at the first level of national appraisal to buyers for the powerful dissemination effect of the collection. It helps collectors to bridge the gap, so that the value of thousands of art treasures can be excavated and valued, and high prices can be concluded at the auction.

【名称】 孔雀绿釉花口瓶

【规格】 口径：10.2cm底径：8cm高：24.5cm

【类别】 瓷器

【藏品来源】甘肃回族老藏家 家传

Peacock green glazed vase

[Specification] Caliber: 10.2cm Bottom Diameter: 8cm High: 24.5cm

[Category] Porcelain

[Source of Tibetan Articles] The Family Biography of the Hui Old Tibetans in Gansu Province

     孔雀绿釉是一种美丽的色彩釉，其釉色之名称是以孔雀羽毛为标准，釉色偏绿的称孔雀绿，孔雀绿釉是以铜元素为着色剂，烧制后呈现亮绿色调的低温彩釉。釉光华丽，品种丰富多彩，而且在此基础上又发展成了法花，大大丰富了中国陶瓷品种。

Peacock green glaze is a kind of beautiful color glaze. Its name is peacock feather. The glaze color is green. The peacock green glaze is a low temperature color glaze with copper element as colorant. It shows bright green tone after firing. The glaze is gorgeous, the variety is rich and colorful, and on this basis it has developed into French flower, which greatly enriches the varieties of Chinese ceramics.

      孔雀绿釉属于西亚波斯地区的传统釉色，其制品在唐宋期间的商贸往来时被带到中原并在金、元民窑中陆续制作。从金、元产品工艺看，十三世纪的磁州窑系翠蓝器水平相对较高，至今有不少绘画精美的“翠蓝黑花”器存世。中国在宋代已经开始生产孔雀绿釉器物。在唐代，中国的孔雀绿釉已经受到西亚的影响。据目前考古发现表明，孔雀绿釉器物传入我国，最早可追溯到五代十国时期的闽国王后刘华墓出土的三件孔雀绿釉陶瓶。这三件异国他乡的孔雀绿釉陶瓶当与当时中国东南沿海地区发达的海外交通贸易密切相关。五代闽国时期，王审知等统治者积极推动海外贸易，“招徕海中蛮夷商贾”，福州、泉州等地的贸易港口因此形成“填郊溢墎，击毂摩肩”的繁荣景象。可见，当时在中国陶瓷大量输入中亚、西亚的时期，也有少量的外来品传入中国。

      Peacock green glaze belongs to the traditional glaze color in the Persian region of Western Asia. Its products were brought to the Central Plains during the commercial exchanges during the Tang and Song Dynasties and made in the Kilns of Jin and Yuan Dynasties. From the point of view of gold and Meta-Product technology, the level of turquoise blue ware in the 13th century Cizhou kiln system is relatively high. So far, there are many exquisite "turquoise blue and black flower" implements surviving. China began to produce peacock green glazes in the Song Dynasty. In the Tang Dynasty, the peacock green glaze in China had been influenced by Western Asia. According to current archaeological discoveries, the introduction of peacock green glazed pottery into China can be traced back to three peacock green glazed pottery bottles unearthed from the tomb of Liu Hua, the emperor of Fujian during the Five Dynasties and Ten Kingdoms. These three exotic peacock green glazed pottery bottles were closely related to the developed maritime trade in the southeastern coastal areas of China at that time. During the period of Minguo in the Five Dynasties, Wang Shenzhi and other rulers actively promoted overseas trade, "attracting barbarian businessmen in the sea", and trade ports in Fuzhou, Quanzhou and other places thus formed a prosperous scene of "filling the suburbs and overflowing the hills, hitting the hubs and shoulders". It can be seen that during the period when Chinese ceramics were imported into Central and Western Asia in large quantities, a small number of foreign products were also introduced into China.

      宋代至明清官窑均烧造孔雀绿釉器，各朝的色调及釉质都有所差别。宋朝时期制瓷发展迅猛，孔雀绿取得很大进展，特别是统治者对御厂瓷的严格要求促使其单色釉、釉下青花制品精益求精。宋代孔雀绿官窑瓷器，在当时就极为名贵，成功的作品不多。现在能够完好保存下来的更是寥若晨星。清代是中国制瓷的鼎盛时期，尤其是早中期，为我国陶瓷史上的巅峰时代。而孔雀绿釉这一品种在明代晚期曾一度产量剧降，难觅其踪，但到了康熙年间，孔雀绿釉器又开始兴盛起来，并逐步走向孔雀蓝釉史上的又一高峰。清代孔雀蓝釉较宋代烧造的釉色变化更多，有的浓重葱翠，有的淡而纯净。雍正、乾隆时，孔雀绿釉瓷器的造型种类更为丰富。孔雀绿釉最早从唐宋时期进口西亚波斯地区矿料烧孔雀绿釉，以后没有矿料无法烧制，就是民窑烧不成功，孔雀绿釉瓷器易剥落。到了明代时期才发现一点矿料烧孔雀绿釉，特别珍贵稀少价值连城。

      From the Song Dynasty to the Ming and Qing Dynasties, the official kilns fired peacock green glaze ware. The tone and enamel of each dynasty were different. During the Song Dynasty, the development of porcelain making was rapid, and great progress was made in peacock green. In particular, the strict requirements of the rulers for imperial porcelain made the monochrome glaze and blue and white products under glaze perfect. Peacock green official kiln porcelain in Song Dynasty was very valuable at that time, and there were few successful works. It's rare to see the morning stars in good condition now. The Qing Dynasty was the heyday of China's ceramics, especially in the early and middle periods, which was the peak period in the history of China's ceramics. In the late Ming Dynasty, the production of peacock green glaze declined sharply, and it was hard to find its trace. But in the Kangxi period, peacock green glaze ware began to flourish again and gradually reached another peak in the history of peacock blue glaze. Peacock blue glaze in Qing Dynasty changed more than that in Song Dynasty. Some of them were thick and green, while others were light and pure. In Yongzheng and Qianlong period, the types of peacock green glazed porcelain were more abundant. Peacock green glaze was first imported from the Tang and Song Dynasties into the Persian region of Western Asia to burn peacock green glaze. After that, no mineral can be fired, that is, the folk kiln can not be fired successfully, and peacock green glaze porcelain is easy to peel off. It was only in the Ming Dynasty that a little mineral was found to burn peacock green glaze, which was especially valuable and rare.

     这件孔雀绿釉花口瓶为宋代孔雀绿釉佳器，花口长颈，圆腹，圈足外撇。通体及足内施青绿釉，外壁刻花饰枝叶型纹。此藏品与北京故宫博物院所藏松绿釉灯笼尊的雕工相若，陶匠利用多层式暗刻纹饰各部份巧妙地重迭，突出了枝叶的形态。纹饰刀法利落，虽在釉下而绝不显得含糊。素胎上虽只施薄釉，颜色却表现浓密，完全不带积釉，却能细致地填满凹位，尤其显见于叶片，片片清晰。在这高超的制作技巧下，泱泱大度的皇家官窑瓷器情景毅然活现眼前。其形尊贵秀挺，通体施孔雀绿釉，釉面光洁细薄，釉色鲜亮明艳，古穆而不失幽靓，观之赏心悦目。孔雀绿釉器属低温釉，施釉较薄，时间一长很容易剥落，故保存较难。釉色之中，“孔雀绿”有着大多古陶瓷收藏家公认的美丽，向来有着不俗的拍场表现。2004年，一件明代宣德年间的孔雀绿瓷盘以 1238万元的港币落槌，小小一块瓷盘竟能追捧到千万元的天价，可见其美丽色彩对于收藏界的诱惑力。1989年苏富比拍卖会上，一件明宣德孔雀绿釉暗花盘拍卖成交金额港币 374万元。本品历经数百年而釉面依旧完好，极为难得。加之尊贵典雅，釉彩妍美多姿，彰显出无与伦比的艺术魅力，珍罕程度必为世人所推崇。

     This peacock green glaze vase is a good piece of peacock green glaze in Song Dynasty. It has a long neck, a round belly and a round foot. Green glaze is applied to the whole body and foot, and the outer wall is engraved with branches and leaves. This collection is similar to the carvers of the turquoise glazed lanterns in the Beijing Palace Museum. The potters skillfully overlap each part of the multi-layer undercut decoration to highlight the shape of the branches and leaves. The decorative knife falls sharply, though it is not ambiguous under the glaze. Although only thin glaze is applied on the plain tire, the color is dense and there is no glaze deposit at all, but it can fill the concave position meticulously, especially in the leaves, with clear sheets. With this superb production skills, the magnificent scenes of royal official kiln porcelain resolutely come to life. Its shape is noble and elegant. It is covered with peacock green glaze. Its glaze surface is smooth and thin. Its glaze color is bright and bright. It is ancient and beautiful and pleasant to watch. Peacock green glaze belongs to low temperature glaze. It is thin and easy to peel off for a long time, so it is difficult to preserve. Among the glaze colors, "peacock green" has the beauty recognized by most ancient ceramic collectors, and has always had a good performance. In 2004, a peacock green porcelain dish in Xuande Dynasty of Ming Dynasty dropped its hammer at HK$12.38 million. A small piece of porcelain dish was able to catch up with the sky-high price of tens of millions of yuan, which shows the attraction of its beautiful color to the collectors. At Sotheby's auction in 1989, a Ming Xuande peacock green glazed dark flower disc was sold for HK$3.74 million. This product has gone through hundreds of years and the glaze is still intact, very rare. In addition, it is noble and elegant, and the glaze is beautiful and colorful, which shows the unparalleled artistic charm. The degree of rarity must be respected by the world.

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