盛世收藏之《仙鹤花卉纹菱花形青铜镜》！

盛世收藏之《仙鹤花卉纹菱花形青铜镜》！

【藏.荐】栏为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.

青铜镜是一种古老的由青铜所制的使用器物，也是精美的工艺品。据史料记载，自商周时代起，古人就用青铜磨光做镜子，光亮可照人，背面雕有精美纹饰。到战国时已很流行，汉、唐时更加精美。

Bronze mirror is an ancient bronze utensil, which is also an exquisite handicraft. According to historical records, since the Shang and Zhou Dynasties, the ancients polished bronze mirrors, shining, with exquisite decorations on the back. By the Warring States Period, it was very popular, and the Han and Tang Dynasties were more exquisite.

中国古代铜镜的造型多样，使用巧妙，铜镜多为圆形，方形次之。唐宋时期，随着铸造技术的发展，铜镜打破了过去传统的圆形和方形的制式，根据使用、装饰等的要求，铸造出了带手柄镜以及八菱形、菱花形、八弧形、四方委角形、圆角方形、亚字形、云板形、鸡心形等铜镜。至于宋代受祟古风尚的影响，铸出的仿古鼎形、仿古钟形铜镜，更具时代风格。铜镜大小千差万别，但大体可分为大、中、小三类。小型铜镜尺寸一般在3厘米~8厘米，它们均小巧轻薄，用绹绳系于腰间，随身携带。型铜镜尺寸在10厘米~39.4厘米，它们多厚重精美，使用时或悬挂在墙壁上，或置于镜台上，用毕还有考究的镜奁存放。大型铜镜，就是我们所说的穿衣镜，多是皇宫和王侯显贵家中的陈设。铜镜上的纹饰雕刻手法多种多样，无论是线雕、平雕、浮雕、圆雕、透空雕，都显得非常细腻生动。 纹饰内容更是丰富多彩，从几何纹饰到禽鸟花卉，从神话传说到写实图案，天上人间，人神杂陈，动物植物，交织并列，构思巧妙，包罗万象。

Ancient Chinese bronze mirrors have various shapes and ingenious use. Most bronze mirrors are round, followed by square ones. During the Tang and Song Dynasties, with the development of casting technology, bronze mirrors broke the traditional round and square system. According to the requirements of use and decoration, bronze mirrors with handle mirrors and octagonal, rhombic, octagonal, quadrangular, square, sub-zigzag, cloud and chicken heart shapes were cast. As for the Song Dynasty, influenced by the ancient custom, the ancient-imitating tripod-shaped and bell-shaped bronze mirrors cast in the Song Dynasty have a more contemporary style. The size of bronze mirrors varies greatly, but broadly they can be divided into three categories: large, medium and small. Small bronze mirrors are usually 3 cm to 8 cm in size. They are small and light. They are tied to the waist by a rope and carried with them. Type I bronze mirrors are 10 cm to 39.4 cm in size. They are thick, heavy and exquisite. When used, they are either hanging on walls or placed on mirrors. After using, they are stored in exquisite mirrors. Large bronze mirrors, which we call dressing mirrors, are mostly furnished in royal palaces and noble families. There are many kinds of

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orative carving techniques on bronze mirrors, such as line carving, flat carving, relief carving, round carving and air-permeable carving, which are very delicate and vivid. The decorative content is more colorful, from geometric decoration to birds and flowers, from myths and legends to realistic patterns, heaven and earth, people and gods mixed, animals and plants, interwoven side by side, ingenious conception, all-embracing.

铜镜是古人用来装饰理容的一种日常生活用品。它制造得精美绝伦，集观赏、实用、珍藏于一身，堪称我国古代文化遗产中的瑰宝。自史前铜石并用时期诞生，延绵发展到清代，距今约有四千余年的历史。

Bronze mirrors are a kind of daily necessities used by the ancients for decoration and cosmetology. It is exquisitely manufactured, ornamental, practical and treasured in one, and can be regarded as the treasure of ancient Chinese cultural heritage. From the prehistoric period of copper and stone, it was born and developed into the Qing Dynasty. It has a history of more than 4,000 years.

此面菱花形青铜镜构图奇妙。铜镜铸造精美，图案线条华丽，纹饰极富装饰性。品相完好，图案清晰。由于年代久远，铜镜表面泛起一层青绿色的铜锈，这是老铜镜跟新铜镜的区别之一。其装饰由纽座的放射式到轴对称，作工精良，纹饰优美，为中国古代工艺美术之珍品，它具有的不仅仅是收藏价值，还有着极大的艺术、观赏价值，可作为投资青铜镜的首选。唐镜不仅是中国古代铜镜艺术史上的第三座高峰期，而其运用于工艺与艺术表现亦反映了当时的繁荣景象与辉丽耀目的面貌。工艺上的铸造也代表了当时的高端铸造技术，工艺进一步深化装饰的具有空间性的内涵。铜镜一般是含锡量较高的青铜铸。在铜镜中加入一定量的铅，铅溶液环流状态良好，利于热溶液的平均流注，有助于镜面干整，减少气泡，提高铸造文字和花纹的清晰度。

This diamond-shaped bronze mirror has a wonderful composition. Bronze mirrors are beautifully cast, with gorgeous patterns and decorative patterns. Good appearance, clear pattern. Because of the age, the surface of the bronze mirror is covered with a layer of turquoise copper rust, which is one of the differences between the old bronze mirror and the new bronze mirror. Its decoration is from radial to axisymmetric, exquisite workmanship and graceful decoration. It is a treasure of ancient Chinese arts and crafts. It has not only collection value, but also great artistic and ornamental value. It can be the first choice for investment in bronze mirrors. Tang Jing is not only the third peak period in the history of bronze mirror art in ancient China, but also its application in Arts and crafts reflects the prosperity and brilliant appearance of that time. Technological casting also represents the high-end casting technology at that time. Technological further deepens the spatial connotation of decoration. Bronze mirrors are usually cast in bronze with high tin content. When a certain amount of lead is added to the copper mirror, the circulation state of the lead solution is good, which is conducive to the average flow of the hot solution, the mirror surface is dry, the air bubbles are reduced, and the clarity of the casting words and patterns is improved.

【藏 品 名 称】仙鹤花卉纹菱花形青铜镜

【藏 品 类 型】杂 项

【藏 品 年 代】唐 代

【藏 品 信 息】周长：225mm 厚度：7.4mm 重量：1124g

【藏 品 来 源】四川 马先生 旧藏

Fairy Crane Flower-pattern Diamond Bronze Mirror

Miscellaneous items

[Collection Age] Tang Dynasty

[Collection Information] Perimeter: 225mm Thickness: 7.4mm Weight: 1124g

[Source of Collections] Mr. Ma's Old Collection in Sichuan

【藏 品 简 介】整体造型呈菱花形，背面中央有一半球形镜钮，自镜钮至镜的边缘，主纹饰是高浮雕的四只仙鹤，在主题画面的之外，则辅以静态的宝相花纹，内侧饰缠枝花草点缀其中，造就出一个远离喧嚣的清净而空寂的境界。外侧雕饰一周鲜嫩的花蕾，又是一种自然恬淡的意境。全部花纹皆以浮雕技法制作，看上去丰润而饱满，体现出唐人的审美旨趣。整件铜镜造型端庄大气，即有大器之美，亦有工艺卓越之功，于艺术之精妙当于刻画之巧丽，致广大之磅礴，尽精微之细腻，生动传神，富有立体感，通体白光，品相佳美。是不可多得的唐代铜镜的代表作，具有极高的收藏研究与投资价值。

[Introduction to Collections] The overall shape is diamond-shaped, with a hemispherical mirror button in the center of the back. From the mirror button to the edge of the mirror, the main decoration is four high-relief cranes. In addition to the main picture, it is supplemented by static treasure-looking patterns, with twisted flowers and grass on the inside, creating a clear and empty space away from the noise. Bound. The fresh and tender flower buds carved on the outside are also a kind of natural and tranquil mood. All the patterns are made by relief technique. They look plump and full, reflecting the aesthetic purport of the Tang people. The whole bronze mirror modelling is dignified and magnificent, that is, it has the beauty of artifacts as well as excellent craftsmanship. The subtlety of art should be the ingenuity of the depiction, the vastness, the subtlety, the vividness, the vividness, the three-dimensional sense, the body white light and the beautiful taste. It is a rare representative work of bronze mirrors in Tang Dynasty. It has a high value of collection, research and investment.

总之，古代铸镜工匠，在长期的生产中，不断积累铸造铜镜的经验，使技艺达到了娴熟的水平。他们用智慧和创造才能，创造出的许许多多精美绝伦的铜镜，使今天的人们在欣赏和研究这些精湛的艺术品时，不能不为古代的灿烂铜镜文化而赞叹。

In short, the ancient mirror casting craftsmen, in the long-term production, constantly accumulated experience in casting bronze mirrors, so that the skills reached a skilled level. With their wisdom and creative ability, they have created many exquisite bronze mirrors, which make today's people admire and study these exquisite works of art and admire the splendid bronze mirror culture of ancient times.

此件藏品为本次新加坡拍场核心推荐藏品，欢迎各位藏友莅临新加坡拍场咨询竞拍，机会难得！

This collection is the core recommendation of this Singapore auction. Welcome all Tibetan friends to come to Singapore for consultation and bidding. This is a rare opportunity!