青花山水人物纹茶盏（一对）

青花山水人物纹茶盏（一对）

Blue and White Landscape Character Line Tea Calendula (A Pair)

民间青花瓷画自诞生以来，留给我们无数鲜活生动引入遐想的形象，作为一种装饰手法，已经融入我们生活和精神的一部分。

Since its birth, folk blue and white porcelain paintings have left us countless vivid images that lead to reverie. As a decorative technique, they have been integrated into our life and spirit.

青花山水人物纹茶盏（一对）

Blue and White Landscape Character Line Tea Calendula (A Pair)

茶杯

口径约：6.5cm

底径约：3.1cm

高约：3.1cm

茶碟：

口径约：10.1cm

底径约：5.6cm

高约：1.7cm

套盏托造型古朴、端庄，整体比例协调，线条流畅，充满阳刚之美。浅弧壁和宽板沿被模压成

相等的弧形，足里向外斜削一刀有轻微的旋削痕迹，底足无釉，细沙底刷一层赫红色浆料，胎质精细，薄厚适度，青花色泽淡雅，清丽，少有晕散，器物釉质肥厚，可见细小釉泡攒聚密集，给人以温润柔和之感。

Set Calendula holder modelling simple, dignified, the overall proportion of coordination, smooth lines, full of masculine beauty. Shallow arc wall and wide plate are pressed into different arcs along the moulds. A knife with slight whirling marks is obliquely cut out from the inside of the foot. The sole is glassless, and the sand bottom is brushed with a layer of Hercynian paste. The texture is fine, the thickness is moderate, the color of blue and white is elegant, clear and beautiful. There is little dizziness, and the glaze of the utensils is thick. It can be seen that small glaze bubbles accumulate densely and give people a feeling of gentleness and softness.

盏托的图案装饰分双层，盏壁绘山水人物纹，古人“仁者乐山，智者乐水”之说由此可见一斑。人物面为侧面。整体比例协调，绘工精致，简练清晰。整个盘的修饰，构图简洁，格调高雅，层次清晰，线条活泼流畅。

The design decoration of the Calendula is divided into two layers. The Calendula wall paints landscape figure patterns. The ancient saying that "benevolent people are happy with mountains and wise people are happy with water" can be seen from this. Personal face is profile. The overall proportion is coordinated, the painter is exquisite, concise and clear. The decoration of the whole plate is concise in composition, elegant in style, clear in level and lively and smooth in line.

器内外釉色调基本一致，底部釉面泛白且薄，与器身有别。釉色白中闪青，胎釉结合紧密，修胎较规整，旋胚痕较明显。胎土淘洗得很纯净，胎体坚致缜密，断面似糯米糕，份量较重。

The color of glaze inside and outside the vessel is basically the same, and the bottom glaze is white and thin, which is different from the body. The glaze is white and glistening blue. The fetal glaze is tightly bonded. The trimming is more regular and the embryo scratch is more obvious. The bauxite is washed very pure, the body is firm and meticulous, the section is like glutinous rice cake, the weight is heavier.