齐白石昆虫花卉图罗罗

藏品推荐：《齐白石昆虫花卉图》

【名称】《齐白石昆虫花卉图》

【书画家】齐白石

【类别】书画

【画家介绍】

[name] "Qi Baishi insect flower painting"

[calligrapher and painter] Qi Baishi

[category] painting and calligraphy

[artist introduction]

齐白石(1864年1月1日─1957年9月16日)，祖籍安徽宿州砀山，生于湖南长沙府湘潭(今湖南湘潭)人。原名纯芝，字渭青，号兰亭。后改名璜，字濒生，号白石、白石山翁、老萍、饿叟、借山吟馆主者、寄萍堂上老人、三百石印富翁。

Qi Baishi (January 1, 1864 to September 16, 1957) was born in Xiangtan (now Xiangtan, Hunan Province), Changsha City, Hunan Province. Its original name is Chunzhi. It is Weiqing and Lanting. Later, it was renamed Huang, with the name of Bensheng. It was named Baishi, Baishi mountain Weng, Laoping, hungry old man, the owner of the mountain chanting hall, the old man in Jiping hall, and the rich man with three hundred stone seals.

是近现代中国绘画大师，世界文化名人。早年曾为木工，后以卖画为生，五十七岁后定居北京。擅画花鸟、虫鱼、山水、人物，笔墨雄浑滋润，色彩浓艳明快，造型简练生动，意境淳厚朴实。所作鱼虾虫蟹，天趣横生。齐白石书工篆隶，取法于秦汉碑版，行书饶古拙之趣，篆刻自成一家，善写诗文。曾任中央美术学院名誉教授、中国美术家协会主席等职。代表作有《蛙声十里出山泉》《墨虾》等。

He is a master of modern Chinese painting and a world cultural celebrity. In his early years, he worked as a carpenter, and later he made a living selling paintings. At the age of 57, he settled in Beijing. He is good at painting flowers and birds, insects and fish, landscapes and figures, with vigorous and moist ink, rich and bright colors, simple and vivid modeling, and simple and simple artistic conception. The fish, shrimp, insects and crabs are very interesting. Qi Baishi is a calligrapher of seal script, which is based on the tablet of Qin and Han Dynasties. It has the charm of running script and is good at writing poetry. He once served as honorary professor of the Central Academy of fine arts and chairman of China Artists Association. The representative works are "frog sound ten miles out of mountain spring", "ink shrimp" and so on.

2017年12月17日晚，齐白石作品《山水十二条屏》亮相拍场，最终以9.315亿元人民币成交，成为目前最贵的中国艺术品。

On the evening of December 17, 2017, Qi Baishi's "Twelve screens of mountains and rivers" appeared on the stage, and finally sold for 931.5 million yuan, becoming the most expensive Chinese art.

齐白石在北京定居后，内心却是“故里山花此时开也”，的思想轨迹。齐白石不可能将家乡草木赶过黄河带到北京，但家乡草木却作为一种自然信息随齐白石来到北京，并化作艺术信息传达出来，以实现齐白石心理的平衡。齐白石刻了许多寄托着怀乡之情的闲文印，如“吾家衡岳山下”、“客中月光亦照家山”，是齐白石自抒胸臆的第一主题。齐白石写了许多的怀乡诗， 如：“登高时近倍思乡，饮酒簪花更断肠，寄语南飞天上雁，心随君侣到星塘。”又如“饱谱尘世味，夜夜梦星塘”、“此时正是梅开际，老屋檐前花有无”，这些诗句是齐白石“夜不安眠”、“枕上愁余”时所些的肺腑之语。变法和着变意，变意和着变法，乡心伴着童心，童心也总念乡心。

After Qi Baishi settled down in Beijing, his heart was the thought track of "hometown flowers are blooming at this time". Qi Baishi can't drive his native plants and trees across the Yellow River to Beijing, but as a kind of natural information, his native plants and trees come to Beijing with Qi Baishi and convey it as artistic information to achieve the psychological balance of Qi Baishi. Qi Baishi engraved many idle seals with homesickness, such as "under the mountain of my family's Hengyue", "Moonlight in the guests also shines on the mountain of my family", which is the first theme of Qi Baishi's self-expression. Qi Baishi wrote many homesickness poems, such as: "when I ascended the heights, I was homesick nearly times. When I drank Zanhua, I was heartbroken. I sent a message to the wild geese flying in the south, and my heart went to Xingtang with my husband." They are also the words of Qi Baishi's heart when he "sleeps at night" and "sleeps on the pillow". Changes and changes, changes and changes, with the rural heart with the childlike, childlike heart also always read rural heart.

齐白石的作品《我最知鱼》，画着小鱼围逐钓饵，是齐白石少时作惯之事，故能知鱼"；齐白石77岁时画《墨猪出栏》，是因为齐白石有一颗“牧汝追思七十年”的心；齐白石画那些黑蜻蜓、红甲虫，是因为齐白石还记得乡里人叫黑蜻蜒作“黑婆子”，叫小甲虫作“红娘子”，这正是农民眼中的草虫，是农民的审美情趣；齐白石画鲇鱼题“年年有余”，画石榴象征多子，画桃子象征多寿，这也是民间艺术喻意象征的特色。

Qi Baishi's work "I know the most about fish", which depicts small fish around fishing baits, which is what Qi Baishi used to do when he was young, so he can know fish "; Qi Baishi painted" black pig out of the market "when he was 77, because Qi Baishi had a heart of" Mu Ru remembers 70 years "; Qi Baishi painted those black dragonflies and red beetles, because Qi Baishi still remembered that the villagers called black dragonflies as" black women "and small beetles as" little beetles ".“ Red Lady ", which is the grass insect in the eyes of farmers, is the aesthetic interest of farmers; Qi Baishi painted the catfish title" more than every year ", painted pomegranate as a symbol of many children, painted peaches as a symbol of longevity, which is also the feature of folk art metaphor.

齐白石笔下的钟馗、寿星、仙佛一类作品，也是农民们聊天时嘴边上的对象。这类作品，是齐白石的恋乡情结和童真情趣的自然流露，是“以农器谱传吾子孙”的愿望，是一种有异于“诗书传家远”的农民意识的自觉的表白。当齐白石画《白菜辣椒》时，不仅有感于红与黑的对比，同时也为“牡丹为花之王， 荔枝为果之先，独不论白菜为菜之王”，而愤愤不平；齐白石在有关画白菜的题句中，所表示的“不是独夸根有味，须知此老是农夫”，“不独老萍知此味，先人三代咬其根”，正是《农耕图》中的那位老农的自白。也是齐白石对本色、本质毫不掩饰的自我肯定。

Zhongkui, Shouxing, xianfo and other works written by Qi Baishi are also the objects on the lips of farmers when they chat. This kind of works is the natural expression of Qi Baishi's love for the countryside complex and childlike interest, the desire to "pass on our children by means of agricultural utensils", and the self-conscious expression of farmers' consciousness which is different from that of "poetry and books are far away". When Qi Baishi painted cabbage and pepper, he was not only impressed by the contrast between red and black, but also resented that "peony is the king of flowers, litchi is the first fruit, and cabbage is the king of vegetables alone". In the title sentence of painting cabbage, Qi Baishi expressed that "it's not only boasting about the taste, it's important to know that it's always a farmer" and "not only Laoping knows the taste, three generations of ancestors bite its root". This is true. It's the confession of the old farmer in the farming map. It's also Qi Baishi's self affirmation to the nature and essence.

齐白石从来没有入仕愿望、懒于应酬、不管闲事、与世无争、始终以一颗纯真的心，沉浸在艺术的体验之中，沉浸艺术故乡里。齐白石的乡心、童心和农人之心的流露和艺术中的乡土气息，根源于齐白石的劳动生活。齐白石也曾在艺术上走投无路，那是虚假地因袭“八大山人”的情感所必然遭到的碰壁命运，实质上那是齐白石的心态与过去的文人之间不相谐和的结局。当齐白石认定自己是农夫时候，往年储备的自然信息便源源不绝地奔赴腕底、舌端、刀锋，化作了新的艺术信息，抛弃了古人表达情感的艺术手段，创造出表达齐白石特有情怀的艺术语言和艺术形式。齐白石艺术中的乡心、童心和农民之心的真诚流露，是齐白石的真心和本质的艺术表现。齐白石以本质、自我、变法、变意以及本质的艺术表现，才是齐白石“衰年变法”的深刻底蕴。

Qi Baishi has never wanted to be an official, lazy in social activities, regardless of his own business, and has always been immersed in the experience of art and the hometown of art with a pure heart. Qi Baishi's rural spirit, childlike spirit and farmer's heart and the local flavor in art are rooted in Qi Baishi's working life. Qi Baishi was once hopeless in art, which was the inevitable fate of his false following the feelings of "the eight mountain people". In fact, it was the result of the disharmony between Qi Baishi's mentality and the literati in the past. When Qi Baishi thought that he was a farmer, the natural information that he had stored in the past years came from the bottom of his wrist, the tip of his tongue and the blade of his knife. It turned into a new art information, abandoned the ancient art means of expressing emotions, and created an art language and art form to express his unique feelings. Qi Baishi's sincere expression of the heart of the country, the heart of the child and the heart of the farmer is his sincere and essential artistic expression. Qi Baishi's artistic expression of essence, self, transformation, meaning and essence is the profound connotation of his "transformation in declining years".

咨询热线：周经理 17129180068【微信同号】

Consultation Hotline: Zhoujingli 1712918068[WeChat same number]