元青花鬼谷子下山鹿头尊！！

元青花鬼谷子下山图罐，元代青花瓷器，主体纹饰为“鬼谷子下山图”，描述了孙膑的师傅鬼谷子在齐国使节苏代的再三请求下，答应下山搭救被燕国陷阵的齐国名将孙膑和独孤陈的故事。

yuan blue and white devil valley down the map pot, yuan dynasty blue and white porcelain, the main decoration for "devil valley down the map", describes the master sun bin in the qi envoy su dai repeated requests, promised to save the fall of yan general sun bin and dugu Chen's story.

 

 

 

 

此罐使用进口钴料绘出的青花纹饰共分四层，第一层颈部：饰水波纹；第二层肩部：饰缠枝牡丹；第三层腹部：为“鬼谷子下山”主题纹饰；第四层下部：为变形莲瓣纹内绘琛宝，俗称“八大码”。

The blue and white pattern painted with imported cobalt material is divided into four layers. Second layer shoulder: decorated branch peony; The third layer of abdomen: "guizi down the mountain" theme decoration; The lower part of the fourth layer: for the deformation of lotus petal grain painting treasure, commonly known as "eight yards".

 

 

 

 

 

 

鬼谷子端坐在一虎一豹拉的车中，身体微微前倾，神态自若，超凡如仙，表现出他运筹帷幄之中、决胜千里之外的神态。车前两个步卒手持长矛开道，一位青年将军英姿勃发，纵马而行，手擎战旗，上书“鬼谷”二字，苏代骑马殿后。一行人与山色树石构成了一幅壮观而又优美的山水人物画卷。整个青花纹饰呈色浓艳，画面饱满，疏密有致，主次分明，浑然一体。人物刻画流畅自然，神韵十足，山石皴染酣畅淋漓，笔笔精到，十分完美，

guizi sitting in a tiger and a leopard pull the car, the body slightly forward, demeanor poised, extraordinary as fairy, showing his masterful strategy, decisive thousands of miles away from the expression. In front of the vehicle, two soldiers holding a spear to open the way, a young general bearing a brave face, longitudinal horse and go, holding a battle flag, on the book "ghost valley" two words, su dai riding rear. A group of people and mountain tree stone constitute a spectacular and beautiful landscape picture. The whole blue and white decoration is rich and colorful color, full picture, density has sent, the primary and secondary clear, one integrated mass. The portrayal of the characters is smooth and natural, full of verve, and the rocks are textured with exquisite and perfect brushwork.

 

 

 

 

罐上图案栩栩如生，画工细腻，出自画家而非工匠之手，这使得瓷罐非普通的青花瓷可比。该罐上所绘场景出自元代著名剧作家王仲文杂剧《孟月梅写恨锦香亭》，表现了唐玄宗时期才子佳人陈圭与孟月梅曲折的爱情故事。元青花瓷器的装饰纹饰大多为牡丹、竹梅，龙纹、莲纹、花鸟等，因此，青花瓷器上历史人物故事的出现，就显得更为珍贵。

The lifelike design and exquisite painting, done by a painter rather than a craftsman, make the pot more than ordinary blue and white porcelain. The scene painted on the jar is from the drama meng yuemei wrote hate jin xiang pavilion by wang zhongwen, a famous playwright of the yuan dynasty. The decorative patterns of blue and white porcelain in yuan dynasty are mostly peony, bamboo plum, dragon pattern, lotus pattern, flower and bird, etc. Therefore, the appearance of historical figures in blue and white porcelain is more precious.

 

 

 

 

据悉，和此罐一样绘以人物故事的同类青花古董传世者仅有八件。罐颈上画的波浪纹可以在其他六件上看到，都被大卫得基金会收藏。八件珍宝中有三件肩上画有缠枝莲纹，包括此件。波士顿博物馆所藏罐肩上及足部均未加纹带。此罐是八件古董中唯一一件足部莲瓣内绘有吉祥纹的，和大卫得基金会收藏的青花瓶很相似，其余六件莲瓣内均含下垂如意纹。

It is reported that there are only eight pieces of the same kind of blue and white antique painted with character stories. The wavy pattern on the neck of the pot can be seen on the other six pieces, all collected by the David's foundation. Three of the eight treasures, including this one, were painted with knotted lotus lines on their shoulders. The POTS in the Boston museum are unbanded on the shoulders and feet. The jar is the only one of the eight pieces with auspicious markings on the foot petal, similar to the blue and white vase in the David's foundation collection. The other six pieces all contain drooping ruyi marks.

 

 

 

 

罐上的装饰很大程度上受到了版画影响，而且还没有任何其他瓷器上绘有同样的场景。这样，瓷罐具备了藏家看中的“所有品质”，烧造的青花花色漂亮，画工精湛，在世界上数一数二，具有很高的收藏价值。

The decorations on the POTS are heavily influenced by prints, and no other piece of porcelain shows the same scene. In this way, the porcelain pot has a collector's eye "all quality", the blue and white design and color of the fire is beautiful, exquisite painting, in the world, with a high collection value.