清代乾隆官窑流金花瓶一对

清代乾隆官窑流金花瓶一对

A pair of flowing Gold Vase in Qianlong official kiln in Qing Dynasty

清代乾隆官窑流金瓷器传世品有一定的数量。它综合了康熙与雍正两朝的制瓷工艺,进一步发展本朝瓷器,从而创造出许多新颖的流金瓷器。清宫内务府造办处乾隆时记事档中记载了许多乾隆时景德镇御厂为宫廷制瓷的史实,也反映出皇帝直接关注制瓷的情况。乾隆帝对有些流金器物的用途、型体、花纹的要求常有御旨,制作前要有画样或木样,审查后才能正式烧制。器物的款识或有或无,写什么样的款识以及配合纹饰的诗句等都须经过乾隆皇帝的批准。另外,制瓷粗糙不合要求者还要赔补等情况,在档案中也有详细记载。当时的督窑官唐英一方面按皇帝的旨意制作精美的宫廷用瓷,另一方面,在保留前代精华的基础上,还吸收了一些西洋的工艺技法,创造出许多新颖的流金瓷器。

In Qing Dynasty, there were a certain number of gold porcelain handed down from Qianlong official kiln. It synthesizes the porcelain making techniques of Kangxi and Yongzheng dynasties, further develops the porcelain of this dynasty, and creates many new flowing gold porcelain. There are many historical facts about Jingdezhen imperial factory's porcelain making for the court in Qianlong time recorded in the records of Qianlong time in the office of the interior affairs of the Qing palace, which also reflects the emperor's direct attention to porcelain making. Emperor Qianlong often had imperial edicts for the use, shape and pattern of some Liujin wares. Before making, there should be painting or wood samples, which can only be formally fired after examination. The recognition of objects, whether they have or not, what kind of recognition they write, and the verses that match the decoration must be approved by the Emperor Qianlong. In addition, those who do not meet the requirements for rough porcelain should be compensated, which is also recorded in the archives. Tang Ying, the then kiln official, produced exquisite imperial porcelain on the one hand, and on the other hand, on the basis of preserving the former essence, he also absorbed some Western crafts and techniques, and created many new gold porcelain.

首先在用色和施彩的工艺方面有了新的发展,除以流金绘画为主,还常加绘料彩、金彩或黑彩,或与青花、五彩、斗彩并施于一器,这种在一件器物上施多种彩或同时以各种彩绘工艺制作的乾隆流金,可说是集多种陶瓷工艺成就于一身,充分反映了乾隆朝制瓷工艺的精湛。

First of all, there is a new development in the use of color and the technology of applying color. Divided by the flow of gold painting, it often adds material color, gold color or black color, or it is applied to an instrument together with blue and white, five colors and fighting color. This kind of flow of gold produced by applying multiple colors on an instrument or at the same time by various color painting technology can be said to integrate a variety of ceramic technology achievements in one body, fully reflecting the exquisite porcelain technology of the Qianlong Dynasty.

在用色和施彩的工艺方面有了新的生长,除以流金绘画为主,还常加绘料彩、金彩或黑彩,或与青花、五彩、斗彩并施于一器,这种在一件器物上施多种彩或同时以种种彩绘工艺制作的乾隆流金,可说是集多种陶瓷工艺成就于一身,充实反映了乾隆朝制瓷工艺的精湛。在装饰要领上泛起多种色地“”流金,如红、黄、蓝、绿、紫及多种色釉为地,可达十多种,有的在色地上彩绘带有西洋色彩的缠枝花,有的在色地上借用珐琅彩的轧道工艺用一种较尖锐的金属工具划刻出细腻的凤尾纹,即所谓的“锦上添花”,内绘花鸟图、山水人物图及墨书乾隆御题诗等。这种色地流金纤巧繁缛,是亘古未有的,也是乾隆流金中数目多的。

There is a new growth in the use of color and the process of applying color. Divided by the flow of gold painting, it often adds material color, gold color or black color, or it is applied to an instrument together with blue and white, five colors and fighting color. This kind of flow of gold produced by applying multiple colors or at the same time with various color painting processes on an instrument can be said to integrate a variety of ceramic technology achievements in one body, which fully reflects the consummateness of Qianlong porcelain technology. There are many colors of flowing gold, such as red, yellow, blue, green, purple and many kinds of colored glazes. There are more than ten kinds of flowing gold. Some of them paint twigs and flowers with Western colors on the color ground, and some of them use the rolling process of enamel color to carve delicate Phoenix Tail patterns with a sharp metal tool, that is, the so-called "icing on the cake", drawing flowers and birds, landscape figures and Ink books, poems written by Emperor Qianlong, etc. This kind of flowing gold is delicate and complicated, which is unprecedented, and also a large number of flowing gold in the Qianlong period.

清乾隆描金梅瓶值钱吗,首先在用色和施彩的工艺方面有了新的生长,除以流金绘画为主,还常加绘料彩、金彩或黑彩,或与青花五彩、斗彩并施于一器,这种在一件器物上施多种彩或同时以种种彩绘工艺制作的乾隆流金,可说是集多种陶瓷工艺成就于一身,充实反映了乾隆朝制瓷工艺的精湛。

Is Qianlong's gold and plum vase valuable? First of all, there was a new growth in the use of color and the process of applying color. Divided by the flow of gold painting, it was often added with material color, gold color or black color, or applied with blue and white color and fighting color. This kind of Qianlong flow of gold, which applied a variety of colors on a piece of ware or made with a kind of color painting process at the same time, can be said to be a collection of a variety of ceramic technology achievements in one, fully reflecting Qianlong The exquisite workmanship of the porcelain made in the dynasty.