际华推荐大观通宝

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重庆际华拍卖有限公司，为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品，为藏家牵线搭桥，让千百件艺术珍品价值被发掘与重视，在拍卖会上得以高价成交。

【名称】 大观通宝

【规格】 重：3.7g 直径：24.15mm 厚：1.10mm

【类别】 钱币

藏品编号【JH283】

大观通宝。北宋徽宗赵佶在大观年间（公元1107年至1110年）所铸造的年号钱。
 

宋代与历朝有所不同，每换一种年号就开炉铸新币，若年号与宝文相重，则更铸非年号钱。历代罕有。钱文除真、草、隶、篆，行外，还有便是北宋徽宗的“玉划银勾”瘦金体。
 

诗中传述的“风流天子出崇观，铁画银勾字字端。闻道蜀中铜货少，任凭顽铁买江山！”便是北宋徽宗赵佶传神的瘦金体。徽宗早年继承帝位，崇尚书法绘画艺术，却不善理国。他自己则御书亲题其中的崇宁通宝、大观通宝，政和重宝，宣和通宝钱文。御书钱钱文精美，铸造技术高超，为历朝之冠。
 

书法在运用上有三难：篆刻难，书匾难，制钱文难。此三难中方印、书匾还比较容易，而在圆钱上铸字则要难得多了。但是宋徽宗赵佶却因难见巧，在钱币的方寸之间把他自创的“瘦金体”发挥得淋漓尽致，从而把书法艺术推上了峰巅。
 

他写的钱文与众不同，一眼就可看出他的手迹，这充分显示出他的书法艺术个性和美感。在方孔圆钱钱币制作上，安排四个瘦金体文，加上狭缘而不用阔缘，钱文与细廓的线条配合得非常得体，和谐。钱文瘦直挺拔，横画收笔带点，坚画收笔带钩，撇如匕首，按如切刀，劲健有力，洒脱自如，加上廓深肉细的精湛作工，更显得豪纵俊逸，气度不凡了。特别是“大观通宝”四个字，有简有繁，在圆钱上本不易处理得当，但他能部署、配置得恰到好处，令人赏心悦目。
 

大观通宝钱是徽宗大观年间铸造的，相传崇宁五年（公元1106年）年末，当时有人夜观星象时忽然发现彗星闪过，叹为观止，徽宗认为是吉祥之兆，故而改元。改崇宁六年（公元1107年）为大观元年，再而铸钱。崇宁是宋徽宗赵佶的第二个年号，取继承神宗常法熙宁之意。则在赵佶所有的亲题钱中“大观通宝”是徽宗书法艺术的代表作。

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[Name] Daguan Tongbao

[Specification] Weight: 3.7g Diameter: 24.15mm Thickness: 1.10mm

[Category] Coin

NO.[JH283]

Daguan Tongbao. The year of the Northern Song Dynasty Emperor Zhaozong was cast in the Daguan years (AD 1107-1110).

The Song Dynasty is different from the dynasty. Every time a new year is changed, the new coin is opened. If the year number is equal to the Baowen, the non-year money is cast. Rarely in history. In addition to the truth, grass, li, and shackles, Qian Wen is also the thin gold body of the "Jade-scratch silver hook" of Huizong of the Northern Song Dynasty.

According to the poems in the poem, "The Merry Emperor is a Chongguan, the iron painting is the character of the silver hook. The Wen Daozhong has less copper goods, and he is willing to buy Jiangshan!" It is the thin gold body of the Emperor Zhaozong of the Northern Song Dynasty. Huizong inherited the emperor's position in his early years, advocating the art of calligraphy and painting, but he was not good at the country. He himself is a chongning Tongbao, Daguantongbao, Zhenghe Zhongbao, Xuanhe Tongbao Qianwen. The royal book money and money are exquisite, and the casting technology is superb, which is the crown of the dynasty.

There are three difficulties in the use of calligraphy: it is difficult to engrave, the book is difficult, and it is difficult to make money. It is still relatively easy to print and book in this trilemma, and it is much harder to cast words on the round money. However, the Emperor Huizong of the Song Dynasty, because of his difficulty, made his own "skinny body" in the square of the coin to the fullest, thus pushing the calligraphy art to the peak.

The money he wrote was different, and his handwriting could be seen at a glance, which fully demonstrated his calligraphy's artistic personality and beauty. In the production of square hole round money coins, arrange four thin gold body texts, plus narrow edges instead of wide margins, Qian Wen and fine lines are very well matched and harmonious. Qian Wen is straight and straight, draws a pen with a horizontal drawing, and draws a pen with a hook. For example, a dagger, such as a knife, strong and powerful, free and easy, plus a deep and delicate workmanship, more looks Long and handsome, the momentum is extraordinary. In particular, the words "Daguan Tongbao" are simple and complicated. It is not easy to handle properly in the round money, but he can deploy and configure it just right, which is pleasing to the eye.

Daguantongbao money was cast during the reign of Emperor Huizong. It was said that at the end of the five years of Chongning (AD 1106), when someone looked at the stars in the night, they suddenly found that the comet flashed, and it was a sigh of relief. Huizong believed that it was a good omen, and changed the yuan. Change Chongning six years (AD 1107) for the first year of the Grand View, and then cast money. Chongning is the second year of Emperor Huizong of the Song Dynasty, taking the meaning of the succession of the Emperor Shenzong. In Zhao Yi’s all-in-one money, “Daguan Tongbao” is the masterpiece of Huizong’s calligraphy art.