盛世收藏精品推荐 百花不落地葫芦瓶（一对）

盛世收藏精品推荐 百花不落地葫芦瓶（一对）

【藏.荐】栏 为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。Column for the collection of powerful dissemination effect to each buyer recommended by the national expert selection of art treasures, for collectors matchmaking, let thousands of art treasures value was discovered and take seriously, in the auction to clinch a deal at a high price.

 

【名称】百花不落地葫芦瓶（一对）

【规格】高27.6厘米 底径7.6厘米 口径1.2厘米

  【类别】 瓷器

【展示价】600000.00CNY

 

[Name] Gourd bottle with hundred flowers on the floor (one pair)

【specifications】Height 27.6 cm base diameter 7.6 cm diameter 1.2 cm

[Category] porcelain

【 Show the price】6000000.00 CNY

清乾隆是清代社会发展的鼎盛时期。景德镇御窑厂荟萃了一代名师巧匠，无论数量或质量都达到了历史的顶峰，“大内出样，交御窑厂烧制”。粉彩由原来多用红白地着彩，发展为多种彩色地相配。因器物上布满千姿百态的花朵，不露地色，故称“百花不露地”。Qing qianlong was the peak period of social development in the qing dynasty. Jingdezhen royal kiln factory assembled a generation of master craftsman, regardless of quantity or quality have reached the peak of history, "big inside out sample, hand in royal kiln factory firing". Pastel by the original multi-purpose red and white color, the development of a variety of color to match. Because implements are full of flowers of various shapes and forms, do not dew ground color, reason says "100 flowers do not dew ground".

百花不露地装饰之出现必在工艺繁荣之世，考其源流，可知雍正一朝为初创阶段，多见碗杯之属，花叶之间留有空隙，尚无致密之象，乾隆之后发展至极致，嘉庆初年尚见。其工序之繁缛，设色之丰富，绘画之多彩，绝非数人之力可成，当为彩瓷之翘首。许之衡《饮流斋说瓷》有载：“瓷器满画花朵，种种色色形状不一者，谓之万花”，故又称“万花堆”。据乾隆清宫内务府记事记载，绘此种图案之器，为寻常赏花时所用，象征“万花献瑞The appearance of the decoration of hundred flowers not exposed to the ground must be in the period of prosperity of the craft, the origin and flow of which can be seen that yongzheng dynasty was the initial stage, and there were many bowls and cups, and there were gaps between flowers and leaves, but no dense appearance. Its complicated working procedure, rich color, colorful painting, not a few people can be made, should be the leader of color porcelain. Xu zhiheng's book on porcelain in yinliuzhai contains the following statement: "when porcelain is full of flowers with various shapes, it is called" ten thousand flowers ". Therefore, it is also called "ten thousand flowers pile". According to the records of the qianlong imperial palace, this kind of design was used for ordinary flower appreciation, symbolizing "ten thousand flowers xianrui"

“花谢花飞花满天，红消香断有谁怜？”这句诗原本是说，黛玉看到凋谢的耳朵被风吹起，心中可怜那些美丽的花朵。花朵的开放是你我不能拒绝的美丽，然而如何将这美丽留下来呢？在古代除了画画，还可以将其烧制成瓷器！清乾隆时期的景德镇御窑厂，汇集了当代最著名的一批名工巧匠，因此这个时期的瓷器，不论是数量还是质量上都达到了一个不可企及的高度，“百花不露”瓷器正是这个时期产生的。"Flower xie hua flutters all over the sky, red disappear sweet break who pity?" The poem originally said that daiyu felt pity for the beautiful flowers when she saw her withered ears blown up by the wind. The bloom of the flower is a beauty that you and I cannot refuse, but how can we keep it? In ancient times in addition to painting, can also be fired into porcelain! The imperial kiln in jingdezhen during the qianlong period of qing dynasty brought together the most famous craftsmen in the contemporary era. Therefore, the porcelain in this period reached an unattainable height both in quantity and quality. It was in this period that the porcelain with "100 flowers and no dew" came into being.

“百花不露”，也叫“百花不落地”，是瓷器釉上彩的一种表现手法。指的是将粉彩与金彩结合，各色花朵将整个画面填满，不露出瓷底，也不露出花朵的枝干。百花如同天女散花，浮于空中，故称“百花不落地”。

百花不落瓷器烧制工序之繁缛，设色之丰富，绘画之多彩，绝非数人之力可成，当为彩瓷之翘首。若无良工为之构图设计，巧匠为之敷彩洗染，何来一器成，天下宠？考其源流，首先，需要内务府造办处出具画样，设计出百花齐聚之画稿，交付御窑厂作为粉本，其构思最妙之处则是尽收春意盎然之象而又无砌堆之感，殊为巧思。其次，御窑厂的工匠将画稿临摹勾勒于白瓷胎上，务必与原稿一致，同时又要照顾到器表不同于纸面的不均衡特性，一旦有误，全局皆变，任其彩料何等妍美，画手如何高超，亦无法弥补画稿原有之神韵。第三，彩料配制之多堪称众瓷之首，百花不露地者一器之上所见颜色不下于三十余种，故绘画之前，彩瓷的所有颜料必须配备，种类繁多几近百种，均需一一调试。此项工作之完成需动用多少人力，耗费多少时间，预支多少成本，可想而知。最后，填绘洗染，必经画师数人之手，历十数日之功方可入窑。故一器告成，历时数月之久，耗资甚巨，绝非其它御瓷可比。如此繁复之至必将注定百花不露地者烧造不多。如此工艺，必出现在工艺繁荣之世。乾隆一朝，瓷艺精进，榷（què）陶使者唐英殚心竭虑，集历代名窑之大成，括中外良器之精萃，藉以御窑厂之能工巧匠，以瓷为胎，敷设彩釉，铸就千古不遇之辉煌。其间既崇尚复古，亦勇于创新，所带来的技术突破与艺术新姿采均在中国艺术史上写下重要的一页。"Hundred flowers do not show", also known as "hundred flowers do not fall to the ground", is a technique of porcelain glaze color. It refers to the combination of pastel and gold color, with all kinds of flowers filling the whole picture without exposing the porcelain base or the branches of the flowers. Hundred flowers are like the flowers scattered in the sky, floating in the air, so called "hundred flowers do not fall to the ground."

 

The hundred flowers do not forget the complicated firing process of porcelain, the rich color and the colorful painting, which can not be achieved by several people, should be the leader of colored porcelain. If there is no good work for the composition of the design, skillful craftsman for the color wash, what to a pot, the world's favorite? Take a look at its origin and flow, above all, need house of internal affairs to make do a place to issue drawing sample, design 100 flowers to gather drawing manuscript, deliver royal kiln factory to regard pink as this, its conceiving the most wonderful place is the image that collects spring full of vitality and do not have build by laying bricks or stones pile of feeling, imagine all of a sudden. Next, the craftsman of royal kiln factory copies sketch on white porcelain body, be sure to accord with original manuscript, at the same time should take into account the unbalanced characteristic that instrument table is different from paper surface, once wrong, the whole situation all is changed, let its color material how beautiful beauty, how skilled painter, also cannot make up original artistic charm of manuscript. Thirdly, the number of color materials can be said to be the first of many porcelain, a hundred flowers do not show the ground above one can see the color of not less than 30 kinds, so before painting, color porcelain all pigments must be equipped, a variety of nearly 100 kinds, all need to debug one by one. It is conceivable how much manpower, time and cost will be spent to complete the work. Finally, fill painting wash and dye, through the hands of several painters, through ten days of work can enter the kiln. Therefore, the completion of a ware, lasted several months, cost a lot, no other royal porcelain than. Such complexity is bound to be doomed to a hundred flowers do not show the ground of the fire. Such craft, must appear in craft flourishing times. In qianlong's first dynasty, the porcelain art was advanced, and tang ying, the emissary of pottery of que, tried to collect the great achievements of famous kilns in all dynasties, including the quintessence of fine wares from home and abroad. During this period, he not only advocated restoring the ancient ways, but also dared to innovate. The technological breakthroughs and new artistic features brought by him have written an important page in the history of Chinese art.

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