范曾书法嘉峪关

范曾书法嘉峪关

范曾先生是当代画坛巨擘,或以开拓求新为时尚,或以固守传统为荣,都无法诠释他。他接受过严格的学院训练,这使他的造型手段迥然不同于传统中国画家。他浸染传统之深,使他的笔墨技巧达到了极高的水准,甚至使古人瞠乎其后。他博学多才,“致广大而尽精微”,又使他的画面富有诗的意蕴境界。范曾先生是当代绘画界的巨人。无论是他的开拓和创新时尚,还是他对坚持传统的骄傲,都无法解释他。

Mr. Fan Zeng is a giant in the contemporary art world. He cannot interpret him if he is fashionable to open up new ideas, or proud to stick to tradition. He received rigorous academy training, which made his modeling methods quite different from traditional Chinese painters. He was soaked in tradition, which made his brush and ink skills reach a very high level, and even made the ancients lag behind. He is knowledgeable and versatile, "to the vast and subtle", and makes his pictures full of poetic implication. Mr. Fan Zeng is a giant in contemporary painting. Neither his pioneering and innovative fashion, nor his pride in upholding tradition can explain him.

他接受过严格的大学培训,这使他的风格与中国传统画家截然不同。他深深地沉浸在传统中,因此他的笔墨技巧达到了很高的水平,甚至让古人惊讶不已。他知识渊博,多才多艺,“在广阔而微妙的程度上”,使他的画面富有诗意蕴涵境界。范曾提倡“回归古典,回归自然”,身体力行“以诗为魂,以书为骨”的美学原则,对中国画的发展厥功至钜,开创了“新古典主义”艺术的先河。范曾主张“回归古典,回归自然”,实践“以诗为魂,以书为骨”的美学原则。他为中国画的发展做出了巨大贡献,开创了“新古典主义”艺术。其作画主张用石涛“一画论”之精义,力追天籁之境,精于白描,尤喜写意人物。为表现历史人物之神韵,他潜心研究历史,悉心揣摩古今中外诸名家之作,他特别推崇陈老莲和任伯年,范曾的历史人物画清新典雅,潇洒飘逸,栩栩如生。因此他的作品都很受市场热捧,值得收藏。此幅为范曾书法“嘉峪关”。字迹风格清新俊朗,新颖大方,表现手法娴熟质朴,依然是范大师的典型风格,范曾运用了国画钩线技法中“钉头鼠尾”的技法,功底苍劲有力,充满生命力。

He received rigorous university training, which made his style quite different from traditional Chinese painters. He was deeply immersed in tradition, so his pen and ink skills reached a high level, and even surprised the ancients. His knowledge and versatility, "to a wide and subtle degree," made his pictures full of poetic implication. Fan once advocated "returning to classics and returning to nature", and physically practiced the aesthetic principle of "taking poetry as soul and books as bones", and made great contributions to the development of Chinese painting, creating a precedent for "neoclassical" art. Fan once advocated "returning to classical and returning to nature" and practicing the aesthetic principle of "taking poetry as soul and books as bones". He has made great contributions to the development of Chinese painting and pioneered the "neoclassical" art. His painting advocates using the essence of Shi Tao's "One Painting Theory" to pursue the realm of nature, and to be proficient in freehand drawing, he especially likes freehand figures. In order to express the charm of historical figures, he devoted himself to studying history and carefully considering the works of ancient and modern Chinese and foreign masters. He especially praised Chen Laolian and Ren Bonian. Fan Zeng's historical figure paintings are fresh and elegant, elegant and elegant, lifelike. Therefore, his works are very popular in the market and worth collecting. This picture is Fan Zeng's calligraphy "Jiayuguan". The handwriting style is fresh and handsome, novel and generous, and the expression is skillful and rustic. It is still the typical style of Master Fan. Fan used the "head and mouse tail" technique in the hook and line technique of Chinese painting, with strong strength and full of vitality.

此件书法作品气势磅礴,笔酣墨饱,用笔刚劲流畅,最大程度上展现了作者的书法功底,也反映了作者当时的心境,实为一件难得的佳作。近年来作者同类作品无一不是被高价收藏,并且随着作者创作数量的减少,作品价值一直不断攀升新高,这样一件佳作极具收藏和投资价值。

This calligraphy work is magnificent, the pen is filled with ink, and the pen is firm and smooth. It shows the author's calligraphy skills to the greatest extent and reflects the author's state of mind at the time. It is a rare masterpiece. In recent years, all of the author's similar works have been collected at high prices, and with the decrease in the number of authors' creations, the value of works has been rising to a new high. Such a masterpiece has great collection and investment value.

此副范曾嘉峪关书法是罗先生收藏的珍品,此书法出自当代著名文学艺术家范曾之手,以诗为魂,以书为骨”,这是范曾绘画的显著特色,是他几十年创作甘苦的体味与总结,也是他为中国画提出的箴言。范曾认为,举凡中国先哲深睿高华之感悟,史家博雅浩瀚之文思,诗家沉雄逸迈之篇章,皆为中国画源头活水。加之画家对宇宙人生,入乎其内,出乎其外,以诗人之眼观物,以诗人之舌言事,胸次既博大而格调又清新,其所创制,自非一般。范曾生长于诗人世家,受诗歌环境之熏陶培育,且有厚实的儒、释、道等中国传统文化的滋养,因此其内心就蕴含着一份涵养深厚的诗魂,这份诗魂又氤氲在他的笔墨深处。收藏价值和升值空间都值得期待。

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