古玩城2020精品推荐第一期：大清光绪年制粉彩细纹花瓶

清代历经康雍乾三朝的高峰之后，国力逐步衰退、经济实力下降，制瓷水平也随之降低。清代晚期粉彩瓷器多沿袭乾隆时期已有的品种，少有创新。除白地粉彩瓷以外，也有各种色地粉彩瓷。光绪瓷器多以仿效前朝的器形而闻名。但在陶瓷工艺制作上已经逐渐有所发展，手工绘制水平上形成了自己独到的艺术特色，华丽生动的纹饰更趋于完美庄重。

After the peak of Kang, Yong and Qian dynasties in Qing Dynasty, the national strength gradually declined, the economic strength declined, and the level of porcelain making also decreased. In the late Qing Dynasty, most of the pastel porcelain followed the existing varieties of Qianlong period, with few innovations. In addition to white ground porcelain, there are also various colors of ground porcelain. Guangxu porcelain is famous for imitating the shape of the previous dynasty. However, it has gradually developed in the ceramic technology production, and formed its own unique artistic characteristics in the level of manual drawing, and the gorgeous and vivid patterns tend to be more perfect and solemn.

尤其是光绪时期仿制了很多雍正、乾隆官窑的粉彩瓷器，比如仿乾隆粉彩九桃大瓶、仿乾隆粉彩百鹿尊等等。这些仿制瓷器大都胎釉细致缜密，工艺精湛。光绪时期还制造过许多特殊的器型，例如粉彩秋操纪念杯，云蝠赏瓶等等。光绪时期的粉彩瓷水平较高，较常见的是在浅松石绿、佛头青、藕荷等底色上绘花鸟纹饰，色泽浓艳，彩略厚，胎釉致密精细。

In particular, during the Guangxu period, many pastel porcelains of Yongzheng and Qianlong official kilns were imitated, such as nine peach big bottles of Qianlong pastel, bailuzun of Qianlong pastel, etc. Most of these imitated porcelains are of meticulous glaze and exquisite workmanship. During the Guangxu period, many special utensils were made, such as the commemorative cup of pink autumn exercise, the bottle of cloud bat appreciation and so on. In Guangxu period, the level of pastel porcelain was relatively high. It was more common to paint flowers and birds on the base colors of light turquoise green, Buddha head green, lotus root and so on. The color was thick and the glaze was dense and fine.

与前朝相比，清末光绪时期的制瓷工艺出现了一个“回光返照”式的发展，制作了一批精良之作，值得藏家关注。清光绪年间名窑粉彩瓷器传世品不是很多。它综合了康熙与雍正两朝的制瓷工艺，进一步发展本朝瓷器，从而创造出许多新颖的粉彩瓷器。

Compared with the previous dynasties, there was a "return to light" development in the porcelain making process in the late Qing Dynasty, and a number of excellent works were made, which deserves the attention of collectors. In the Guangxu period of the Qing Dynasty, there were not a lot of famous kiln pastel porcelain handed down. It integrated the porcelain making techniques of Kangxi and Yongzheng dynasties, further developed the porcelain of this dynasty, and created many new pastel porcelain.

清宫内务府造办处同治时记事档中记载了许多同治时景德镇御厂为宫廷制瓷的史实，据史料记载，同治七年皇帝大婚，由江西巡抚景福负责烧造“大婚礼造器”达七千余件;同治九年为慈禧烧造一批陈设体和殿的“体和殿”款瓷器;光绪时为慈禧寿辰又烧制了数以万计的色地粉彩瓷器。

According to historical records, Jingdezhen imperial factory made porcelain for the court in Tongzhi period. In the seventh year of Tongzhi period, Jingfu, the governor of Jiangxi Province, was responsible for making more than 7000 pieces of "wedding ware". In the ninth year of Tongzhi period, a batch of "body and hall" porcelain was made for Cixi; During Guangxu's reign, tens of thousands of colored pastels were made for Cixi's birthday.

此大清光绪年制粉彩细纹花瓶，为清代光绪年间所制精品，撇口，长颈，溜肩，鼓腹，腹下渐敛，圈足，准确生动，几可乱真。通体施白釉，外壁以粉彩装饰，设色清雅，甜润华滋，栩栩如生。底部双圈明朗，极富时代气息，器形端雅大方，因此产量极少，流传至今的更是屈指可数。稀缺性远胜于历代官窑，其历史价值与收藏价值颇为可观。

This fine-grained pink vase was made in Guangxu period of Qing Dynasty. It is a masterpiece made in Guangxu period of Qing Dynasty. It has a long neck, a long shoulder, a bulging belly, a gradually converging belly and a round foot. It is accurate and vivid. It can hardly be true. The whole body is covered with white glaze, and the outer wall is decorated with pastels. The color is elegant, sweet and vivid. The bottom of the double circle is clear, full of the flavor of the times, the shape of the utensil is elegant and generous, so the output is very small, and few of them have been handed down to this day. Its rarity is far better than that of the official kilns of the past dynasties, and its historical value and collection value are considerable.

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