垚舜艺术精品推荐：掐丝珐琅彩碗

掐丝珐琅，中国传统工艺品，属于珐琅器品种之一，一般特指铜胎掐丝珐琅，又称"景泰蓝"。使用其他金属做胎的，如金胎掐丝珐琅等。掐丝珐琅的制作工艺也称为掐丝珐琅。珐琅彩瓷器几乎都是适合把玩的小件器物，不见大器。由于珐琅彩瓷器的制作工艺非常考究，烧造亦受到宫廷的严格控制，致使其成本高、产量低，成为专供皇帝赏玩的艺术珍品。

Wire-cutting Enamel, a traditional Chinese handicraft, is one of the varieties of enamel, generally refers to wire-cutting Enamel, also known as "Cloisonne" . Made of other metals, such as Gold Wire and Enamel. The process of making wire-cutting Enamel is also called wire-cutting Enamel. Enamel porcelain is almost suitable for playing with small objects, not big. Because of the exquisite craftsmanship of the enamelware, the firing was strictly controlled by the court, resulting in a high cost and low output, and became a special art treasure for the emperor to enjoy.

虽然明初掐丝珐琅工艺已逐渐被朝廷重视，但是真正引起文人注意与仕宦商贾珍藏，已经是明代晚期的事了。因此，真正早期的器物传世下多，工艺技法也不是十分成熟，掐丝粗细不匀，掐丝常高出胎面较多;胎体、釉层较为厚重。其品种也不多。

Although the Silk Enamel craft in the early Ming Dynasty has gradually been taken seriously by the court, but it was the late Ming Dynasty that really attracted the attention of scholars and the collection of officials and merchants. Therefore, the real early artifacts handed down more, technology is not very mature, pinch wire thickness uneven, pinch wire often higher than the tread more, the body, glaze layer is thicker. And there aren't many of them.

只有到了乾隆时期，掐丝珐琅工艺才全面兴盛，并正式达到巅峰，并形成了内府造办处、广州、扬州、苏州等几个工艺中心。乾隆朝除了继续仿制前朝的各种器皿外，还从事仿古铜器和宗教仪典方面所用的佛像、佛龛、佛塔、满达、七珍八宝等供具之制作，更另辟蹊径，烧制各种动物造型的实用兼陈设的器皿。一般日常生活用具，例如饮食用器、文房用具、日用的花瓶、花盆、轿瓶、香薰、脸盆、浑天仪、暖手炉、渣斗、镜子、挂屏、灯座、帽架、鱼缸、如意、斋戒牌、鼻烟壶、钟表、及翎管、班指、指甲套、发簪等装饰品等，不胜枚举。其装饰繁缛，纹样采用传统的螭龙、兽面、吉祥纹饰、莲塘、山水、番莲及莲瓣、菊瓣和各种西洋式花朵。而且乾隆常把古代书画名迹巧妙地运用到掐丝珐琅的纹饰中，以追求绘画艺术与珐琅工艺的完美结合。掐丝的技术更为娴熟，粗细均匀而流畅，色釉种类多样，釉色艳丽、洁净，但大多数缺透明温润的质感。

Only in the Ganlong period did the silk-cutting Enamel craft fully flourish and reach the peak officially, and formed several craft centers such as Neifu building office, Guangzhou, Yangzhou, Suzhou and so on. In addition to continuing to copy the vessels of the previous dynasties, the Ganlong dynasty also engaged in the production of antique bronzes and other utensils used in religious ceremonies, such as statues of Buddha, shrines, pagodas, Manda, seven treasures and eight treasures, a practical and decorative vessel in the shape of various animals. General daily necessities, for example, eating utensils, stationery, daily vases, flower pots, Sedan Vases, incense, washbasins, armillary sphere, hand warmers, cinders, mirrors, hanging panels, lamp stands, hat stands, fish tanks, Ruyi, fasting cards, snuff bottles, clocks, pipes, class fingers, nail covers, hairpins, etc. , the list goes on and on. The decorative patterns of Dragon Chi, animal noodles, auspicious patterns, Lotus Pond, landscape, Passion Lotus and Lotus Petals, Chrysanthemum Petals and a variety of western-style flowers. In order to perfect the combination of painting art and Enamel Craft, Ganlong used the famous traces of ancient painting and calligraphy skillfully in the decorative patterns of Hansi Enamel. Pinch silk technology more skilled, uniform and smooth thickness, color glaze variety, bright glaze, clean, but most of the lack of transparent warm moist texture.

该碗直径:12.1cm，高：7cm，底径：4cm体量较小，该碗体量较小，制作颇有难度。上掐丝出各式图案。色泽鲜丽，尤让人惊艳。盘整体纹饰层次繁密，色泽典雅华丽，气势宏伟，纹样具有鲜明的时代特征，底部“太祖”，转角停顿亦圆润有力,虽不为明太祖年所制，属于“寄托款”但也尤为难得。它有着显赫的历史地位，繁复的工艺价值，是收藏市场上的宠儿，因此使得珐琅彩一旦现身，都会引起藏家的热捧，同时也成为了艺术品保值增值的投资热门之一。

The bowl is 12.1 cm in diameter, 7 cm in height and 4 cm in diameter. All kinds of patterns come out on the wire. It's a beautiful color, and it's amazing. The overall decorative pattern of the disc is dense layers, elegant and gorgeous color, magnificent momentum, patterns with distinctive features of the Times, at the bottom of the "Taizu" , the corner of the pause is also round and powerful, although not made by the Ming Taizu year, belongs to the "trust" but also rare. It has a prominent historical status, complex craft value, is the favorite in the collection market, so that once the appearance of enamel color, will cause collectors'enthusiasm, but also become one of the hot investment in value preservation and appreciation of art.