太平有象三足香炉

太平有象三足香炉

铜香炉是中国明清时期铜制品中最重要的门类之一。精心冶炼的铜香炉,造型古朴典雅,深受世人的重视。香炉是一种非常有文化背景的工艺品,香炉在室内可做香薰器皿之用,在室外又可以做佛家祭器之用。很多文学诗句中都有香炉的影子。香炉的历史文化韵味和做工精细的材质把铜香炉烘托的很有诗情雅气,现今的香炉成为古玩收藏家的宠儿。

Copper incense burner is one of the most important categories of copper products in Ming and Qing Dynasties. The copper censer, which is elaborately smelted, has a simple and elegant shape and is deeply valued by the world. Incense burner is a kind of handicraft with a very cultural background. It can be used as incense utensils indoors and as Buddhist sacrificial utensils outdoors. Many literary poems have the shadow of incense burner. The historical and cultural charm and fine workmanship of the incense burner make the copper incense burner poetic and elegant. Today's incense burner has become the favorite of antique collectors.

香炉的生长历史上,泛起了诸多形形色色的名目,着名的有宣德炉及万历年间盛行的青花炉、南北朝时期生产自三大瑶池之一博山的博山香炉、北宋时期象征对佛祖敬畏的陶莲花香炉以及同样撒播于明代的漆器香炉,还有大清乾隆年制的虎头双耳三足香炉都是珍藏界的宠儿。当一个民族进入高度成熟、处在生命力最兴旺的阶段,全身洋溢着蓬勃生气和高度自信,就迫切需要寻找一种形式去表达、去寄托、去宣泄、去张扬自己高昂甚至亢奋的精神和情绪,香炉就是中华民族体现这种情绪收支的载体。

In the history of the development of incense burners, there are many kinds of names, such as Xuande furnace and blue and white stove prevailing in Wanli period, Boshan incense burner produced in Boshan, one of the three yaochi pools in the northern and Southern Dynasties, taolian flower incense burner symbolizing the awe of Buddha in the Northern Song Dynasty, and lacquer incense burner also spread in the Ming Dynasty, In addition, the incense burner with tiger head, two ears and three feet, which was made in Qianlong year of Qing Dynasty, is the favorite of the collection circle. When a nation enters a highly mature and prosperous stage of vitality, full of vitality and high self-confidence, it is urgent to find a form to express, repose, vent, and publicize their high and even excited spirit and emotion. Incense burner is the carrier of the income and expenditure of Chinese people's emotions.

从工艺造型来看,一些皇帝御赐的铜香炉由于其精细的工艺而提升了其价值。因此,年代久远、雕工精美的铜香炉价值不菲。另外,由于明清铜炉历史上经历诸多劫难,损失惨重,造成后仿炉和私款炉也已成为珍罕的历史文物。

From the perspective of process modeling, some copper censers given by the emperor enhanced their value due to their fine craftsmanship. Therefore, the bronze censer with a long history and exquisite carving is of great value. In addition, due to many disasters and heavy losses in the history of the Ming and Qing Dynasties copper furnaces, the latter imitation furnaces and the private ones have become rare historical relics.

此藏品为清代香炉,香炉的历史在我国由来已久。铜炉也需要常年“火养”,在温火的烘烤之 下,铜炉的皮壳也会慢慢发生变化,变得越来越温润,越来越耐看,这往往是一个缓慢的渐变的过程。此藏品为清代香炉,炉体呈圆形,炉口有折沿,上有两个对称的立耳,炉底有三个乳足。在炉底正中间铸有结构严谨、字体规整的正方形“乾隆年制”款。此炉表面光润细滑,抚之若婴儿肌肤。不论从整体还是从口沿、双耳,以及三足等局部看,它的造型给人以流畅圆润、生动自然的和谐美感,不失为一件珍品。

This collection is the incense burner of Qing Dynasty, which has a long history in China. The copper furnace also needs to be "kept by fire" all the year round. Under the warm fire baking, the shell of the copper furnace will gradually change, becoming more and more warm and more durable. This is often a slow gradual process. The collection is a Qing Dynasty incense burner. The furnace body is round, with a folding edge at the mouth, two symmetrical vertical ears on the top and three milk feet at the bottom. In the middle of the furnace bottom, there is a square

"Qianlong year system" with strict structure and regular font. The surface of the stove is smooth and smooth, and it is like baby's skin. No matter from the whole or from the mouth edge, ears, and three feet and other parts, its shape gives people a smooth, vivid and natural harmonious beauty, which can be regarded as a treasure.

此太平有象三足香炉是孟先生收藏的珍品,此对香炉造型繁复绚丽,炉颈高耸,满饰缨络,背负聚宝盆,奇珍漫溢,宝光四射。炉身通体透雕缠枝莲花纹,辗转交叠,枝叶错纵盘绕,莲花盛开其间,主题纹饰剔地浮雕雷纹缠枝,下承象首三足,面容饱满憨厚,缨络垂挂,富贵高雅,巧以象鼻作支撑,力鼎千斤。香炉造型敦厚雄浑,气度非凡,炉身上佛身,回纹,雷纹缠枝各一周,本身黄铜色皮壳相映成趣,整器造型规整,精工细作,手感上佳,颇有古意,且包浆亮丽,乃清早期精美之作,该时期作为清代经济、文化发展的最高峰,国力强盛,四海咸服,八方进贡,海内外文化交流频繁,故这种蛮夷献宝也成为宫廷艺术的常见题材,此式香炉可为一例证

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