梅，花中四君子之一，傲而不俗。其色分红白及绿，另有蜡梅，色黄如蜡，香气浓郁，虽自成科属，其风韵却与梅有异曲同工之妙。梅寿可逾千载，枝干虬曲，身姿苍古，其芳愈寒愈媚，临风寒劲挺傲然铁骨，遇冰雪更添飘然风仪，为历代文人雅客所喜爱。明代李渔曾论赏梅之无奈：“风送香来，香来而寒亦至；雪助花妍，雪冻而花亦冻”。吾以为：梅不畏寒乃出自天然，而寒香俱来更是造化奇绝，踏雪寻梅，呵气凝香，满目娇色，风雅至致哉！

图中画盛开的梅，构图疏密有致，枝条穿插，富有韵味，具扬补之遗法，为补之传派中上乘之作。图绘老梅新枝，蓓蕾竞绽，喧闹热烈的气氛宣告春天来临的消息，动人心魄。画家以劲健和时带飞白的笔触皴写粗干，梅花画法奇特，既非用笔点染，亦非用线钩勒，而用绢卷或线团蘸墨点成。作者以特写镜头截取画面，擅用疏与密、繁与简、直与曲等对比手法布局，笔势遒劲奔放，墨色浓淡参差，境界幽雅淡逸，是古代墨梅画的杰作。

此图梅枝横斜而出，枝条简疏。枝节交叉处梅花竞相吐蕊开放，表现了王冕野梅的清绝韵致。笔墨精练蕴藉，主干以淡墨挥洒，浓墨点苔，苍古老拙。分枝以中锋勾撇，挺拔坚韧

此幅构图别致，布局豪纵奇崛，气象峥嵘而清劲可爱。枝干纵横，以墨笔皴写，湿笔中又呈飞白，枯健如蟠龙虬曲，再横点重墨，更显苍老道劲。枝梢俏利，而嫩枝又笔直上伸，上下呼应。繁花散于嫩枝之间，只用简洁的双钩，千斛万蕊，冷艳寒香便扑面而来。妙在一缕烟雾横遮梅梢，更添隽拨清逸之致。

Mei, one of the four gentlemen in the flower, is proud and not vulgar. Its color is divided into red, white and green. There is also winter plum, which is yellow as wax and has a strong aroma. Although it is a family genus, its charm is similar to that of plum. Meishou can be more than a thousand years old, its branches and squiggles, its appearance is ancient, its fragrance is getting colder and more charming, and it is proud of the wind and cold, and it is even more elegant when encountering ice and snow. In the Ming Dynasty, Li Yu once commented on the helplessness of plum appreciation: "The wind sends the fragrance, and the fragrance comes and the cold comes; the snow helps the flowers, and the snow freezes and the flowers are also frozen." I think: plums are not afraid of the cold from nature, and the fragrance of coldness is unique for good luck, walking in the snow to find plums, scenting the fragrance, full of tenderness, elegant and elegant!

The picture shows the plum blossom in full bloom, the composition is dense and dense, the branches are interspersed, and it is full of charm. The picture depicts old plums with new branches, buds blooming, and a noisy and lively atmosphere announcing the news of spring, which is heart-warming. The painter uses vigorous and whitish brushstrokes to write thick and dry. The plum blossom painting is peculiar. It is neither dyed with pen nor hooked with thread, but dotted with silk roll or thread ball. The author uses close-up shots to capture the pictures, and uses contrasting techniques such as sparseness and density, complexity and simplicity, and straightforwardness and melody. The strokes are bold and unrestrained, the ink color is uneven, and the realm is elegant and light. It is a masterpiece of ancient ink plum painting.

In this picture, the branches of plum blossoms are slanted horizontally, and the branches are simple and sparse. At the intersection of the branches, the plum blossoms compete with each other to bloom, showing the clear charm of Wang Mianye plum. The brush and ink are concise and condensed, the main body is slicked with light ink, and the thick ink is moss, ancient and clumsy. Branches are hooked at the center, upright and tough

The composition is unique, the layout is arrogant and vertical, the atmosphere is vigorous and fresh and lovely. The branches are vertical and horizontal, and the ink brush is used for writing, and the wet brush is white again, and it is as dry as a beard dragon. The shoots are pretty sharp, and the twigs stretch up straight, echoing up and down. The flowers are scattered among the twigs, using only simple double hooks, thousands of flowers and stamens, and the cold and cold fragrance will blow on your face. A wisp of smoke covers the plum shoots, adding a refreshing and refreshing touch.