艺品在线2020精品推荐第7期：元青花人物故事罐

青花瓷生产于唐代，兴盛于元代。成熟的青花瓷出现在元代的景德镇，纹饰最大特点是构图丰满，层次多而不乱。元青花瓷大改以往传统瓷器含蓄内敛风格，以鲜明的视觉效果，给人以简明的快感。以其大气豪迈气概和艺术原创精神，将青花绘画艺术推向顶峰，确立了后世青花瓷的繁荣与长久不衰。

Blue and white porcelain was produced in Tang Dynasty and flourished in Yuan Dynasty. Mature blue and white porcelain appeared in Jingdezhen of the Yuan Dynasty. The most important feature of the patterns is that the composition is full and the layers are not disordered. The blue and white porcelain of Yuan Dynasty greatly changed the implicit and restrained style of traditional porcelain, and gave people a concise pleasure with distinct visual effect. With its heroic spirit and original spirit of art, blue and white painting art has been pushed to the peak, which has established the prosperity and long-term prosperity of blue and white porcelain in later generations.

元代社会杂剧繁荣昌盛，往往将戏剧中任务故事情节的跌宕起伏记凝固在后总结是的瓷罐上以供欣赏。在存世甚少的元青花瓷器中，绘有人物故事题材的更是凤毛麟角。

In the Yuan Dynasty, the social Zaju flourished, and the ups and downs of the task story in the drama were often solidified on the porcelain pot of the summary. In the rare blue and white porcelain of Yuan Dynasty, there are few people who have the theme of character story.

元代景德镇瓶、罐之类器型，采用分段制胎，然后再用胎泥粘合而成，粘接处器表往往突起，给人以不平之感，外壁接痕经打磨，但内壁接痕仍清晰可见，器物颈部内侧略加切削，内壁均不修削，所以在器里的底、腹、口等处胎体接痕表现明显。一般器物的足边不规整，有弯曲现象，说明元代制胎时不讲究修坯，因此显得成型工艺较粗糙。但小型器物也有精致者，胎质显得洁白细腻。削足处理方法常见底足足端外墙斜削一刀，大器足底宽厚多为挖足，挖足有深有浅。器物圈足不十分整齐，呈弯曲状。器底可见螺旋状的切削痕，大瓶、大罐的底部。旋削纹较粗、较疏，盘和碗的切削痕较细、较密。底部和圈足内外粘有窑砂，有些已熔入釉中。高足杯的高足与杯身以泥浆拼接，交接处可以看见黄色或浆色挤压泥浆，杯把足端的圈足厚薄不一。子扣套合结构的盖，采用子扣与器盖先成型后粘接工艺，盖上能清晰地看见接痕。碗的底部胎体较厚重，足内露胎，中心微微突起，俗称"脐"状，实为拉坯痕迹。瓶、罐等大型器物底部中心处常见一内凹的圆点，在烧制大器时，为防止塌底，需在底部中心或稍偏处放一个用耐火土做成的圆饼或圆圈作支点，圆点就是由此形成的。大罐底部多为宽圈足，不规整，有的底中心有较浅的螺纹痕迹。

In the Yuan Dynasty, Jingdezhen bottles and jars were made of segmented tires, and then bonded with tire mud. The surface of the bonding part was often protruding, giving a sense of unevenness. The outer wall joint mark was polished, but the inner wall was still visible. The inner side of the neck was slightly cut, and the inner wall was not trimmed. Therefore, the traces on the bottom, abdomen and mouth of the utensils were obvious. The foot edge of general utensils is irregular and has bending phenomenon, which shows that the tire making in Yuan Dynasty did not pay attention to trimming, so the molding process was rough. However, there are also delicate small objects, with white and delicate texture. The most common way to cut the foot is to cut the outer wall of the foot end with one knife. The width and thickness of the sole of the large vessel is to dig the foot, and the digging foot is deep or shallow. The circle feet of utensils were not very neat and curved. Spiral cutting marks can be seen at the bottom of the vessel and the bottom of large bottles and cans. The rotary cutting lines are coarse and sparse, and the cutting marks of plates and bowls are fine and dense. There are kiln sand on the inside and outside of the bottom and ring feet, some of which have been melted into the glaze. The high foot of the Gaozu cup and the cup body are spliced with mud. The yellow or slurry color squeezing mud can be seen at the junction, and the thickness of the circle foot at the foot end of the cup is different. For the cover of the sub button sleeve structure, the process of forming the sub buckle and the cover before bonding is adopted, and the connection mark can be clearly seen on the cover. At the bottom of the bowl, the carcass is thick, the fetus is exposed in the foot, and the center is slightly protruding, commonly known as "navel", which is actually a drawing trace. There is a concave dot in the center of the bottom of large utensils such as bottles and jars. In order to prevent the bottom from collapsing, it is necessary to place a round cake or circle made of refractory soil as the fulcrum in the center of the bottom or slightly deviated place when firing the large utensils. The bottom of large tanks is mostly wide and irregular, and some bottom centers have shallow thread marks.

此元青花人物故事纹罐。器型饱满雄健，古朴圆浑，绘画生动传神，口沿绘一圈波浪纹，器物主体纹饰为人物故事纹，富贵华丽，画工精湛，错落有致，青花发色明亮妍翠。时代特征鲜明，内腹壁斑驳粗犷，可见一道道极不规则的慢轮修坯痕，即为元青花独特的成型工艺。通体内外施釉，釉色白中泛青，积釉处呈鸭蛋青色泽，特别是口部积釉垂流鸭蛋青色泽更为自然、明显，为十分典型的元代景德镇青花瓷器的特征（小型器物一般无明显泪痕）。

This Yuan Dynasty blue and white figure story design pot. Its shape is full and vigorous, simple and round. The painting is vivid and vivid. A circle of wavy patterns are painted along the mouth. The main body of the utensils is decorated with story patterns of characters. It is rich and gorgeous, the painting is exquisite, and the blue and white hair is bright and beautiful. The unique molding technology of Yuan Dynasty blue and white is characterized by distinctive characteristics of the times, mottled and rough inner abdominal wall, and irregular slow wheel trimming marks. The glaze is white and blue in color, and the glaze appears duck egg blue color, especially in the mouth. The duck egg blue color is more natural and obvious, which is the typical characteristics of Jingdezhen blue and white porcelain of Yuan Dynasty (small objects generally have no obvious tear marks).

从该器物整体发色来看，其色泽较为艳翠，为典型的翠毛蓝色，制作工序，先用青花勾线，后填彩，彩釉浓淡分明，青花发色妍丽，素底宽圈足，直口短颈，唇口稍厚，溜肩圆腹，肩以下渐广，至腹部下渐收，至底微撇。使用进口钴料绘出青花纹饰，，开片自然，局部气泡已老氧化，不难看出该罐属标准的传世品，经过700年左右的传承，器物表面包浆自然老到，不规则牛虻纹遍布整个器身，用高倍放大镜釉下观察，可见莫来石晶体（挂冰），蓝釉（渗蓝）点大小不一，釉面棕眼依稀可见，棕眼内外沙滩痕明显。在民间能发现如此完好无损的元青花缠枝牡丹纹大罐标准器,实属罕见。为元代精品代表作，具有极高的历史价值及收藏价值——极具收藏！

From the overall hair color of the object, it is a typical green hair blue. In the production process, the blue and white thread is first used, and then the color is filled. The color of the glaze is clear. The blue and white hair color is beautiful, the plain bottom is wide, the mouth is short and the neck is short, the mouth is slightly thick, the shoulder is round and the abdomen is wide, and the abdomen is gradually closed to the bottom. The blue and white patterns are drawn with imported cobalt. It is easy to see that the jar is a standard product handed down from generation to generation. After 700 years of inheritance, the surface of the utensil is naturally coated with slurry, and the irregular gadfly patterns are all over the whole body. By observing under the glaze with a high power magnifying glass, we can see mullite crystal (hanging ice), different sizes of blue glaze (blue infiltration) and brown eyes on the glaze surface The sand beach marks inside and outside the brown eye are obvious. It is rare to find such an intact large jar with peony pattern and blue and white flowers in Yuan Dynasty. It is a masterpiece of the Yuan Dynasty, which has a high historical value and collection value!

此件藏品现在展卖于艺品在线商城平台中，据持宝人介绍说，这件瓷器是祖上传下来的。曾让专家老师鉴定过，绝世精品。在本公司得知其有这件罕见珍品，特邀其持这件瓷器参加，现持宝人因资金周转困难原因。忍痛割爱愿将此件瓷器委托本公司代其通过网络媒体进行寻找买家。如对此藏品有兴趣收藏者，可拨打企业联系电话：400 686 3616进行洽谈。

The collection is now on sale in the art online mall platform. According to the treasure holder, the porcelain was handed down by ancestors. It has been appraised by experts and teachers, and it is a masterpiece. We learned that he had this rare treasure and invited him to take part in it. Now the holder of the treasure has difficulty in capital turnover. We are willing to entrust this porcelain to our company to find a buyer through network media. If you are interested in this collection, you can call the enterprise contact number: 400 686 3616 for discussion.