官窑双耳尊

贯耳瓶,是传统经典的器型之一,出现于汉代,流行于宋代,颈部两侧对称有竖直的管状贯耳。造型来源于汉代投壶式样,直颈较长,腹部扁圆,圈足,颈部两侧对称帖竖直的管状贯耳,故名。将其运用于瓷器之中。贯耳尊,陈设品,方型口,腹部圆鼓,高圈足。挺拔俊雅,高足外撇,方阔沈稳。颈部微凸起两道道弦纹,两侧对称饰两筒形耳。通体施官釉,素面,胎质厚实,釉色润泽,以釉色取胜,釉面开稀疏大纹片,达到了一种独特的装饰效果。其釉面莹润肥厚,精光内敛,隐而不露,形成凝重深沉的质感,这种含蓄沉静的美更加符合长期受儒家思想熏陶下成长起来的文人士大夫的审美情趣。瓶口和棱角转折处釉层较薄,呈现出浅紫胎色。底内满釉,底足露胎处为铁黑色胎骨,乃典型“紫口铁足”之证,增添古朴稳重之感。本品造型端庄隽秀,釉色温润肃穆,釉质莹润肥厚,开片疏朗,古朴雅致,若点缀案头,将美不胜收。

Guan'er bottle is one of the traditional and classic vessel types. It appeared in the Han Dynasty and popular in the Song Dynasty. There are vertical tubular Guan'er on both sides of the neck. The shape comes from the style of the throwing pot in the Han Dynasty. It has a straight neck and a long, flat abdomen, round feet, and symmetrical vertical tubular ears on both sides of the neck, hence the name. Use it in porcelain. Guan Er Zun, furnishings, square mouth, round abdomen, high circle feet. Upright, handsome, high-footed, wide and calm. The neck is slightly raised with two string patterns, and two cylindrical ears are symmetrically decorated on both sides. The whole body is covered with official glaze, the plain surface, the body is thick, the glaze color is moist, wins with the glaze color, the glaze surface is opened with sparse and large patterns, achieving a unique decorative effect. Its glazed surface is shiny and plump, refined and restrained, and concealed, forming a dignified and deep texture. This subtle and quiet beauty is more in line with the aesthetic taste of literati and doctors who have grown up under the influence of Confucianism for a long time. The glaze layer at the mouth and corners of the bottle is thinner, showing a light purple color. The underside is full of glaze, and the iron-black fetal bones at the bottom of the foot are exposed, which is the proof of the typical "purple iron foot", adding a sense of simplicity and stability. This product is dignified and beautiful in shape, the glaze is warm and solemn, the glaze is shiny and plump, the opening is sparse, simple and elegant, if it is decorated with the desk, it will be beautiful.

它本身如玉质般的、庄重的、典雅的、神秘的自然美。在艺术风格上以釉色取胜,以造型见长,以纹片著称,制品反映出东方民族谆厚朴实,崇高古雅的独特艺术风格。这件贯耳瓶即仿古代青铜器造型。端庄典雅,胎薄体轻,釉质肥厚光润如玉,开片如“蟹爪纹”。口沿及棱角处因釉较薄而露出胎色。代表当时的最高水平,此贯耳尊胎体结实,特征明显,保存完好,更是珍贵难得。

It itself is jade-like, solemn, elegant, and mysterious natural beauty. In terms of artistic style, it wins with glaze color, is known for its shape, and is famous for its patterns. The products reflect the simple, simple, noble and quaint unique artistic style of the Eastern people. This Guan Er vase is in the shape of an antique-generation bronze. Dignified and elegant, the fetus is thin and light, the enamel is thick and smooth as jade, and the slices are like "crab claw patterns". The rim of the mouth and the edges and corners are exposed because of the thinner glaze. Representing the highest level at that time, this Guan Er Zun has a strong carcass, obvious features, well-preserved, and it is rare.

俗话说:“王者之瓷,社稷神器。”北宋官瓷,可谓是北宋至尊“艺术家”宋徽宗最高审美追求的创制,它不仅开创了御制官瓷的先河,更因其“龟背片、鳝血纹、紫口铁足、温润如玉”的典雅端方之美,光烛千秋。年份久远的藏品,市场成交金额近年来屡创新高。

As the saying goes: "The porcelain of the king is an artifact of sheji." The Northern Song Dynasty official porcelain can be described as the creation of the highest aesthetic pursuit of the Northern Song Dynasty "artist" Song Huizong. It not only created the precedent for imperial official porcelain, but also because of its "turtle back piece, "Eel blood patterns, purple mouth iron feet, warm and moist like jade" elegant and square beauty, shining forever. For collections with a long history, the market turnover has repeatedly set new highs in recent years.