古玩城2020精品推荐第十期：宋代钧窑瓷执壶

钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，至今无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承至今。

Jun Kiln, namely Juntai Kiln, is a unique style based on the style of Chai Kiln and Lushan Flower Porcelain. Influenced by Taoism, it reached its peak in the Song Huizong period, and its technology was brought into full play. Up to now, no one can imitate the performance technology of rendering color and various textures, so that the kiln change can be controlled at will. The influence of Reception Theory in Song Dynasty is reflected in the regularity and symmetry of porcelain, which is followed in both shape and texture, especially the official Jun porcelain made in Northern Song Dynasty, which strictly abides by this principle. Regular symmetry, elegant atmosphere, court momentum, meticulous. Its potential is heavy and simple, bright and deep. Jianyao Kiln, Yaozhou Kiln and Jun Kiln, as authentic and long-standing styles of Chinese traditional porcelain culture, have been passed down to this day.

放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。"纵有家财万贯，不如钧瓷一片"。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但至今仍然不得要领。至今，研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县(今禹州)陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。

Observed by a magnifying glass, earthworms walk through mud patterns, and connect with bubbles one by one to form a three-dimensional crawling shape. Frog egg patterns wrap egg cores and are about to hatch. There are also cow blood lines, which are bloody, dark and combative, solemn and dignified, etc., which are difficult to describe one by one. The hair color, texture size and distribution of Jun porcelain in official kilns in Northern Song Dynasty are difficult to be controlled by people and just right, which is the embodiment of the highest technological level of porcelain art in Northern Song Dynasty. This batch of Jun porcelain technology has long been lost, and the kiln site sinks with frozen water. "A piece of Jun porcelain is better than a piece of Jun porcelain". It can be seen that Jun porcelain had a sensational effect at that time. As a result, groups around the country imitated each other, and there were many kiln mouths, but it is still beside the point. Up to now, there are numerous research articles, and there are countless archaeological kiln mouths. Because they have never seen this batch of Jun porcelain made by the Northern Song Dynasty officials, they can only see the leopard in the tube. In 1955, Yuxian (now Yuzhou) Ceramics Factory began to develop and explore the basic formula and firing technology of Jun porcelain glaze, which had been lost for a long time. It not only fired the traditional glaze such as rose purple, Haitang red, azure and moon white, but also developed more than ten kinds of flower glaze, and added new varieties such as modern daily utensils and artistic display porcelain.

此藏品造型规整，端庄典雅，器宇轩昂，釉质凝润如玉，釉色过度自然，呈现出丰富的窑变意境，在炉火高温的气氛下所形成的迸纹清晰可见，开片如麟，具有极高的艺术欣赏价值，还有相当大的升值空间。

This collection is regular in shape, dignified and elegant, elegant in appearance, rich in artistic conception due to its condensed enamel and excessive natural glaze color. The blend lines formed in the high temperature atmosphere of the fire are clearly visible, and it has high artistic appreciation value and considerable appreciation space.

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