古玩城2020精品推荐第十期：万山红遍.

国山水画是中国人情思中最为厚重的沉淀。游山玩水的大陆文化意识，以山为德、水为性的内在修为意识，咫尺天涯的视错觉意识，一直成为山水画演绎的中轴主线。从山水画中，我们可以集中体味中国画的意境、格调、气韵和色调。再没有那一个画科能像山水画那样给国人以更多的情感。若说与他人谈经辩道，山水画便是民族的底蕴、古典的底气、我的图像、人的性情。《万山红遍》为李可染先生的代表之作，不凡之处便是作者用了大量朱砂来渲染画面，满目红山，意境非凡。1962-1964年间，李可染共创作了七张尺幅各异的《万山红遍》。其中三幅现分别藏于中国美术馆、中国画院和荣宝斋；一幅为可染先生家属收藏；2015年11月，《万山红遍》 拍卖最终1.84亿元成交。这是属于李可染共创作的七张尺幅各异的《万山红遍》中较小的一幅。创作于1964年，作品取毛泽东《沁园春·长沙》之词意，气质雄壮豪迈。

Chinese landscape painting is the heaviest precipitation in Chinese people's feelings and thoughts. The mainland cultural consciousness of traveling in the mountains, the inner cultivation consciousness of taking mountains as virtue and water as nature, and the visual illusion consciousness of being close at hand have always become the central axis of the interpretation of landscape painting. From landscape painting, we can concentrate on appreciating the artistic conception, style, charm and color of Chinese painting. No other painting department can give people more emotion like landscape painting. If we talk about the classics and argue with others, the landscape painting is the national heritage, classical style, my image and human temperament. Wanshan Hongbian is the representative work of Mr. Li Keran. The remarkable thing is that the author uses a lot of cinnabar to render the picture, which is full of red mountains and has an extraordinary artistic conception. From 1962 to 1964, Li Keran created seven "Wanshan Red Times" with different scales. Three of them are now in the National Art Museum of China, the Chinese Painting Academy and the Rong Baozhai. One is collected by Mr. Dye's family; In November 2015, "Wanshan Hongbian" was auctioned for 184 million yuan. This is the smaller of the seven "Wanshan Hongbian" created by Li Keran. Created in 1964, his work takes the meaning of Mao Zedong's Qinyuanchun Changsha, and his temperament is magnificent and heroic.

雷甲宝，国家一级美术师，中国美术家协会山西分会会员，中国书画鉴定管理中心理事，艺惠藏签约画家。雷甲宝，生于1957年，自幼学画，他的山水画作品深厚凝重，博大沉雄，以鲜明的时代精神和艺术个性，促进了民族传统绘画的嬗变与升华。

Lei Jiabao, a national first-class artist, a member of Shanxi Branch of Chinese Artists Association, a director of Chinese Painting and Calligraphy Appraisal Management Center, and a painter signed by Yihui Tibetan. Lei Jiabao, born in 1957, studied painting at an early age. His landscape paintings are profound and dignified, broad and heavy, and promote the evolution and sublimation of national traditional painting with distinct spirit of the times and artistic personality.

雷甲宝其山水作品深得李可染大师真传，他的山水画作品深厚凝重，博大沉雄，以鲜明的时代精神和艺术个性，促进了民族传统绘画的嬗变与升华。其山水画，重视意象的凝聚，所作的山水画意境，讲究从无到有，从有到无，多取材于祖国名山大川，因而融铸了他的山水大气磅礴，又不失幽美秀丽。而他性格当中的骁勇憨直和不拘小节的性格特色，豪放不羁中又抒发着极细腻的感情，以致于他的画作当中，即有一股浓郁的乡土气息，也有学院派画家的大气洒脱，点线面之间雅俗共赏，浓墨重彩间浑然天成。

Lei Jiabao's landscape paintings won the true biography of Master Li Keran. His landscape paintings are profound and dignified, broad and heavy, and promote the evolution and sublimation of national traditional paintings with distinct spirit of the times and artistic personality. His landscape paintings pay attention to the cohesion of images, and pay attention to the artistic conception of landscape paintings from scratch, from scratch to nothing, and are mostly based on the famous mountains and rivers of the motherland, thus melting and casting his magnificent landscape without losing its beauty. But his character is brave, simple and informal, and he expresses extremely delicate feelings in his uninhibited style, so that his paintings have a strong local flavor, but also an academic painter's atmosphere is free and easy, enjoying both elegance and vulgarity from point to line.

他说：“一个好的画家并不是要多出名，而是要把绘画技巧和心灵感情融入到画作中，要像对待知音一样，用一丝不苟的态度去研究它，用心灵和它沟通，才能引领导观者走进画家在画作中营造的独特的生活氛围和艺术境界”

He said: "A good painter does not want to be more famous, but to integrate painting skills and soul feelings into his paintings. He should study it with meticulous attitude and communicate with it with his soul just like treating his bosom friend, so as to lead the leader to enter the unique living atmosphere and artistic realm created by the painter in his paintings."

此精品字画长是2.44米，宽是1.07米，在技法上，积墨加积色，层层积染，塑造雄浑之势。虽然红为画面主调，但墨色依然是重要的背景和轮廓衬托。积墨山水完成之后，再蘸朱砂由浅至深地逐步点染。甲宝先生用朱砂如用墨，运用完全相同的笔法和墨法，使得色、墨融合，浑然天成。只见朱砂略浅处，有墨色浮上；中间色调处，则墨色相融；最为明亮处，点以厚重朱砂。整个画面最终呈现出的色调效果颇有明代剔红、剔犀漆器的特点，极为庄重雄浑、古朴典雅。在构图上，呈现出李家山水中典型的“丰碑式构图”和“门板式构图”，又巧妙构成了“两度半空间”。传统山水画里，画面上下总会留出很大空白；然而甲宝偏偏截掉了峰峦和坡脚，采用了不留余地的满幅构图。这样，就迫使观众的视线集中于山体，产生如同仰望纪念碑一般的震撼感。

This fine calligraphy and painting is 2.44 meters long and 1.07 meters wide. In terms of techniques, it accumulates ink and color, and accumulates dye layer by layer, creating a powerful trend. Although red is the main tone of the picture, ink is still an important background and outline. After the ink-accumulating landscape is completed, dip in cinnabar and gradually stain it from shallow to deep. Mr. Jia Bao uses cinnabar, such as ink, and uses exactly the same brushwork and ink, which makes color and ink blend naturally. I saw that the cinnabar was slightly shallow and there was ink floating on it; At the middle tone, the ink color melts; In the brightest place, heavy cinnabar is used. The tonal effect of the whole picture is quite the characteristics of picking red and rhinoceros lacquerware in Ming Dynasty, which is extremely solemn and vigorous, simple and elegant. In composition, it presents the typical "monument-style composition" and "door-panel-style composition" in Li's landscape, and cleverly constitutes "two and a half degrees of space". In traditional landscape painting, there is always a big gap between the top and bottom of the picture; However, Jiabao cut off the peaks and slopes, and adopted a full composition without leaving any room. In this way, the audience's eyes are forced to focus on the mountain, and the shock is like looking up at the monument.

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