2019年新加坡拍卖精品推荐 宋代紫竹观音铜镜

2019年新加坡拍卖精品推荐

【藏.荐】栏为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.

【名称】：宋代紫竹观音铜镜

【类型】： 杂  项

【年代】： 宋代

【规格】：直径：19.2cm  重量：418.5g

[name]: bronze mirror of Zizhu Guanyin in Song Dynasty

[type]: Miscellaneous

[time]: Song Dynasty

[Specification]: diameter: 19.2cm; weight: 418.5g

铜镜是中国古代艺术品中的典型作品，明以来备受重视。虽然铜镜本为生活用具之一，但春秋以来，精品层出不穷，逐渐成为历代工艺美术作品的代表性作品之一。在道教和佛教中，铜镜也是重要的法器。就我个人而论，先秦铜镜最有创造性，汉代铜镜最为抽象，唐代铜镜最为华丽，宋辽铜镜典故性加强，明代以后的铜镜艺术性大大降低而民俗性却更强了。铜镜收藏和研究，大家众多，铜镜也是各博物馆收藏的重镇

铜镜本身是一种工艺美术品，这些纹饰的图案造型与铭文，往往浓缩了各历史时期的社会思想观念与审美情趣，它制作精细，既体现了较高的工艺制作技术水平，又具有很高的艺术价值

铜镜被使用了近4,000年，它已经超越了日常生活中照面饰容的用途，深深融入了我们的社会生活和文化意识，譬如人们常说的“破镜重圆”、“明镜高悬”、“以史为鉴”(古书“鉴”与“镜”常互通)等等，都反映出铜镜文化已经成为中国文化的一个组成部分。古代铜镜除了作为照面饰容的工具之外，更浓缩着文化，见证着历史，默默记录着悠悠历史长河中的波澜起伏。

宋代是我国铜镜发展史上新的发展。在铜质的合金中加大了锡的成份，在铜镜的质地上就显得银亮，既美观又适用。在铜镜的造型上，除了继续沿用前代的圆形、方形之外，又创造了菱花式及较厚的鸟兽葡萄纹镜。并且把反映人民生活和人们对理想的追求、吉祥、快乐的画面应用到镜上，如月宫、仙人、山水等。

特别是随着社会进入相对稳定及繁盛的局面，宋代时期的铜镜亦摆脱了两汉以来的神秘怪诞气氛，更接近于现实社会大众的生活；这是强盛唐朝高度艺术水平的产物，充分显示出宋代铜镜的特点。

香港佳士得在2017年4月拍出一件唐海兽葡萄铜镜366万的港币，18年12月新加坡环球国际拍卖拍出了一件海兽葡萄纹铜镜以575万人民币的价格成交。

收藏家的眼睛都是雪亮的，市场价格更是说明了问题。宋代铜镜由于以上方面的原因，在收藏市场里面受到了应有的关注，在铜镜艺术品里面，宋代铜镜的价格目前仍处于头把交椅的位置。在前些年的铜镜价格阶段性高峰期，已经出现千万级别的藏品，是值得投资和长期持有的高估艺术精品门类。

此铜镜为宋代紫竹观音铜镜，紫竹观音：又称"水月观音"，是全国罕见的北宋石刻艺术珍品。背倚浮雕紫竹和柳枝净瓶，头戴装饰华丽的宝冠，上身着披肩短袖薄裟，袒胸露臂，璎珞像虬曲而下的金色飘带，翠环网坠于胸腹，下身彩带结一绣花轻薄如蝉翼的长裙，裙角皱纹飘逸自然。其容貌风姿恰似出水芙蓉侧身跷足坐于蒲叶座上，左手下撑，右足上跷，赤足分别踏在蒲叶座和莲花蕊上，凤眼下视，巍峨庄重，柔和亲昵，如 韶华绝伦的妙龄女郎。其 世俗化风味很浓，具有人的美，神的仪，被称为美神，造像的设计和雕技达到了令人倾倒的程度，观赏后的专家、学者誉之为东方的" 阿芙洛蒂德"(希腊美神)。1984年，英籍著名女作家 韩素英参观后对其极为赞赏，称之为" 东方维纳斯"。此藏品，品相保存很好，包浆自然，图案清晰，是藏家家传之宝，难得一见，可遇不可求，值得收藏。

Bronze mirror is a typical work of ancient Chinese works of art, which has been attached great importance since Ming Dynasty. Although the bronze mirror is one of the living utensils, since the spring and Autumn period, excellent works have emerged in an endless stream, and gradually become one of the representative works of Arts and crafts in the past dynasties. In Taoism and Buddhism, bronze mirrors are also important instruments. As far as I'm concerned, the bronze mirrors in the Pre-Qin Dynasty are the most creative, the bronze mirrors in the Han Dynasty are the most abstract, the bronze mirrors in the Tang Dynasty are the most gorgeous, the allusions of the bronze mirrors in the song and Liao dynasties are strengthened, and the artistry of the bronze mirrors after the Ming Dynasty is greatly reduced while the folklore is stronger. There are many people who collect and study bronze mirrors, and they are also the important collection town of museums

The bronze mirror itself is a kind of Arts and crafts. The patterns, shapes and inscriptions of these patterns often concentrate the social ideas and aesthetic interests of each historical period. It is made with fine workmanship, which not only embodies the high level of technology, but also has high artistic value

The bronze mirror has been used for nearly 4000 years. It has gone beyond the use of face decoration in daily life and deeply integrated into our social life and cultural consciousness. For example, people often say "reunite the mirror", "hang the mirror high", "take history as a mirror" (ancient books "mirror" and "mirror" often communicate), etc., which reflect that the bronze mirror culture has become an integral part of Chinese culture. In addition to being a tool for face decoration, ancient bronze mirrors are more concentrated in culture, witness history and silently record the ups and downs of a long history.

Song Dynasty is a new development in the history of bronze mirrors. In the copper alloy, the tin component is increased, and the copper mirror is silvery, beautiful and applicable. In terms of the shape of the bronze mirror, in addition to continuing to use the previous generation of round and square, it also created the rhombic pattern and thicker bird and animal grape pattern mirror. Moreover, the pictures reflecting people's life and people's pursuit of ideals, auspiciousness and happiness are applied to the mirror, such as the Moon Palace, immortal, landscape, etc.

Especially as the society entered a relatively stable and prosperous situation, the bronze mirrors in the Song Dynasty also got rid of the mysterious and weird atmosphere since the Han Dynasty, which is closer to the real life of the public. This is the product of the high artistic level of the Tang Dynasty, which fully shows the characteristics of the bronze mirrors in the Song Dynasty.

Christie's in Hong Kong sold a 3.66 million Hong Kong dollar Tang sea animal bronze mirror in April 2017, and a 5.75 million yuan sea animal bronze mirror was sold in global auction in Singapore in December 18.

The eyes of collectors are all bright, and the market price shows the problem. Because of the above reasons, the bronze mirrors in Song Dynasty received due attention in the collection market. In the bronze mirror works of art, the price of bronze mirrors in Song Dynasty is still in the top position. In the previous years, during the periodical peak period of copper mirror price, there have been ten million level collections, which are worth investment and long-term holding over valued fine art categories.

This bronze mirror is the Guanyin bronze mirror of Zizhu in the Song Dynasty. It is also called "shuiyueguanyin". It is a rare stone carving art treasure in the Northern Song Dynasty. With its back resting on the embossed purple bamboo and willow branch bottle, its head wearing a gorgeous crown, its upper body wearing a short sleeved shawl and thin robe, its bare chest and bare arms, its Yingluo like a golden streamer under the curve, its Cuihuan net falling on its chest and abdomen, its lower body wearing a long skirt with embroidery as thin as cicada wings, and its skirt corners wrinkled naturally. Its appearance and demeanor are similar to that of Hibiscus emerging from the water sitting on the puyezuo with her left hand propped down and her right foot propped up. Barefoot treads on the puyezuo and the lotus pistil respectively. Looking down from the eyes of the Phoenix, she is majestic, solemn, soft and intimate, like a gorgeous young girl. Its earthly flavor is very strong. It has the beauty of human beings and the appearance of gods. It is called the God of beauty. The design and carving skills of the statues have reached an amazing level. The experts and scholars after watching it call it "Aphrodite" (Greek god of beauty) in the East. In 1984, Han Suying, a famous British woman writer, paid a visit to her and praised her very much, calling her "Oriental Venus". The product is well preserved with natural wrapping and clear design. It is a treasure of the family. It's rare to see it, and it's worth collecting.

此件藏品为本次新加坡场核心推荐藏品，欢迎各位藏友莅临伦新加坡场咨询竞拍，机会难得！

This collection is the core recommended collection of this Singapore market. Welcome to London Singapore market for consultation and auction. It's a rare opportunity!