清康熙龙纹盘所谓"小"，只是相对而言，而且指的是同类器物的相比，这时的器物较之前朝作品的体积来得娇小玲珑;"巧"，是指雍正瓷器的造型包含着一种精细、灵秀的内涵。雍正青花的胎体一般都比较薄，有些薄胎器物更是精巧到几乎不见胎骨。雍正青花小件造型的精到，就在于细部处理得好，整体效果完整、精致，因而显得造型有精神，使人感觉耐看。严格来说，雍正青花造型的形体比例关系不如康熙青花来得严谨，有些作品显得单薄，但论精细则胜过康熙造型，雍正造型所追求的灵秀达到了理想效果。

清康熙龙纹盘的胎骨晶莹洁白，在贰零倍放大下呈糯米饭状。胎壁薄而坚硬，瓷化程度很高，用手指轻叩，发出清脆的金属声音。修胎壹丝不苟，看不见旋削痕。民窑瓷与官窑瓷胎基本接近，很难发现未粉碎的瓷石颗粒，即使有也是很微小的。

典型的官窑青花釉呈青白色，纯净润泽。釉薄而精纯，釉中密含气泡，且大小气泡混杂套叠，有的釉表见细橘皮纹。有些民窑青花为粉白釉，胎釉结合处无火石红。部分民窑青花的圈足上涂抹壹层黄色护胎釉，与纯净润泽的青白釉交映成辉。

清康熙龙纹盘。此盘敞口，弧壁，圈足，内沿绘青花双弦纹。盘内双圈，圈内绘五爪龙纹，龙首前凸，龙眼圆睁，龙口微张，龙须飘逸，龙角及鬃毛后扬，四肢矫健有力，爪纹如轮，龙身矫健盘曲，鳞甲浓淡有序，周身火焰密布，一爪遥摄龙珠，形态威猛。盘外壁绘两条火龙赶珠纹，双龙形体曲张，充满力感。盘底有“大清康熙年制”落款。胎质细腻，釉面光洁莹润，色泽明艳，画工细腻。品相完整，是不可多得佳品，值得收藏! 

The so-called "small" of the Kangxi dragon plate in the Qing Dynasty is only relatively speaking, and it refers to the comparison of similar artifacts. The artifacts at this time are more petite and exquisite than the previous works; "Qiao" means that the shape of Yongzheng porcelain contains A fine and smart connotation. The carcass of Yongzheng blue and white is generally relatively thin, and some thin fetal artifacts are so delicate that there is almost no fetal bone. The precision of the small blue and white pieces of Yongzheng is that the details are handled well, and the overall effect is complete and exquisite, so it appears energetic and makes people feel good-looking. Strictly speaking, the proportions of the Yongzheng blue and white modeling are not as rigorous as the Kangxi blue and white. Some works appear thin, but the fineness is better than the Kangxi modeling. The gracefulness pursued by the Yongzheng modeling has achieved the desired effect.

The fetal bones of the Kangxi Dragon Plate of the Qing Dynasty are crystal clear and white, and look like glutinous rice under two-fold magnification. The tire wall is thin and hard, with a high degree of porcelain, tapping with your fingers, making a crisp metallic sound. Tire repair is meticulous, and no turning marks are visible. Civil kiln porcelain and official kiln porcelain are basically close to each other. It is difficult to find uncomminuted porcelain stone particles, even if they are there, they are very small.

The typical official kiln blue and white glaze is bluish white, pure and moist. The glaze is thin and pure. The glaze is densely packed with bubbles, and the large and small bubbles are mixed and nested. Some glazes have fine orange peel. In some folk kilns, the blue and white glaze is pink and white, and there is no flint red at the junction of the glaze. A layer of yellow tyre-protecting glaze is applied to the blue and white circle feet of some folk kilns, which complements the pure and moist blue and white glaze.

A plate with dragon patterns in Kangxi, Qing Dynasty. This disc is open, curved walls, circle feet, and blue and white double-string patterns on the inner edge. Double circles in the disc, with five-claw dragon pattern painted inside the circle, the dragon head is convex, the long eye is wide open, the dragon mouth is slightly open, the dragon beard is flowing, the dragon horns and mane are raised, the limbs are strong and powerful, the claws are like wheels, and the dragon body is vigorous. Coiled, the scales are light and orderly, the whole body is densely flamed, and the dragon ball is photographed remotely with one claw, and the form is mighty. The outer wall of the plate is painted with two fire dragons and bead patterns, and the double dragons are varicose, full of force. At the bottom of the plate, there is a signature of the "Kangxi Reign of the Qing Dynasty". The fetus is delicate, the glaze is smooth and shiny, the color is bright and the painting is delicate. Complete appearance, it is a rare good product, worth collecting!