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精品推荐:西周时期青铜贯耳瓶

发布时间:2020-08-31 18:36来源:
青铜器在世界各地均有出现,是一种世界性文明的象征。最早的青铜器出现于6000年前的两河流域。 苏美尔文明时期雕有狮子形象的大型铜刀是早期青铜器的代表。中国的青铜器主要指

青铜器在世界各地均有出现,是一种世界性文明的象征。最早的青铜器出现于6000年前的两河流域。 苏美尔文明时期雕有狮子形象的大型铜刀是早期青铜器的代表。中国的青铜器主要指4000多年前用铜锡合制的青铜器物,简称“铜器”。包括有炊器、食器、酒器、水器、乐器、车马饰、铜镜、带钩、兵器、工具和度量衡器等,出现并流行于4000年前直到秦汉时代,以商周器物最为精美。青铜器在2000多年前逐渐由铁器所取代。

Bronze ware has appeared all over the world and is a symbol of world civilization. The earliest bronzes appeared in the two river basins 6000 years ago. Large bronze knives carved with lion images in Sumerian civilization are the representatives of early bronzes. Chinese bronzes mainly refer to bronzes made of copper and tin more than 4,000 years ago. Including cooking utensils, food utensils, wine utensils, water utensils, musical instruments, chariots and horses ornaments, bronze mirrors, hooks, weapons, tools and weights and measures, etc., appeared and prevailed 4000 years ago until Qin and Han Dynasties, with the most exquisite utensils in Shang and Zhou Dynasties. Bronze ware was gradually replaced by iron ware more than 2000 years ago.

 

西周铜器的早期是商代铜器的继承发展期。此期虽有若干新的因素,但总体上商代铜器的传统仍然极为强烈,很难在商周之际划出截然的界限。具体断代只能分出商末周初式和西周早期式。西周晚期的重器,厉王时期有簋、钟、郑季、簋、攸从鼎、从、散盘、禹鼎、鄂侯驭方鼎、敔簋等,宣王时期有颂鼎、兮甲盘、虢季子白盘、不簋、毛公鼎、南宫乎钟、师簋等。西周晚期的铜礼器,延续了中期形制和纹饰简朴化的变化,淘汰了中期保留的早期因素。常见器种有鼎、簋、鬲、簠、壶、尊、盘、匜等,品种明显减少。鼎除沿用中期的垂腹鼎外,还有圜底鼎,都是兽蹄足。纹饰仅流行波曲纹,重环纹,鳞纹,直线纹,绝少见繁缛的动物纹,即如簋一类的王室重器也是直线纹。铭文多长篇,已知最长的铜器铭文(毛公鼎 497字)即在此期。流于形式的为祖考作器的铭记也很流行。字体笔道圆润,讲究书法之美,但疏放草率的字体也多有发现。

The early period of Western Zhou Dynasty bronze ware is the inheritance and development period of Shang Dynasty bronze ware. Although there are some new factors in this period, on the whole, the tradition of bronze ware in Shang Dynasty is still extremely strong, and it is difficult to draw a clear line between Shang and Zhou Dynasties. Specific dating can only be divided into late Shang Dynasty and early Zhou Dynasty. In the late Western Zhou Dynasty, there were heavy weapons in Liwang period, such as Gui, Zhong, Zheng Ji, Gui, Youcong Ding, Cong, Sanpan, Yuding, Hubei Hou Yu Fang Ding, Qigui, etc. In Xuanwang period, there were Songding, Xijia Plate, Baiji Plate and Bugui The bronze ritual vessels in the late Western Zhou Dynasty continued the simple changes in shape and ornamentation in the middle period and eliminated the early factors retained in the middle period. The common utensils are Ding, Guan, Jian, Zhu, Hu, Zun, Pan, Zhu, etc., and the variety is obviously reduced. Besides the mid-term vertical belly tripod, there are also Wadi Ding, all of which are animal hoofs and feet. The ornamentation is only popular with wavy lines, heavy ring lines, scales and straight lines, but it is rare to see the flourishing animal lines, that is, the royal heavy objects such as barns are also straight lines. There are many long inscriptions, and the longest known bronze inscription (Mao Gongding 497 words) is in this period. It is also very popular to remember Zukao as an instrument in the form. Fonts are round and exquisite in the beauty of calligraphy, but sloppy fonts are often found.

此件西周时期青铜贯耳瓶,直口微撇,圆唇,束颈,圆腹,颈、肩各饰弦纹一周,颈部两肩配以贯耳。是研究西周晚年政治史的重要史料。纹路十分精致。整体品相保存完好,铜锈色泽自然,历史研究价值和收藏价值极高。

This Western Zhou Dynasty bronze pierced-ear bottle has a straight mouth slightly skimmed, round lips, tied neck, round belly, and the neck and shoulder are decorated with strings for one week, and the neck shoulders are matched with pierced ears. It is an important historical material for studying the political history in the late Western Zhou Dynasty. The grain is very delicate. The overall appearance is well preserved, with natural color and luster of copper rust, which is of high historical research value and collection value.

 

青铜器是国之重宝,是身份地位的象征,具有很强的历史文化价值,其中的铭文作为西周晚期金文的典范之作,表现出上古书法的典型风范和一种理性的审美趋尚,体势显示出大篆书体高度成熟的结字风貌,瘦劲修长,不促不懈,仪态万千。章法纵横宽松疏朗,错落有致顺乎自然而无做作,呈现出一派天真烂漫的艺术意趣。通过其中文字书写的完美布局,表现出西周晚期的文字书写形成了具有纯熟书写技巧和表现手法的形式和规律。青铜器的市场没有像其他收藏市场一样因升温而出现急功近利的投资客,收藏青铜器能更沉静下心来。青铜器深厚的文化内蕴,从上世纪九十年代初就开始收藏青铜器,如今已达到一定规模,青铜器深厚的历史、文化价值,其穿越几千年而来的沧桑感。

Bronze ware is a national treasure, a symbol of status, and has a strong historical and cultural value. As a model work of inscriptions in the late Western Zhou Dynasty, the inscriptions show the typical style of ancient calligraphy and a rational aesthetic trend. The body posture shows the highly mature knot style of Da Zhuan calligraphy, which is thin, slender, unremittingly, and graceful. The composition is loose and graceful, and it is random and natural without affectation, showing a naive artistic interest. Through the perfect layout of writing, it shows that the writing in the late Western Zhou Dynasty formed a form and law with skillful writing skills and expression techniques. Unlike other collection markets, there are no investors who are eager for quick success and instant benefit due to warming up, so collecting bronzes can calm down. Bronze ware has profound cultural connotation. Bronze ware has been collected since the early 1990s, and now it has reached a certain scale. Bronze ware has profound historical and cultural value, and its vicissitudes have come through thousands of years.

 

 

 

 

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