精品推荐：雍正年制斗彩花卉杯

雍正时期，斗彩瓷器址突出的成就是将青花与粉彩合绘千一身。使彩瓷进一步得到了发展，在此基础上不断提高制瓷工艺和绘画技巧，造型与装饰也有了许多新的开拓和创新，使斗彩瓷器更加繁荣兴旺。

In Yongzheng period, the outstanding achievement of doucai porcelain site was the combination of blue and white and pastel. On this basis, the techniques of porcelain making and painting were continuously improved, and there were many new developments and innovations in modeling and decoration, which made the doucai porcelain more prosperous.

清代雍正《档案》中多次记载了雍正官窑为成化斗彩盖嫩补配峭盖的事情，这些补配的罐盖与原器无论是色彩还是形状都十分接近。雍正斗彩仿成化斗彩鸡缸杯、天字罐、洞石花蝶罐等有些几乎可以乱真。

In Yongzheng's archives of the Qing Dynasty, it is recorded many times that Yongzheng's official kilns made up the delicate and steep covers for Chenghua doucai. The color and shape of these complementary covers are very close to the original ones. Some of Yongzheng's doucai imitations, such as doucai Jigang cup, Tianzi jar, Dongshi Huadie jar, can almost be confused.

此藏品敞口，弧壁，圈足。内外壁施白釉，外壁饰缠枝花卉纹，底足内青花篆书「大清雍正年制」六字款识。该品以绿彩填涂翠叶，淡雅柔丽，填彩准确；矾红绘花瓣。争妍斗嫣，各有媚态，交相辉映，予人春意无限之感。

This collection is open, arc wall, circle foot. The inner and outer walls are white glazed, the outer walls are decorated with flower patterns of twigs, and the inner bottom is blue and white seal script with six characters of "year system of Emperor Yongzheng of the Qing Dynasty". The product is green color filled with green leaves, elegant and soft, accurate color filling; The petals are painted in alum red. Each of them has its own flattery, which gives people an infinite sense of spring.

该杯其绘画流畅，舒展自如，枝叶的绘画以柔美的曲线为主，布满整个空间，颇见韵律之美，花叶密杂，设色细分阴阳浓淡，富具立体感，纹饰新颖，色彩淡雅，诸色逸丽柔和，衬以温润细薄的胎釉，更见非凡丽质。

The painting of the cup is smooth and easy to spread. The painting of branches and leaves is mainly composed of soft and beautiful curves, covering the whole space. The beauty of rhythm is quite obvious. The flowers and leaves are densely mixed, and the colors are subdivided. The shade of yin and Yang is rich in three-dimensional sense. The decorative patterns are novel, the colors are light and elegant, the colors are elegant and soft, and the warm and thin fetal glaze is lined, which shows the extraordinary beauty.

雍正斗彩瓷器无论从造型设计。还是纹饰布局、色彩搭配以及填彩工艺，均进人了一个崭新的阶段。此时的斗彩继续沿 用了填彩的装饰方法，与从前的装饰所不同的是，青花线内所峨彩料，填彩准确，工整细腻，不越边线，亦无端填，在有限的青花框内，将彩料进行渲染和烘托，改变了明代双线平涂的局限，使纹饰更加清逸秀丽。

Yongzheng doucai porcelain, no matter from the modeling design. Or the pattern layout, color matching and color filling technology have entered a new stage. At this time, the decoration method of color filling continued to be used. Different from the previous decoration method, the color filling materials in the blue and white line were accurate, neat and exquisite. They did not cross the border and filled without reason. In the Limited blue and white frame, the color materials were rendered and set off, which changed the limitation of the double line flat painting in the Ming Dynasty and made the decoration more elegant and beautiful.

雍正时期的陶瓷逸丽清秀，富有装饰性，《陶雅》：质地白雪一绝也，薄如卵幕二绝也，画中花有露光，虫有茸毛三绝也，题字细如蝇头，极为精美四绝也。

The ceramics of Yongzheng period are elegant, delicate and full of decoration. Taoya: the texture is as white as snow, as thin as egg curtain, as well as the flowers are exposed, the insects are hairy, and the inscriptions are as fine as the heads of flies.

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