古玩城2020精品推荐第八期：观音仕女图（张大千画）

张大千是二十世纪中国画坛最具传奇色彩的国画大师，无论是绘画、书法、篆刻、诗词都无所不通。早期专心研习古人书画，特别在山水画方面卓有成就。后旅居海外，画风工写结合，重彩、水墨融为一体，尤其是泼墨与泼彩，开创了新的艺术风格。

Zhang Daqian is the most legendary master of Chinese painting in the 20th century. He is omnipotent in painting, calligraphy, seal cutting and poetry. In his early days, he devoted himself to studying ancient calligraphy and painting, especially in landscape painting. After living abroad, he combined painting style with writing, emphasized color and ink, especially splash ink and splash color, and created a new artistic style.

张大千是全能型画家，正如黄永玉先生曾言:“我佩服的人不是很多，但佩服张大千，张大千像钢琴，其他人像小提琴、大提琴，就是说，他完美、全面，就像梅兰芳一样”;他还说“这一百年来，张大千恐怕是最重要的一个画家”。

Zhang Daqian is an all-round painter. As Mr. Huang Yongyu once said, "I admire not many people, but I admire Zhang Daqian. Zhang Daqian is like a piano, others are like violin and cello. In other words, he is perfect and comprehensive, just like Mei Lanfang." he also said that "in the past 100 years, Zhang Daqian is probably the most important painter.".

1949年，大千先生前往海外。初至印度，次迁香港，又移南美。30余年来，大千先生往来亚、欧、美诸邦，举办画展，声噪国际，被誉为“当今最负盛名之国画大师”;亦为介绍宣扬我国传统文化艺术，作出了卓著的贡献。大千先生以他渊博的识见，令人敬仰的成就，贏得了各国艺术界、评论界的尊重，增强了中国绘画艺术的世界影响。

In 1949, Mr. Daqian went abroad. He first arrived in India, then moved to Hong Kong and then to South America. Over the past 30 years, Mr. Daqian has traveled to Asia, Europe and the United States to hold art exhibitions. He is known as "the most famous master of traditional Chinese painting today" and has made outstanding contributions to introducing and promoting Chinese traditional culture and art. With his profound insight and admirable achievements, Mr. Daqian has won the respect of the art circles and critics of various countries, and enhanced the world influence of Chinese painting art.

此幅作品，观世音菩萨像脸庞丰腴圆润，双眉纤细，红唇金冠，面容端庄，发现庄严，已然化身女性形象，象征平和仁爱、温柔慈祥，与观音菩萨悲悯护生的功德相符。整体来说，画家线条凝练，用笔老道，在中国文化中，母亲是“慈悲”的形象，二观世音菩萨本身所体现的慈悲融入到中国文化木星的特质，也体现了社会文化的观点。

In this work, the statue of Avalokitesvara has a plump and round face, slender eyebrows, red lips and golden crown. It is solemn and dignified. It has already incarnated into a female image, symbolizing peace, kindness, gentleness and kindness, which is consistent with the merits of Guanyin Bodhisattva's compassion and care for students. In Chinese culture, mother is the image of "compassion". The compassion embodied by Bodhisattva erguanyin is integrated into the characteristics of Jupiter in Chinese culture, which also reflects the viewpoint of social culture.

1941年5月，张大千携三夫人杨宛君（后二夫人黄凝素加入）、儿子张心智、侄儿张彼得、学生肖建初和刘力上及几个裱工，后又聘请藏画家索南丹巴的四个弟子等赴敦煌考察研究石窟壁画，面壁两年七个月，临摹了自十六国、两魏、北周、隋、唐、五代、宋、两夏、元等历朝历代的壁画作品达276幅，敦煌石窟艺术从此走向世界，也为其以后的绘画创作，尤其是人物画创作奠定了基础。

Three wife in May 1941, chang Yang Wanjun (second Mrs. Huang haemagglutinin join), Zhang Xinzhi son, my nephew Peter zhang, at the beginning of learning Chinese zodiac built and several Liu Lishang and framed, and then hired four disciple of Tibetan painter Mr. South danba, etc to the research of dunhuang grottoes murals, wall two years and seven months, copy from the sixteen, two wei, their, sui, tang and five dynasties, song, xia, two yuan dynasties such as murals of 276 works, dunhuang grotto art to the world, from now on also for painting after its creation, especially in figure painting creation laid a foundation.

张大千在1951年时得意地对人讲：“别的我不敢讲，但是我在敦煌临了那么多壁画，我对佛和菩萨的手相，不论它是北魏、隋唐，还是初唐、盛唐、中唐、晚唐以及宋代、西夏，我是一见便识，而且可以立刻示范，你叫我画一双盛唐的手，我决不会拿北魏或宋初的手相来充数，两年多的功夫没有白费哟！”叶浅予则认为，张大千的唐装仕女，造型上已渗有敦煌供养人的仪容，用笔则仿吴道子的飞动飘逸，总之超越了明人情调，向唐人追踪而去。

Chang proudly told people in 1951: "I dare not speak, but I am finally so many murals of dunhuang, my palms of Buddha and bodhisattva, whether it is the northern wei, sui and tang dynasties, tang, tang, middle tang and late tang dynasty and song dynasty, western xia, I am a see will know, and can immediately demonstration, you call me a pair of tang's hand, I will never take the northern wei dynasty or less palm who sucks, more than two years of efforts were not in vain!" Ye Xianyu thinks, Zhang Daqian's tang dress ladies, modeling has been infiltrated with the appearance of dunhuang donor, with the pen is imitating Wu Daozi flying elegant, in short beyond the Ming emotional appeal, to the Tang trace.

1949年以后，张大千开始云游世界，先后移居香港、印度、阿根廷、巴西、美国等国家和地区，晚年定居台湾营建“摩耶精舍”。由此绘画视野大开，并注意研究日本浮士绘及西方立体派艺术的技法，所绘仕女笔法生动，极具时代感，给观者似有息息相通、脉脉传情的感觉，创作风格也逐渐从古典向现实转变。期间，由于旅居海外特别是1957年突患眼疾，仕女画作品数量明显减少，但一生求变求新的张大千，却再度变法独创并成就了泼墨泼彩山水画，开一代中国画新风。

After 1949, Zhang Began to travel around the world and moved to Hong Kong, India, Argentina, Brazil, the United States and other countries and regions. Therefore, the painting field of vision is widened, and attention is paid to the study of Japanese Faustus painting and western cubist art techniques, the painting of ladies is vivid, with a sense of The Times, the audience seems to have a sympathetic feeling, the creation style has gradually changed from classical to realistic. During this period, due to his overseas residence, especially his sudden eye disease in 1957, the number of ladies' paintings decreased significantly. However, Zhang Daqian, who was seeking for changes in his life, created original Chinese ink and color landscape painting once again and created a new style of Chinese painting.

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