精品推荐：大清雍正年制斗彩碗

雍正一朝在位虽然只有短短的13年，陶瓷手工业的发展却在康熙的从础上 有了明显的提高。图案规整秀丽，工艺精益求精，制瓷技术达到了历史上的较高水平。此时的景德镇御密厂“每年要供御一万六七千件”，生产则要达‘二万五千件”之多。现藏于故宫的雍正斗彩，在距今近三百年的今天看来，造型规整、线条优美、釉色匀净、色彩灿烂，在陶瓷史上有若较高的地位。

Although Yongzheng once reigned for only 13 years, the development of ceramic handicraft industry has improved obviously on the basis of Kangxi. The pattern is regular and beautiful, and the craft keeps improving. The porcelain making technology has reached a higher level in history. At this time, Jingdezhen royal secret factory "has to supply 16,700 pieces per year" and has to produce as many as 25,000 pieces. Yongzheng Doucai, now hidden in the Forbidden City, has a regular shape, graceful lines, even glaze and brilliant colors, and has a high status in the history of ceramics.

【藏品名称】：大清雍正年制斗彩碗

"Name of Collection": Doucai Bowl Made in Yongzheng Year of Qing Dynasty

【规格】：口径14.3CM 底径10CM 高6.5CM

"Specification": diameter 14.3CM, bottom diameter 10CM and height 6.5CM

雍正在文化事业上，讲究传承，追求正统，完成易代修史的任务;在艺术创作上，他追求精致典雅，秀气精细;在思想上，强调儒、佛、道三教并重，加以雍正帝自身精于书法，文采风流，结合宫廷画师与词臣，为雍正朝创作出大量精美且独具特色的皇家艺术品。

Yongzheng paid attention to inheritance, pursued orthodoxy, and completed the task of replacing and revising history in cultural undertakings. In artistic creation, he pursues refinement, elegance and delicacy. In ideology, it emphasizes the equal importance of Confucianism, Buddhism and Taoism. With Yong Zhengdi's own expertise in calligraphy and literary grace, he created a large number of exquisite and unique royal works of art for the Yongzheng Dynasty by combining court painters and ci ministers.

雍正斗彩瓷器无论从造型设计。还是纹饰布局、色彩搭配以及填彩工艺，均进人了一个崭新的阶段。此时的斗彩继续沿 用了填彩的装饰方法，与从前的装饰所不同的是，青花线内所峨彩料，填彩准确，工整细腻，不越边线，亦无端填，在有限的青花框内，将彩料进行渲染和烘托，改变了明代双线平涂的局限，使纹饰更加清逸秀丽。

Yongzheng Doucai Porcelain, regardless of its design. It is also the decoration layout, color matching and color filling process that have entered a brand-new stage. At this time, the fighting colors continued to be decorated with the method of filling colors. Different from the previous decorations, the blue and white lines were filled with accurate, neat and delicate color materials. They did not cross the border lines, and were filled without reason. In the limited blue and white frame, the color materials were rendered and set off by contrast, which changed the limitation of double-line flat painting in the Ming Dynasty and made the decoration clearer and more beautiful.

雍正斗彩的另一个贡献，是把粉彩运用到斗彩的装饰之中。此种填彩摒弃了传统五彩的填彩工艺，采用康熙晚期出的釉L新彩—粉彩。粉彩是一种含有“玻璃白”的彩料。它是在进口珐琅彩料的墓础上，由清宫造办处研制而成。“玻璃 白”是一种乳浊剂，与其他着色剂配合使用。可以使各色彩料呈现出一种深浅不一、层次分明的多种色阶，给人以温文尔雅的装饰效果。

Another contribution of Yongzheng's fighting colors is to apply pastel colors to the decoration of fighting colors. This kind of color filling abandons the traditional colorful color filling process and adopts the new glaze L color-pastel color developed in the late Kangxi period. Pastel is a kind of color material containing "glass white". It was developed by the Qing Dynasty Palace Construction Office on the basis of the tomb foundation of imported enamel colored materials. "Glass White" is an opacifying agent used in combination with other colorants. Can make each color material present a variety of color levels with different shades and distinct levels, giving people a gentle decorative effect.

通过“玻璃白”的渲染，可以得到“一色多变”，因而大大地增加了色彩的品种。粉彩与青花拼色彩绘。其色料在烧成后，在瓷器的表而与传统的五彩相比有一定的厚度，扮润柔和、晶莹光亮并具立体感。这种一改青花与五彩搭配，转向青花与粉彩合绘的饰彩方法，将釉下青花与釉上粉彩融为一体，较之前代的斗彩瓷器更加清逸、淡雅。在雍正时期，斗彩瓷器址突出的成就是将青花与粉彩合绘千一身。使彩瓷进一步得到了发展，在此基础上不断提高制瓷工艺和绘画技巧，造型与装饰也有了许多新的开拓和创新，使斗彩瓷器更加繁荣兴旺。

Through the rendering of "glass white", one can get "varied colors", thus greatly increasing the variety of colors. Pastel and blue-and-white mixed color painting. After being burnt, the pigment has a certain thickness on the surface of the porcelain compared with the traditional multicolored porcelain, and is soft, glittering and translucent, and has three-dimensional effect. This method changed the collocation of blue and white and changed to the decoration method of blue and white combined with pastel. It integrated underglaze blue and white with over-glaze pastel, which was much clearer and more elegant than the previous generation of bucket-colored porcelain. During the Yongzheng period, the outstanding achievement of the Doucai porcelain site was to combine blue and white with pastel. With the further development of colored porcelain, on this basis, the porcelain making technology and painting skills have been continuously improved, and many new developments and innovations have been made in the modeling and decoration, thus making the color-fighting porcelain more prosperous.

这件大清雍正年制斗彩碗，品相完好，胎质细腻，纹饰鲜艳精细，碗口为撇口，深腹，圈足，底款“大清雍正年制”六个字，清晰可见。斗彩碗的外壁绘有缠枝纹样，纹样清新疏朗，用笔洒脱用色纯正，美观大气，品味高雅，意境深远。制瓷工匠巧妙地用多彩的釉色相互结合、堆叠，将青花瓷胎上的空白部分充实起来，使整体画面饱满，也显得生动活泼富贵之气十足，除了碗身的图案外，碗心也同样被精心的塑造了花卉纹饰。宝贝造型考究，风格典雅，画工细腻传神，色彩鲜艳明丽，是雍正时期斗彩瓷器中的佳作。在瓷器艺术品中，独树一帜，成为众多收藏爱好者钟情的瓷器典范。

This bowl made in Yongzheng year of Qing dynasty has good appearance, fine embryo quality and bright and fine decoration. the bowl has a curled mouth, a deep belly and a full circle. the bottom six characters "made in Yongzheng year of Qing dynasty" are clearly visible. The outer wall of the color bowl is painted with twining patterns. The patterns are fresh and clear, and the colors are pure, beautiful and elegant, with profound artistic conception. Porcelain makers skillfully combined and stacked the blank parts on the blue-and-white porcelain tire with colorful glaze colors to make the overall picture full and vivid. Besides the design of the bowl body, the bowl heart was also carefully shaped with flower decorations. The baby has exquisite modelling, elegant style, exquisite and vivid painting, bright and beautiful colors, and is an excellent piece of fighting color porcelain in Yongzheng period. Among porcelain works of art, it is unique and has become a model of porcelain loved by many collectors.

古玩行 400 686 3616